Universities, public service experimentation, and the origins of radio broadcasting in the United States, 1900–1920

2006 ◽  
Vol 26 (4) ◽  
pp. 485-504 ◽  
Author(s):  
Hugh Richard Slotten
Public Voices ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 55
Author(s):  
Tony Carrizales

Public Service, in popular culture, can be viewed through many artistic lenses. Although there has been a consistent negative portrayal of government through art forms such as film and television, this research looks to review how government institutions in the United States have used art to provide a positive portrayal of public service. Eight forms of public service art are outlined through a content analysis of the holdings at the Virtual Museum of Public Service. The findings show that government and public entities have historically and continually engaged in promoting public service through art. Many of these public art examples are accessible year round, without limitations, such as buildings, statues, and public structures.


2020 ◽  
Author(s):  
Michael Daubs ◽  
Alex Beattie

This contribution argues that companies such as Apple, Facebook, and Google are increasingly incorporating features that supposedly promote “digital well-being” to forestall regulation of their platforms and services. The inclusion of these features, such as Apple’s Screen Time, frames these commercial platforms as providing a social good by promising to encourage more “intentional” or “mindful” use of social media and mobile devices. As a result, oft-critiqued platforms are increasingly adopting the language of their critics in order to frame themselves as a social good. This strategy mimics that used by radio executives in the United States in the early twentieth century, where the medium developed as a predominantly commercial enterprise. To avoid regulation, it became necessary to perpetuate the perception that commercial broadcasters were also a social good that fulfilled a public service function. Platforms today, we assert, are inadvertently or purposefully adopting a similar tactic to position themselves as leaders in a developing digital wellness market in the hopes of avoiding future governmental regulation.


Author(s):  
L. Randall Wray ◽  
Flavia Dantas ◽  
Scott Fullwiler ◽  
Pavlina R. Tcherneva ◽  
Stephanie A. Kelton

2005 ◽  
Vol 21 (3) ◽  
pp. 406-435
Author(s):  
W. B. Cunningham

The author states that the conventional wisdom has viewed collective bargaining in the public service as unnecessary, impractical and illegal. And he adds that, in general, and until recently, the prevailing practices in the United States and Canada have been in close harmony with the conventional wisdom. But the restless change of events threatens the existing state of affairs, described by the conventional wisdom, with progressive obsolescence. And the author answers the two following questions: Can the industrial relations system of the private sector be applied to public employment? To what extent does the nature of government employment raise unique problems? The enemy of the conventional wisdom is not ideas but the march of events. J.K. GALBRAITH, « The Affluent Society »


1943 ◽  
Vol 37 (6) ◽  
pp. 1014-1026
Author(s):  
Carl J. Friedrich ◽  
Evelyn Sternberg

Congress established a policy for wartime radio under Section 606 of the Communications Act of 1934 when it gave the President power to take over the entire radio industry in time of war or national emergency. He took advantage of this in September, 1940, when by an executive order he created the Board of War Communications (previously the Defense Communications Board). In the 1934 act, too, he was given wide authority to suspend the FCC rules and to close stations or to use them as he saw fit. In September, 1939, when a state of “limited national emergency” was declared, there was speculation as to the effect that this section would have on the broadcasting industry. Certain Congressmen showed an inclination to back down from the principle of broad Presidential powers over radio. Representative Ditter's bill of 1940, enthusiastically supported by the broadcasting industry, was intended to curb the wide powers the Communications Act had conferred upon the President. This bill, never acted upon, would have added a provision that no transmitter might be confiscated or silenced because of the “character or contents of any program” or in order to permit the government to engage in or control broadcasting, except upon proclamation by the President that the United States was actually at war.Previously, Congress had enacted some legislation which is pertinent to the war. In 1932, for example, a law was passed that licenses should be issued to qualified United States citizens only, and in 1941, by a new act, the Commission was enabled to consider the character and capacity of potential licensees in order to guard against “subversive” individuals.


Sign in / Sign up

Export Citation Format

Share Document