scholarly journals The Ballad and Its Pasts: Literary Histories and the Play of Memory. David Atkinson. Rochester, NY: D. S. Brewer, 2018. Pp. xvi+226.

2019 ◽  
Vol 117 (1) ◽  
pp. E1-E5
Author(s):  
Steve Newman
Keyword(s):  
Literary Histories

Narrative and Gender in Literary Histories

2009 ◽  
Vol 6 (2) ◽  
pp. 149-164 ◽  
Author(s):  
Ina Schabert
Keyword(s):  
Literary Histories ◽  
And Gender

Relation of the Saccasa?khepa??k? Called S?ratthas?lin? to the Vinayavinicchaya??k? Called Vinayas?ratthasand?pan?

2018 ◽  
Vol 35 (1-2) ◽  
pp. 189-223
Author(s):  
Petra Kieffer-Pülz
Keyword(s):  
Thirteenth Century ◽  
Present Contribution ◽  
The Common ◽  
Literary Histories ◽  
High Degree ◽  
Parallel Texts

The present contribution suggests the common authorship of three P?li commentaries of the twelfth/thirteenth centuries CE, namely the Vinayavinicchaya??k? called Vinayas?ratthasand?pan? (less probably Vinayatthas?rasand?pan?), the Uttaravinicchaya??k? called L?natthappak?san?, and the Saccasa?khepa??k? called S?ratthas?lin?. The information collected from these three commentaries themselves and from P?li literary histories concerning these three texts leads to the second quarter of the thirteenth century CE as the period of their origination. The data from parallel texts explicitly stated to having been written by V?cissara Thera in the texts themselves render it possible to establish with a high degree of probability V?cissara Thera as their author.

The “Twilight of the Poets” in the Age of Realism

2018 ◽  
Author(s):  
Elizabeth Renker
Keyword(s):  
Nineteenth Century ◽  
Print Culture ◽  
Literary History ◽  
Prose Fiction ◽  
Literary Movement ◽  
The Core ◽  
Multiple Voices ◽  
Institutional Status ◽  
Literary Histories ◽  
Historical Origins

American literary histories of the post-Civil War period typically treat “poetry” and “realism” as oppositional phenomena. The core narrative holds that “realism,” the major literary “movement” of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-romantic mode, languished and stagnated in a genteel “twilight of the poets.” This chapter excavates the historical origins of the twilight narrative in the last quarter of the nineteenth century. It shows how this narrative emerged as a function of a particular idealist ideology of poetry that circulated widely in authoritative print-culture sites. The chapter demonstrates that the twilight narrative was only one strain in a complex cultural debate about poetry, a debate that entailed multiple voices and positions that would later fall out of literary history when the twilight narrative achieved institutional status as fact.

Doubtful Readers

2020 ◽  
Author(s):  
Erin A. McCarthy
Keyword(s):  
William Shakespeare ◽  
Early Modern ◽  
English Literature ◽  
John Donne ◽  
Early Modern England ◽  
Aemilia Lanyer ◽  
Quantitative Evidence ◽  
Early Modern Poetry ◽  
Literary Histories ◽  
Over Time

Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers’ efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers’ strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers’ interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.

Literary Histories

2018 ◽  
Author(s):  
Eva-Marie Kröller
Keyword(s):  
New Zealand ◽  
Collective Identity ◽  
Literary History ◽  
English Language ◽  
South Pacific ◽  
The South ◽  
Cultural Elite ◽  
Historical Methodology ◽  
Literary Histories

This chapter discusses national literary histories in Australia, Canada, New Zealand, and the South Pacific and summarises the book's main findings regarding the construction and revision of narratives of national identity since 1950. In colonial and postcolonial cultures, literary history is often based on a paradox that says much about their evolving sense of collective identity, but perhaps even more about the strains within it. The chapter considers the complications typical of postcolonial literary history by focusing on the conflict between collective celebration and its refutation. It examines three issues relating to the histories of English-language fiction in Australia, Canada, New Zealand, and the South Pacific: problems of chronology and beginnings, with a special emphasis on Indigenous peoples; the role of the cultural elite and the history wars in the Australian context; and the influence of postcolonial networks on historical methodology.

LITERARY HISTORIES OF THE NATURAL HISTORICAL BOOK

2016 ◽  
Vol 44 (2) ◽  
pp. 411-421
Author(s):  
Jonathan V. Farina
Keyword(s):  
Actor Network Theory ◽  
Popular Science ◽  
History Of The Book ◽  
Tour Guides ◽  
Online Databases ◽  
History Of ◽  
Knowledge Of Evolution ◽  
Literary Histories ◽  
Correspondence Project ◽  
Darwin Correspondence Project

Inspired in part by the coincident bicentenary of Darwin's birth and the sesquicentennial of The Origin of Species in 2009, scholars have been hard at work these last ten years writing substantial histories of nineteenth-century natural history and geology. These histories include exceptional books by scholars trained primarily in literary studies: Cannon Schmitt's Darwin and the Memory of the Human (2009); Daniel Brown's The Poetry of Victorian Scientists (2013); and Gowan Dawson's Darwin, Literature and Victorian Respectability (2007). With a few notable exceptions, however, the books I was invited to review here are written mostly by historians of science. And yet they are no less literary for that. All are marked by a tacit, pragmatic adoption of actor-network theory; by the extraordinary resources of the Darwin Correspondence Project and online databases of British periodicals; and often, too, by glossy illustrations. Further, nearly all of these histories share a methodological investment in what we call the history of the book, including all the economics of publishing (formats, sizes, fonts, prices, print runs, reviews, sales, generic conventions) and a political and heuristic stake in popularization and the general reading public. While Darwin (and Lyell, Herschel, Hooker, Huxley, and Spencer) remain at the center of the discussion, the empirically-minded history-of-the-book approach and investment in everyday readers reconstructs and legitimates a robust popular science that was engaged with, but not subordinate to, and often more liberal than the elite science of the X Club, the Royal Society, and other exclusive institutions. With the help of museums, lectures, tour guides, and other natural scientific literature, everyday readers produced their own knowledge of evolution, stratigraphy, speciation, animal emotion, and the sex life of plants.

Primul mythos de stânga al literaturii române contemporane

Transilvania ◽  
2021 ◽  
pp. 139-143 ◽  
Author(s):  
Radu Vancu
Keyword(s):  
Present Article ◽  
Right Wing ◽  
Ideological Bias ◽  
History Of ◽  
Literary Histories ◽  
Romanian Literature

Mihai Iovănel’s History of Contemporary Romanian Literature: 1990-2020 is the first leftist major narrative of Romanian literature – and the shockwaves it generated were due even more to this firm ideological option (the first such one in the history of major Romanian literary histories) than to its literary content proper. The present article aims at asserting the main three accomplishments and shortcomings generated by this ideological option – namely that: i) it succeeds in coalescing the first coherent narrative of the last three decades of Romanian literature; ii) it sometimes turns from an ideological option into an ideological bias – and modifies the factuality of Romanian literature, eliminating important writers, exaggerating the qualities of some other ones, searching to distribute merits (to leftist writers) and punishments (to right-wing ones) according with their political option, and not with their literary qualifications; iii) it is an impressive stylistic achievement in itself, even though quite ironically its author disregards the virtues of aestheticism.

scholarly journals Verstedeliking: Vergelyking tussen Suid-Afrikaanse letterkundes en die kultuurteks

2018 ◽  
Vol 50 (3) ◽  
pp. 39-59
Author(s):  
Jacomien Van Niekerk
Keyword(s):  
Comparative Study ◽  
South African ◽  
Southern Africa ◽  
Comparative Studies ◽  
Black People ◽  
Literary Historiography ◽  
Literary Histories

Despite many efforts to publish comprehensive literary histories of South or Southern Africa in recent years, few studies existin which a thorough comparative study is undertaken between two or more South African literatures. This article wants to provide a practical example of such a study by comparing the urbanisation of Afrikaners in Afrikaans literature with that of black people as seen in English and Zulu literature. The statement made by Ampie Coetzee that comparative studies should take place within the framework of discursive formations is one of the fundamental starting points of this study. Maaike Meijer’s concept of the “cultural text” is further employed as a theoretical instrument. The identification of repeating sets of representation is central to the demarcation of a “cultural text about urbanisation” in Afrikaans, English and Zulu literature respectively. The cultural text forms the basis from which a valid comparative study can be embarked upon, and the results of the research have important implications for further comparative studies but also literary historiography.

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