Creative affects: affective phases in creative work processes

The article analyzes V.V. Rozanov’s conceptions of antiquity, Middle Ages and new history. Rozanov singles out three periods of Russian history – Kiev, Vladimir-Moscow and Petersburg ones. The essence of each of those periods the philosopher consecutively correlates with adoption of Christianity, political organization formation and the beginning of individual creative work dominance. While interpreting his contemporary events as a public person and a journalist, Rozanov regards earlier epochs from the position of a myth-creator. The diverse historical process gives way to the literary and static image of the epoch. The author of the article pays special attention to how Rozanov characterizes historical personalities, to his views on the role of religion, state, bureaucracy and parliamentarism.

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Alexander Solzhenitsyn on the Indissoluble Connection of Russian Patriotism and Anti-Sovetism. The Main Ideas of «The Gulag Archipelago»

Almanac “Essays on Conservatism” ◽

10.24030/24092517-2019-0-1-221-244 ◽

2019 ◽

Vol 66 ◽

pp. 221-244

Author(s):

Alexander S. Tsipko

Keyword(s):

19Th Century ◽

Russian Philosophy ◽

Creative Work ◽

The People ◽

Main Ideas ◽

The 19Th Century ◽

Gulag Archipelago

In the article the author analyzes the main notional lines in the work of A.I. Solzhenitsyn through the prism of Russian philosophy legacy. According to the author the analysis of the nature, motives and lie in the works of the writer are related to the respective works of F.M. Dostoevsky, K.N. Leontiev and other Russian thinkers. «All Communist content is turned into nonsense by the Russian life», and «all its nonsense is severe due to the intolerable truth of the suffering…», – this statement of F.A. Stepun is well pertinent to the creative work of A.I. Solzhenitsyn that shows vivid examples of barbaric cruelty of the authorities towards the people. Still, according to the author of the article, the reasons for such cruelty were reflected even earlier, in the works of Russian philosophers of the 19th century.

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THE CORRESPONDANCE BETWEEN K.E. TSIOLKOVSKY AND A.L. CHIZHEVSKY AS A SOURCE OF STUDYING LIFE AND CREATIVE WORK OF THE SCIENTISTS

THE LIFE OF THE EARTH ◽

10.29003/m1386.0514-7468.2020_42_2/160-176 ◽

2020 ◽

Vol 41 (2) ◽

pp. 160-176

Author(s):

Elena Arhiptseva

Keyword(s):

Creative Work

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«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

Russian language at school ◽

10.30515/0131-6141-2020-81-3-63-69 ◽

2020 ◽

Vol 81 (3) ◽

pp. 63-69

Author(s):

E. A. Frolova

Keyword(s):

Comparative Analysis ◽

20Th Century ◽

100Th Anniversary ◽

Stylistic Analysis ◽

Creative Work ◽

Creative Activity ◽

War Poetry ◽

Artistic Manner ◽

Different Levels ◽

Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

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