Hans Morgenthau and the Tragedy of the Nation-State

2013 ◽  
Vol 36 (3) ◽  
pp. 513-529 ◽  
Author(s):  
Konstantinos Kostagiannis
Keyword(s):  
2013 ◽  
Vol 11 (3) ◽  
pp. 895-897
Author(s):  
Georg Sørensen

This is a book about the contributions of mid-twentieth-century classical realists, first and foremost E. H. Carr, Hans Morgenthau, and Reinhold Niebuhr. The argument is that the “realism” defended by these scholars is sadly misrepresented in mainstream textbooks. Textbook renditions of realism emphasize the pursuit of national interest and the importance of Realpolitik, deny morality any meaningful role in international politics, and confirm the primacy of the sovereign nation-state and the fragility of international institutions. Realists look to the balance of power as the major instrument in preserving peace, and they reject the idea that anarchy can be transformed as a result of globalization and interstate cooperation, even in advanced cases of the latter, such as the European Union.


2010 ◽  
Vol 37 (4) ◽  
pp. 1647-1669 ◽  
Author(s):  
ALEX PRICHARD

AbstractAnarchism does not feature in contemporary international relations (IR) as a discreet approach to world politics because until very recently it was antithetical to the traditional use-value of a discipline largely structured around the needs and intellectual demands of providing for the world's Foreign Offices and State Departments. This article tells part of the story of how this came to be so by revisiting the historiography of the discipline and an early debate between Harold Laski and Hans Morgenthau. What I will show here is that Morgenthau's Schmittian-informed theory of the nation state was diametrically opposed to Laski's Proudhon-informed pluralist state theory. Morgenthau's success and the triumph of Realism structured the subsequent evolution of the discipline. What was to characterise the early stages of this evolution was IR's professional and intellectual statism. The subsequent historiography of the discipline has also played a part in retrospectively keeping anarchism out. This article demonstrates how a return to this early debate and the historiography of the discipline opens up a little more room for anarchism in contemporary IR and suggests further avenues for research.


2010 ◽  
Vol 2 (2) ◽  
pp. 246-282 ◽  
Author(s):  
William E. Scheuerman

Most Realists today oppose far-reaching global reform on the grounds that it represents unrealistic and potentially irresponsible ‘utopianism’. An earlier generation of mid-century Realists, however, not only supported serious efforts at radical international reform but also developed a theoretically impressive model for how to bring it about. They considered the possibility of post-national political orders and ultimately a world state as desirable long-term goals, but only if reformers could simultaneously generate the thick societal background (or what they called ‘supranational society’) required by any viable order ‘beyond the nation state’. As they fail to engage constructively with proposals for global reform, present-day Realists betray their own intellectual tradition. By reconsidering the subterranean legacy of Realist reformism as advanced by mid-century international thinkers (e.g. E.H. Carr, John Herz, Hans Morgenthau, Reinhold Niebuhr, and Frederick Schuman), the essay provides a revisionist reading of the history of twentieth-century international theory, while also highlighting its significance for ongoing debates about global reform.


2019 ◽  
Vol 33 (2) ◽  
pp. 229-245 ◽  
Author(s):  
Or Rosenboim

This article examines the evolution of international thought through the notion of ‘political space’. It focuses on two important domains of international politics, the nation-state and the global, to reflect on spatial categories in the discipline of International Relations (IR). Since its inception, the concept of the nation-state has dominated mainstream IR theory. Yet an investigation of how international order has been theorized over IR’s first century shows that this era has also been defined by globalist visions of political order. Nowadays, globalization is sometimes seen as the apex of the historical interplay of particularity and universality. The progression towards global political and economic order, however, is today undermined by the resurgence of state-centric political nationalism which seeks to challenge the legitimacy of the global political space. By examining how past international thinkers including Alfred Zimmern, Barbara Ward, Hans Morgenthau, E. H. Carr and John Herz, imagined and interpreted the relations of space and politics in the national and global spheres, this article suggests that spatial thinking offers an insightful approach for theorizing international relations. The article argues that the global and national spaces attain their political meanings through divisions as well as interactions and connections. The focus on divisions, exemplified in the writings of Barbara Ward, helps to make sense of the modus operandi of power in the national and global political spaces by investigating differences, tensions and instability.


2008 ◽  
Vol 26 (2) ◽  
pp. 223-243 ◽  
Author(s):  
AVANTHI MEDURI

In this paper, I discuss issues revolving around history, historiography, alterity, difference and otherness concealed in the doubled Indian/South Asian label used to describe Indian/South Asian dance genres in the UK. The paper traces the historical genealogy of the South Asian label to US, Indian and British contexts and describes how the South Asian enunciation fed into Indian nation-state historiography and politics in the 1950s. I conclude by describing how Akademi: South Asian Dance, a leading London based arts organisation, explored the ambivalence in the doubled Indian/South Asian label by renaming itself in 1997, and forging new local/global networks of communication and artistic exchange between Indian and British based dancers and choreographers at the turn of the twenty-first century.


Author(s):  
Mary Youssef

This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally heterogeneous. Through a robust analysis of “new-consciousness” novels by authors like Idris ᶜAli, Bahaᵓ Tahir, Miral al-Tahawi, and Yusuf Zaydan, the author argues that this new consciousness does not only respond to predominant discourses of difference and practices of differentiation along the axes of race, ethno-religion, class, and gender by bringing the experiences of Nubian, Amazigh, Bedouin, Coptic, Jewish, and women minorities to the fore of Egypt’s literary imaginary, but also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square in Egypt’s 2011-uprising. This study responds to the changing iconographic, semiotic, and formal features of the Egyptian novel. It fulfills the critical task of identifying an emergent novelistic genre and develops historically reflexive methodologies that interpret new-consciousness novels and their mediatory role in formalizing and articulating their historical moment. By adopting this context-specific approach to studying novelistic evolution, this book locates some of the strands that have been missing from the complex whole of Egypt’s culture and literary history.


2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


2016 ◽  
Vol 45 (3) ◽  
pp. 40-51 ◽  
Author(s):  
Amal Jamal

This essay analyzes the political motivations behind the Jewish Nation-State Bill introduced in the Knesset in November 2014, shedding light on the ascendancy of the Israeli political establishment's radical right wing. It argues that there were both internal and external factors at work and that it is only by examining these thoroughly that the magnitude of the racist agenda currently being promoted can be grasped. The essay also discusses the proposed legislation's long history and the implications of this effort to constitutionalize what amounts to majoritarian despotism in present-day Israel.


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