Urban Vernacular Architecture in Nineteenth-Century Baltimore

1981 ◽  
Vol 16 (1) ◽  
pp. 33-63 ◽  
Author(s):  
Mary Ellen Hayward
2015 ◽  
Vol 14 (3) ◽  
pp. 143-150 ◽  
Author(s):  
Grzegorz Rytel

The term vernacular referring to art and architecture was used for the first time in England in the middle of the nineteenth century. Numerous definitions have been created since the first Conference on Vernacular Architecture in Plovdiv in 1975. Still none of them defines the term utterly. Discrepancies in its interpretations could also be seen in attempts to translate the term coined in English and deriving from Latin. The right meaning of the term vernacular architecture shall be searched in its linguistics – etymology and semantics. In some works on vernacular architecture there are references to a word derivation - the primary Latin term verna. The word describes a slave born in a house of their master – well-known, familiar to all household members, trustworthy, close, but at the same time meaningless (faceless), withdrawn, ‘invisible’, someone who belongs in fact neither to the household nor to the family. One might say vernacular architecture does not look up to itself in the mirror; its attribute is self-unconsciousness. Architecture remains vernacular – anonymous, day-to-day, satisfying the most basic needs, becoming increasingly better with generations in models recognisable by their users – as long as it is not tempted by interpreting sophisticated, modern models of monumental architecture; as long as it does not compete to be distinctive. And maybe therefore in this regard it is architecture without an architect.


2013 ◽  
Vol 778 ◽  
pp. 911-918 ◽  
Author(s):  
Stefano Podestà ◽  
Federica Pompejano ◽  
Gerolamo Stagno

Banesa e Skendulate is part of the historical center of the museum-city of Gjirokastra (Albanian UNESCO World Heritage), an unique and well-preserved example of Albanian urban vernacular architecture influenced by the ottoman architectural style, situated in a strategic position in the valley of the Drino. Banesa e Skendulate represents not only the typical compositional characteristics of this architecture but also a culture and a lifestyle deeply rooted in its own traditions. As its known, historic roofings are load-bearing structures made of timber according to an empirical and intuitive design, without structural engineering theory support, and Banesa e Skendulates roof is a clear example of the posts and beams system and shows the ability of the local craftsmen to deal with the support of heavy stone roofing. In the following paragraphs, will be presented the non-destructive diagnostic testing performed on the wooden structure of the roofing together with a detailed geometric and technological survey in order to recognize the structural system, its behavior and pathology and then process the analytical 3D model. Furthermore, the paper deals with the problem arose as consequence of the interpretation of the results obtained by the diagnostic tests, concerning the determination of the classes of resistance attached to ancient structural wooden elements that, for obvious reasons, cannot be classified according to the strength classes defined by the regulations for new timber constructions. Applying the reference strength values classified for the new timber elements to the historic ones, can cause a heavy penalty in terms of structural safety verification of the roof; that is why the role of the diagnostic test campaign should guide the reinforcement project applying reference values determined on the real conditions of the wooden elements.


2015 ◽  
Vol 26 (4) ◽  
pp. 471-487 ◽  
Author(s):  
A. Michael ◽  
C. Heracleous ◽  
S. Thravalou ◽  
M. Philokyprou

This study aims to investigate the natural lighting performance in indoor and semi-open spaces of urban vernacular architecture in the Mediterranean region. In vernacular architecture, natural lighting was the main source of light available and was largely achieved through the central courtyard. In this framework, an in-depth lighting performance analysis was carried out in a typical and representative traditional urban complex in the walled city of Nicosia, Cyprus. In-situ lighting measurements, as well as software simulations, were employed in order to assess the lighting performance of the building complex. The study has shown that lighting levels of semi-open and indoor spaces on the first floor are sufficient; whereas, the dense urban fabric, and the introverted character of vernacular architecture, create certain limitations to the lighting levels in indoor spaces of the ground floor. On the other hand, the positive impact of the inner courtyard to the lighting levels of semi-open and indoor spaces has been verified.


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