scholarly journals Domestication strategy in rendering lexical and phraseological units in American university discourse: Stylistic aspects

2021 ◽  
Vol 105 ◽  
pp. 01007
Author(s):  
Viktoriia Masanovets
Keyword(s):  
The Novel ◽  
Phrasal Verbs ◽  
American University ◽  
Translation Strategy ◽  
Proper Nouns ◽  
University Discourse ◽  
Secret History

The article aims at disclosing stylistic aspects of the domestication strategy representation and establishing correlations between domestication translation strategy and ways of English-Ukrainian translation of lexical and phraseological units in American university discourse based on the novel The Secret History by Donna Tartt and its Ukrainian translation by Bohdan Stasiuk. A comparative, stylistic, contextual and translation analyses of the source and target texts were employed. The research argues that in order to minimise the number of foreign elements in the target text, to make it more comprehensible for the reader the notion of domestication is applied in the translation. The study singles out six groups of lexical and phraseological units in the ST domesticated in the Ukrainian translation (idioms, phrasal verbs, colloquial vocabulary (slang and vulgarisms), interjections, proper nouns and stylistically neutral vocabulary) and means of their domestication in the TT (translation by means of stylistic equivalents, stylistic translation transformations of expressivation and logisation). According to the obtained results, the prevailing ways of representation of domestication strategy in the Ukrainian translation of American university discourse are translation by means of stylistic equivalents predominantly used for reproducing ST idioms, phrasal verbs, interjection, colloquial vocabulary and domesticated proper nouns; stylistic translation transformation of expressivation (applied to stylistically neutral ST vocabulary) and logisation (several phraseological units).

Authorship, Publication, Reception (2)

2018 ◽  
Author(s):  
Robert D. Hume
Keyword(s):  
The Novel ◽  
True Relation ◽  
Recurrent Theme ◽  
Secret History

This chapter examines the period between the mid-1680s and 1740, long considered to be the time ‘the rise of the novel’ occurred. Scholars have difficulty separating fiction from factual narrative during this era, as the authors and readers of the time thought of fiction not as the ‘novel’ but rather as a congeries of disparate and overlapping types: ‘history’, ‘letters’, ‘tale’, ‘romance’, ‘secret history’, ‘memoirs’, ‘true relation’, and the like. Only in the 1740s could one find a publishing environment more familiar to modern observers. Moreover, a recurrent theme of this era is price, to which book historians are usually sensitive, but which literary critics have not tended to consider important. Price is a crucial factor in relation to the length of the book, the author's remuneration, the publisher's profit, and the audience that can be reached.

scholarly journals Translation Strategies of Similes in “Game of Thrones” Novel

2021 ◽  
Vol 4 (4) ◽  
pp. 172-177
Author(s):  
Dellia Erdita
Keyword(s):  
Type A ◽  
The Novel ◽  
Source Text ◽  
Change Strategy ◽  
Original Source ◽  
Translation Strategies ◽  
Change Type ◽  
Translation Strategy ◽  
Type C ◽  
Game Of Thrones

This research aims to find out the similes found in the novel “Game of Thrones” and its Indonesian translation “Perebutan Tahta”, and to investigate what translation strategies are used in translating the similes from the source text to the target text. The method applied in this research is descriptive qualitative which is used to describe the phenomena occuring in the translation of similes from English into Indonesian. The data were collected from the first three chapters of the novel Game of Thrones by George R. R. Martin and its Indonesian version entitled Perebutan Tahta. The similes are identified by using the theories of similes proposed by Israel (2014), Harding (2017), Knowles and Moon (2006), and Kridalaksana (2013). In analyzing the data, the translation strategies proposed by Chesterman (2016) are used. The result shows that there are 32 data found, 28 of them are similes translated into similes, while 4 of them are similes translated into non-similes. The translation strategy used to translate similes into similes is trope change type A, while the translation strategy used to translate similes into non-similes are trope change type C. The findings show that the translation of similes into similes are dominant in the first three chapter of the novel with the percentage 87,5% from out of 32 data found, while the translation from similes to non-similes is only 12,5%. The findings also show that there is secondary strategy found while analyzing the data, namely compression. Nevertheless, regardless of the fact that the similes in the source text are translated into similes and non-similes in the target text, the main translation strategy used is still trope change, although the types are different. For the reason that the trope change strategy is specifically stated by Chesterman to translate figurative expressions, which includes simile. Furthermore, the secondary strategy, compression, occurred because due to the structure of Indonesian language, the translation in the target text tends to be shorter than the original source text in English.

scholarly journals The Foregrounding Function of Praesens Historicum in Russian Translated Adventure Narratives (20th Century)

Slovene ◽  
2016 ◽  
Vol 5 (1) ◽  
pp. 226-248 ◽  
Author(s):  
Anastasia V. Urzha
Keyword(s):  
Discourse Analysis ◽  
English Language ◽  
The Novel ◽  
Functional Grammar ◽  
Young Readers ◽  
Translation Strategy ◽  
Common Basis ◽  
Narrative Forms

This research focuses on the functioning of praesens historicum forms which Russian translators use to substitute for English narrative forms referring to past events. The study applies the Theory of Grounding and Russian Communicative Functional Grammar to the comparative discourse analysis of English-language adventure stories and novels created in the 19th and 20th centuries and their Russian translations. The Theory of Grounding is still not widely used in Russian translation studies, nor have its concepts and fruitful ideas been related to the achievements of Russian Narratology and Functional Grammar. This article presents an attempt to find a common basis in these academic traditions as they relate to discourse analysis and to describe the role of praesens historicum forms in Russian translated adventure narratives. The corpus includes 22 original texts and 72 Russian translations, and the case study involves six Russian translations of The Adventures of Tom Sawyer, focusing on the translation made by Korney Chukovsky, who employed historic present more often than in other translations of the novel. It is shown that the translation strategy of substituting the original English-language past forms with Russian present forms is realized in foregrounded and focalized segments of the text, giving them additional saliency. This strategy relates the use of historic present to the functions of deictic words and words denoting visual or audial perception, locating the deictic center of the narrative in the spacetime of the events and allowing the reader to join the focalizing WHO (a narrator or a hero). Translations that regularly mark the foreground through the use of the historic present and accompanying lexical-grammatical means are often addressed to young readers.

scholarly journals An immersive Arabic language course in Cairo moves online

2021 ◽  
pp. 79-94
Author(s):  
Heba Salem
Keyword(s):  
Arabic Language ◽  
The Novel ◽  
Community Based ◽  
American University ◽  
University Environment ◽  
The Us ◽  
Community Based Learning ◽  
Online Format ◽  
Novel Coronavirus ◽  
The University

This chapter describes the my experience as the instructor for a course rooted in community based learning theory that was forced to move online in spring, 2020, due to the novel coronavirus pandemic. The course, titled ‘CASA Without Borders’, allows Arabic language students in the Center for Arabic Study Abroad (CASA) program at The American University in Cairo (AUC) to leave the university environment and serve the community, while also benefiting from the experience both linguistically and culturally. This course was disrupted by the students’ mandatory return to the US from Cairo as a result of the COVID-19 outbreak, and continued remotely in an online format. This chapter describes the CASA program and explains both the purpose of the CASA Without Borders course and its significance to CASA students and to the program. It also describes and reflects upon my experience of continuing the course remotely during the ongoing pandemic.

scholarly journals On the Images and Tragedies of Three Females in The Plain of White Deer

2020 ◽  
Vol 10 (2) ◽  
pp. 35
Author(s):  
Jun Wang
Keyword(s):  
The Novel ◽  
Historical Changes ◽  
Patriarchal Society ◽  
Child Bearing ◽  
History Of ◽  
Status Of Women ◽  
Secret History

The Plain of White Deer, known as a “secret history of China”, unfolds the historical changes of Weihe Plain in more than half of the last century. Based on the fates of different females, the novel tries to disclose the cruel oppression of the feudal clan system on women and the low status of women as a child-bearing tool in the patriarchal society. This paper will analyze the miserable fates of the three main females Tian Xiao’e, Lu Lengshi and Bai Ling in the novel and also the reasons for their tragic fates.

Circuits

2019 ◽  
pp. 177-195
Author(s):  
Michelle Burnham
Keyword(s):  
Haitian Revolution ◽  
Racial Violence ◽  
The Novel ◽  
Saint Domingue ◽  
The Haitian Revolution ◽  
Secret History

This chapter reads the dynamics of gender and racial violence in Leonora Sansay’s 1808 novel Secret History in transoceanic context. Even as the French Atlantic triangle generated enormous wealth through enormous exploitation, encounters and events in the transnational Pacific were laying bare the unequal terms and coercive relations that underpinned such triangles and the circuits that spun around them. Set in Saint Domingue during the Haitian Revolution, the novel situates the violence of both marital and plantation intimacies within the turning global circuits of sexual-economic drive and their production of disproportion and inequality. By presenting French European and French creole desire in terms of a sexualized colonialism and a pornographic capitalism, Secret History exposes the rotations of capitalist drive as a violent obscenity, and revolution as its violent offspring.

scholarly journals The Translation of English Figures of Speech Found in the Novel Temperatures Rising into Indonesian

HUMANIS ◽  
2018 ◽  
pp. 598
Author(s):  
I Putu Pebri Pranata ◽  
Sang Ayu Isnu Maharani ◽  
I Made Netra
Keyword(s):  
Qualitative Method ◽  
The Novel ◽  
Note Taking ◽  
Translation Strategies ◽  
Figures Of Speech ◽  
Translation Strategy ◽  
Romantic Novel

This study is entitled The Translation of English Figures of Speech Found in the novel Temperatures Rising into Indonesian. It was formulated two problems; types of figures of speech found in the novel entitled Temperatures Rising and the translation strategies implemented by translator to translate English figures of speech. It is aimed to find the types of figures speech in the novel and analyze the translation strategies implemented by the translator in the translation of the English figures of speech. The data which were used for this study were taken from an English romantic novel entitled Temperatures Rising in 1989 and its translation Hasrat Membara published by PT Gramedia Pustaka Utama in 2104. Documentation method was used in this study by reading attentivelt and doing note-taking. Qualitative method was used to analyze the data. Besides, the result of analysis is explained descriptively. Two theories proposed by Larson were applied in this study. The first theory that mentions the type of figures of speech was used to discuss the first problem. The second theory that explains the translation strategy was used to discuss the second problem. The study showed that there were six types of English figures of speech found in the novel. Based on the second formulated problem in this study, it showed that there were only two strategies  implememted by the translator to translate the English figures of speech.

A corpus-based study on imagery and symbolism in Goldblatt’s translation of Red Sorghum

Babel ◽  
2019 ◽  
Vol 65 (3) ◽  
pp. 399-423 ◽  
Author(s):  
Meng-Lin Chen
Keyword(s):  
Literary Translation ◽  
The Novel ◽  
Source Text ◽  
Mo Yan ◽  
Translation Strategies ◽  
Figures Of Speech ◽  
Literal Translation ◽  
Translation Strategy ◽  
Translation Study ◽  
Key Word

Abstract Research on Goldblatt’s translation of Red Sorghum has attracted more attention in recent years after its author Mo Yan won the Nobel Prize for this work. This translation study has addressed the imagery and symbolism in this classic Chinese work, an area that has yet to be investigated with the use of empirical data. The study employed the corpus-based approach, and analysed the translation of images and symbols based on a parallel translation corpus of Chapters 1 and 2 found in the text of Red Sorghum. Most important images and symbols are represented by 30 distinct nouns in the novel as successfully translated into English as a result of the translator’s adoption of a literal translation strategy. A more focused examination of a translation of the most prominent key word, sorghum, finds that the translator has faithfully adopted the imagery and symbolism techniques in the source text whenever conveying the images and symbols of sorghum across cultures. Based on the findings, this study argues that images and symbols in the source text may present themselves in the translation of novels if translators adopt a source-oriented translation strategy. Our analyses of the translation of figures of speech, namely similes, personifications and repetitions further highlight the importance of taking concert and literal translation strategies into the realm of literary translation.

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