Population Displacement and Regional Reconstruction in Postwar Poland: the Case of Upper Silesia

Warlands ◽  
2009 ◽  
pp. 210-228
Author(s):  
Ewa Ochman
Author(s):  
Mohamed Ahmed

In the late 1950s, Iraqi Jews were either forced or chose to leave Iraq for Israel. Finding it impossible to continue writing in Arabic in Israel, many Iraqi Jewish novelists faced the literary challenge of switching to Hebrew. Focusing on the literary works of the writers Shimon Ballas, Sami Michael and Eli Amir, this book examines their use of their native Iraqi Arabic in their Hebrew works. It examines the influence of Arabic language and culture and explores questions of language, place and belonging from the perspective of sociolinguistics and multilingualism. In addition, the book applies stylistics as a framework to investigate the range of linguistic phenomena that can be found in these exophonic texts, such as code-switching, borrowing, language and translation strategies. This new stylistic framework for analysing exophonic texts offers a future model for the study of other languages. The social and political implications of this dilemma, as it finds expression in creative writing, are also manifold. In an age of mass migration and population displacement, the conflicted loyalties explored in this book through the prism of Arabic and Hebrew are relevant in a range of linguistic contexts.


2013 ◽  
Vol 63 (2) ◽  
pp. 271-281 ◽  
Author(s):  
Magdalena Kokowska-Pawłowska ◽  
Jacek Nowak

Abstract Kokowska-Pawłowska, M. and Nowak, J. 2013. Phosphorus minerals in tonstein; coal seam 405 at Sośnica- Makoszowy coal mine, Upper Silesia, southern Poland. Acta Geologica Polonica, 63 (2), 271-281. Warszawa. The paper presents results of research on tonstein, which constitutes an interburden in coal seam 405 at the Sośnica- Makoszowy coal mine, Makoszowy field (mining level 600 m), Upper Silesia, southern Poland. The mineral and chemical compositions of the tonstein differ from the typical compositions described earlier for tonsteins from Upper Silesia Coal Basin area. Additionally, minerals present in the tonsteins include kaolinite, quartz, kaolinitised biotite and feldspars. The presence of the phosphatic minerals apatite and goyazite has been recognized. The presence of gorceixite and crandallite is also possible. The contents of CaO (5.66 wt%) and P2O5 (6.2 wt%) are remarkably high. Analysis of selected trace elements demonstrated high contents of Sr (4937 ppm) and Ba (4300 ppm), related to the phosphatic minerals. On the basis of mineral composition the tonstein has been identified as a crystalline tonstein, transitional to a multiplied one.


2018 ◽  
Vol 59 (1) ◽  
pp. 27-41
Author(s):  
Paweł Pistelok

Abstract A city’s public spaces ought to meet a number of requirements to serve their main purpose, that is to foster public life. They need, for instance, to answer people’s needs, fulfil certain social functions, and let people use their basic rights, among them the most important right of access. In Katowice, one of the most prominent examples of the regeneration of public spaces is now the Culture Zone. The aim of this paper is to discuss the development of social functions in the area mentioned, a fine example of the post-industrial heritage of Upper Silesia. Applying some of the qualities of public space identified in the theories adopted, the paper discusses how the Culture Zone [in Polish: Strefa Kultury] fulfils the above-mentioned demands and requirements. Is it accessible? Does it meet the need for comfort? Does it function as a leisure space? By referring to analyses and opinions presented in the literature and comparing them with the results of the author’s own empirical research, this article discusses the importance, opportunities, and shortcomings of the Culture Zone as a public space.


Author(s):  
Maria Nowak-Kiczmer ◽  
Katarzyna Kubicka-Bączyk ◽  
Natalia Niedziela ◽  
Bożena Adamczyk ◽  
Krzysztof Wierzbicki ◽  
...  

Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
Jerzy Gorzelik

The rise of nationalism threatened the integrity of the Catholic milieu in borderlands such as Prussian Upper Silesia. Facing this challenge, the ecclesiastical elite developed various strategies. This article presents interpretations of sacred art works from the first half of the 20th century, which reveal different approaches to national discourses expressed in iconographic programs. The spectrum of attitudes includes indifference, active counteraction to the progress of nationalism by promoting a different paradigm of building temporal imagined communities, acceptance of nationalistic metaphysics, which assumes the division of humanity into nations endowed with a unique personality, and a synthesis of Catholicism and nationalism, in which national loyalties are considered a Christian duty. The last position proved particularly expansive. Based on the primordialist concept of the nation and the historiosophical concept of Poland as a bulwark of Christianity, the Catholic-national ideology gained popularity among the pro-Polish clergy in the inter-war period. This was reflected in Church art works, which were to present Catholicism as the unchanging essence of the nation and the destiny of the latter resulting from God’s will. This strategy was designed to incorporate Catholic Slavophones into the national community. The adoption of a different concept of the nation by the pro-German priests associated with the Centre Party—with a stronger emphasis on the subjective criteria of national belonging—resulted in greater restraint in expressing national contents in sacred spaces.


Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.


2003 ◽  
Vol 67 (6) ◽  
pp. 1231-1241 ◽  
Author(s):  
M. Jablonska ◽  
J. Janeczek ◽  
F. J. M. Rietmeijer

AbstractThe tropospheric dust loading in Upper Silesia (Poland) shows a steady, annually averaged supply of minerals from natural and anthropogenic sources, industrial dust emitters, domestic heating, transportation, but with superimposed seasonal changes for some dust types. Samples of airborne and deposited particles were collected at monthly intervals between 1996 and 2001 in several cities of Upper Silesia. Dust samples were examined by X-ray powder diffraction, analytical transmission electron microscopy, analytical scanning electron microscopy, and electron microprobe microanalysis. The most common dust included quartz, gypsum, coke, soot, hematite, magnetite, wüstite, bassanite, graphite and various K-, Fe- and Mg-bearing aluminosilicates, in order of decreasing abundance. Minor phases included α-iron, sulphur, sphalerite, halite, sylvite, hercynite, franklinite, baryte, dolomite, ankerite, apatite, olivine and feldspars. Quartz, and specific industrial minerals, e.g. spinels, sphalerite, olivine and iron, occurred throughout the year in almost constant abundances. The amounts of all other dust components show seasonal variations; gypsum, baryte and other sulphates are particularly abundant in winter. In general, minerals related to low-emission sources are abundant in the winter time, while both natural dusts and dust from high-emission sources are predominant during the summer.


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