Lovaas, K. E., Elia, J. P., & Yep, G. A. (2006). GLBT STUDIES AND QUEER THEORY: NEW CONFLICTS, COLLABORATIONS, AND CONTESTED TERRAIN. New York: Harrington Park Press.

2008 ◽  
Vol 4 (4) ◽  
pp. 550-553
Author(s):  
Suzanne Enck-Wanzer
Keyword(s):  
New York ◽  
Queer Theory ◽  
Glbt Studies ◽  
Contested Terrain

scholarly journals My Trouble with Queer

2013 ◽  
Vol 10 (1) ◽  
pp. 129-131
Author(s):  
Roman Kuhar
Keyword(s):  
New York ◽  
Queer Theory ◽  
San Francisco ◽  
Coming Out ◽  
The European Union ◽  
Gay Male ◽  
The Us ◽  
The Usa ◽  
Male Experience ◽  
Gay Movement

Gay Bosnians are struggling with the (US-based) concept of ‘coming out’. Homosexuality here is shameful and is only possible when it is secret, hidden, anonymous. My problem with queer theory and activism is not the theory itself. Indeed queer theory’s most important contribution is to disclose how the gay movement of the 1970s and 1980s only dealt with white gay male experience, thus centralising some identities and marginalising others. However my problem (or, to be more exact, my concern or maybe my own ignorance) is how to translate queer theory into the practice of everyday politics, especially in thepostwar areas of the former Yugoslavia. As yet, it seems that the (radical) US queer model does not translate well into those societies on the doorstep of the European Union (EU). Even so, as someone at the Queer Zagreb conference mentioned, New York and San Francisco are not the USA, which means that ‘queering’ in some other parts of the country would provoke similar hostile reactions, or, to put it differently, one can find Bosnia in many parts of the USA. The million-dollar question, therefore, is how to translate the queer sensibility of identities into policy papers and government resolutions.

Getting Emotional After Sex: Tendencies in Queer Studies Browne, Kath and Nash, Catherine (eds) (2010), Queer Methods and Methodologies: Intersecting Queer Theories and Social Science Research, Ashgate, Farnham and Burlington, 2010. ISBN: 978-0-7546-7843-4, 316 pp., £65.00. Halley, Janet and Parker, Andrew (eds), After Sex? On Writing Since Queer Theory, Duke University Press, Durham and London, 2011. ISBN: 978-0-8223-4909-9, 336 pp., US$24.95.Heckert, Jamie and Cleminson, Richard (eds), Anarchism & Sexuality: Ethics, Relationships and Power, Routledge, Oxon and New York, 2011. ISBN: 978-0415-65818-8, 238 pp., US$42.99.

Somatechnics ◽  
2013 ◽  
Vol 3 (1) ◽  
pp. 190-206
Author(s):  
Sarah Cefai
Keyword(s):  
New York ◽  
Social Science ◽  
Queer Theory ◽  
Queer Studies ◽  
Social Science Research ◽  
Science Research ◽  
Arts And Humanities ◽  
The Arts ◽  
The Social ◽  
Duke University

This article reviews three recent queer studies anthologies: Queer Methods and Methodology: Intersecting Queer Theories and Social Science Research, by Kath Browne and Catherine J. Nash (2010), Anarchism & Sexuality: Ethics, Relationships and Power by Jamie Heckert and Richard Cleminson (2011) , and After Sex? On Writing Since Queer Theory, by Janet Halley and Andrew Parker (2011) . A brief synopsis of the books is followed by discussion on three key observations. First, I discuss the specificity of the queer ‘body’, particularly with regard to the scholarly subjectivity articulated by contributors to these anthologies. Second, I discuss the distillation of queer identity from the field of queer corporeality as a specific move to embrace anti-identitarianism through conceiving identity as fluid. Lastly, questions of queer and identity are reconsidered as methodologically specific and, as such, as entailing sensitivity to the movement of concepts between the different epistemological fields of knowledge called the social sciences and the arts and humanities. Through discussion of these observations, this review aims to stimulate thought and reflection on these texts as responding to and participating in the highly contested institutionalisation of queer studies in the academy.

(Re)voicing tradition: improvising aesthetics and identity on local jazz scenes

Popular Music ◽  
2004 ◽  
Vol 23 (2) ◽  
pp. 155-171 ◽  
Author(s):  
PETER HOLLERBACH
Keyword(s):  
New York ◽  
New York City ◽  
Social Life ◽  
Self Image ◽  
Aesthetic Inquiry ◽  
Disciplinary Perspective ◽  
Jazz Musician ◽  
The Subject ◽  
Contested Terrain ◽  
The Individual

Historically, the field of ethnomusicology has tended to neglect the lives and work of individual musicians in favour of a view of music as culture, a disciplinary perspective that has assumed the homogeneity of the world's cultures. Contesting this erasure of the musical subject, biographical micro-histories situate the individual at the centre of music studies. Accordingly, the subject of this article is a self-identified ‘local’ jazz musician, whose narrative elucidates the exigencies of his musical and social life. One of the music's ‘lesser lives’, ‘LC’ is typical of those players who negotiate the contested terrain of jazz scenes peripheral to the jazz world's centre, New York City. The explication of his musical aesthetic and its influence upon his self-image as a jazz musician is directed toward a more representative view of jazz than that of institutionalised histories, which promulgate a ‘Great Man’ narrative. Incorporating contemporary discourse and critical race theories as alternatives to traditional modes of aesthetic inquiry, this study unpacks issues related to musical and social dialogism and signification, ‘voice’ and identity, and race and masculinity as a means of illuminating those criteria deemed crucial by a particular musician in his search for existential meaning and a jazz truth.

An Introduction to Dance and Gender

2017 ◽  
Author(s):  
Wendy Oliver ◽  
Doug Risner
Keyword(s):  
Gender Roles ◽  
Queer Theory ◽  
Gender Equity ◽  
Modern Dance ◽  
Western Society ◽  
Glbt Studies ◽  
Feminist Perspectives ◽  
And Gender ◽  
The Relationship

Chapter 1 introduces the relationship between dance and gender, inquiring into the ways dance is gendered in Western society today and the significance of these findings. An extensive review of literature covers feminist perspectives, social construction of gender, gender equity, men in dance, queer theory and GLBT studies, plus gender roles in modern dance, ballet, social, religious, popular and recreational dance. Two of the most-discussed issues within the literature since the mid-1990s are the presentation of women’s bodies onstage, and how male dancers disrupt traditional ideas of masculinity. Dance outside the gender binary is also considered. Gender roles onstage, in class, in rehearsal, in company leadership, in postsecondary dance departments, and in choreographer funding are sites of inquiry within this book of empirical research studies and essays.

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