Third Parties in “Third Spaces”: Reflecting on the Role of the Translator in Oral History Interviews with Iraqi Diasporic Women

2013 ◽  
pp. 169-183
Author(s):  
Nadia Jones-Gailani
Author(s):  
Shailesh Shukla ◽  
Jazmin Alfaro ◽  
Carol Cochrane ◽  
Cindy Garson ◽  
Gerald Mason ◽  
...  

Food insecurity in Indigenous communities in Canada continue to gain increasing attention among scholars, community practitioners, and policy makers. Meanwhile, the role and importance of Indigenous foods, associated knowledges, and perspectives of Indigenous peoples (Council of Canadian Academies, 2014) that highlight community voices in food security still remain under-represented and under-studied in this discourse. University of Winnipeg (UW) researchers and Fisher River Cree Nation (FRCN) representatives began an action research partnership to explore Indigenous knowledges associated with food cultivation, production, and consumption practices within the community since 2012. The participatory, place-based, and collaborative case study involved 17 oral history interviews with knowledge keepers of FRCN. The goal was to understand their perspectives of and challenges to community food security, and to explore the potential role of Indigenous food knowledges in meeting community food security needs. In particular, the role of land-based Indigenous foods in meeting community food security through restoration of health, cultural values, identity, and self-determination were emphasized by the knowledge keepers—a vision that supports Indigenous food sovereignty. The restorative potential of Indigenous food sovereignty in empowering individuals and communities is well-acknowledged. It can nurture sacred relationships and actions to renew and strengthen relationships to the community’s own Indigenous land-based foods, previously weakened by colonialism, globalization, and neoliberal policies.


2016 ◽  
Vol 41 (3) ◽  
pp. 198-208
Author(s):  
Maarman Samuel Tshehla

My fair lion and his pride is an autobiographical narrative of the life story of a respected and beloved, yet reserved and unlettered matriarch. The pleasure of capturing her recollections befell the present author. Consequently, the task of reflecting on the process that led to the production of My fair lion has also befallen him. In the present reflection, the author undertakes a retrospective journey guided by questions pertaining to oral history methodology. The dynamics of an individual remembering past events; the place of formal literacy in memory formation and retrieval; the role of the oral historian in oral history interviews and such other issues are indirectly explored below. In the end, it appears that while this author’s preceding ignorance of oral history considerations may have disadvantaged the production of My fair lion, the latter retains and communicates sufficient qualities not of a grand narrative, but of a down-to-earth Christian mother, wife, and in-law.


Urban History ◽  
2007 ◽  
Vol 34 (3) ◽  
pp. 431-452 ◽  
Author(s):  
JOHN FOOT

ABSTRACTThe micro-history of one apartment block in the inner-suburb of Bovisa, Milan over a period of 100 or so years is examined using oral history interviews to trace the development of the block and its residents in relation to that of the city of Milan. The piece is bounded by theoretical reflections on the role of micro-history, oral history and other methodologies as tools for understanding the home and urban history, and concludes that the survival of a rural past, the role of gender, the importance of architecture and of nostalgic memory in a rapidly changing world were important influences.


Author(s):  
Patricia Tang

This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their artistry. The role of swing bands in New Brighton and surrounding communities as the training ground for members of the Soul Jazzmen and other local musicians of note is discussed, as well as how the Soul Jazzmen in turn were tutors for musicians of the next generation who became widely recognized artists, composers and arrangers. This is followed by a focus on the Soul Jazzmen and compositions by its members that protested against the apartheid regime in the 1960s–70s. The article is informed by historic photographs, newspaper clippings and information from oral history interviews that richly document how jazz was performed in service of the anti-apartheid struggle in New Brighton.


2019 ◽  
Vol 174 (1) ◽  
pp. 86-96
Author(s):  
Kyle Harvey

This article examines the practice and function of casting in the Australian television industry from the 1960s to the 1990s. It investigates the role of ethnicity and accents and the practice of casting actors of migrant backgrounds in Australian drama, variety and comedy. In an industry so often dominated by Anglo-Australian stories, faces and voices, the increasing presence of actors from non-English-speaking backgrounds and non-European ethnicities has been a key feature of the changing nature of Australian television production. By analysing ‘Showcast’ casting directories, supplemented with oral history interviews, this article suggests that actors have tended to adopt fluid or hybrid identities to navigate the casting process and find steady work in the television industry. The manipulation of identity, I argue, sits at the nexus of overlapping cultural spheres amid the challenging operation of multiculturalism in Australian media.


Sexualities ◽  
2020 ◽  
pp. 136346072094730
Author(s):  
Kate O’Riordan ◽  
Sharon Webb

This paper draws upon oral history interviews and archival work carried out to examine the history of the LGBTQ+ student society at the University of Sussex. It reflects upon the significance of the Society’s name change over time (from GaySoc in the 1970s to its contemporary formation as the LGBTQ+ Society) and considers the role of the Society and its members as an active political and sociable group, concerned with a broad range of political and social justice movements, both on campus and across wider society, locally and nationally. It demonstrates how the experience of student societies relates to individual and group identity and how they help shape national and international politics. It looks at how the groups were positioned as political through their location and in relation to activism beyond LGBTQ+ issues and the University.


2021 ◽  
Vol 133 (2) ◽  
pp. 176-205
Author(s):  
Philipp Freyburger ◽  
Frank Jäger

Numerous studies have shown how autobiographical narratives can illustrate the functions and structures of traumatic memory through language However, comparative research between linguistics and literature, between oral and written accounts, has often been neglected, especially when it comes to the role of sensory perception in the process of memory emergence The present study focuses on the examination of ’emerging memory‘ in both oral history interviews and literary narratives as testified by traumatised war and holocaust survivors It focuses primarily on communicative strategies and linguistic structures, which can be found in both corpora By applying the linguistic concept of evidentiality, it will be shown how visual and auditive stimuli condition, regulate and facilitate the process of verbalization in both oral and written narratives


2017 ◽  
Vol 12 (6) ◽  
pp. 646-659 ◽  
Author(s):  
Anna Green ◽  
Kayleigh Luscombe

Contemporary research into the relationship between material culture and the formation of personal and family identities has emphasized the idealized symbolic role of inherited objects and ‘things’. In the following research, oral history interviews were recorded with 12 multigenerational families in Devon and Cornwall about memories and stories from the family’s past. Within this oral history cohort, the eldest member in four families identified objects that did not fit the model of positive, affective resonance. These material things symbolized a calamitous or difficult key turning point in family history and generated counterfactual thinking about the family trajectory over time. In this form of family memory, personal identities could be grounded in the lives of earlier generations prior to the pivotal event.


Author(s):  
Diane Thram

This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their artistry. The role of swing bands in New Brighton and surrounding communities as the training ground for members of the Soul Jazzmen and other local musicians of note is discussed, as well as how the Soul Jazzmen in turn were tutors for musicians of the next generation who became widely recognized artists, composers and arrangers. This is followed by a focus on the Soul Jazzmen and compositions by its members that protested against the apartheid regime in the 1960s–70s. The article is informed by historic photographs, newspaper clippings and information from oral history interviews that richly document how jazz was performed in service of the anti-apartheid struggle in New Brighton.


2016 ◽  
Vol 2 (1) ◽  
pp. 56-69
Author(s):  
Sindiso Bhebhe ◽  
Anele Chirume

The Tshwao or San people, formally known as Bushmen, are believed to have been the first people to settle in what is known as Zimbabwe today. The migration of the agriculturalist ethnic groups, especially the Ndebele and Kalanga kingdoms, into their territory has affected their social way of life. It has led to forced assimilation, marginalization and dispossession of their land, including their rock paintings and denial of land rights. This has meant that they have lost most of their cultural values and identity, most notably their language, land and religion. There is therefore an urgent need to document the activities of the San people in order to salvage their cultural activities. Various cultural activities of the San people are connected to their land. Their religion is connected to  articular land, for example Matopo and Njelele. This land has been taken away from their control, meaning their religion has been compromised. The San are generally nomadic and more inclined to a gathering and hunting life style. The fact that they can no longer move around because of resettlements of the Kalanga and Ndebele people on their land has disturbed this way of life. This article is based on the use of oral history interviews in collecting data. Purposive sampling will be done so that specifically targeted San people will be interviewed in such a way that they tell their life histories. Literature regarding the San people will also be reviewed.


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