Martí, José

2019 ◽  
Author(s):  
Alfred J. López
Keyword(s):  
New York ◽  
American Literature ◽  
19Th Century ◽  
Latin American ◽  
The United States ◽  
Childhood And Adolescence ◽  
Porfirio Diaz ◽  
War Of Independence ◽  
Fidel Castro ◽  
Independence Movement

José Martí (1853–1895) is the best known of Cuba’s founding figures and was the civilian leader of the Cuban independence movement. Beyond his iconic status among Cubans and the diaspora, Martí ranks among the most important Latin Americans of the 19th century. Aside from his revolutionary legacy, Martí remains a canonical figure of 19th-century Latin American literature. As a poet he pioneered Latin American modernismo; volumes such as Ismaelillo (1882) and Versos sencillos (Simple verses, 1891) are considered masterpieces. Martí’s US crónicas (chronicles), which appeared in Latin America’s most respected newspapers of the 1880s, stand among the most important journalistic works of the Gilded Age. His other writings span several other genres, including drama and prose fiction. Martí also founded a newspaper, Patria, which served as the Cuban independence movement’s official mouthpiece. In a lifetime of exile and immigration spanning three continents and a half-dozen countries, he worked as a secondary teacher and university professor; law clerk; journalist, editor, and translator; and diplomat. Martí’s collected works fill twenty-six volumes, with previously unknown writings still emerging. Biographers generally divide Martí’s life into three phases: childhood and adolescence in Cuba, culminating in his imprisonment and first exile (1853–1871); post-exile life in Spain, Mexico, and Guatemala (1871–1878); and after the second exile from Cuba, his mature revolutionary period in New York (1881–1895). A brief imprisonment for conspiracy ended with Martí’s first expulsion from Cuba in January 1871. He spent the next four years in Spain, where he continued to denounce Spanish imperialism and earned a law degree. He then rejoined his family in Mexico but had to flee after the rise of the dictator Porfirio Díaz in 1876. Martí then emigrated to Guatemala, where he attempted to settle with his wife Carmen Zayas Bazán, whom he married in 1877. But disagreements with President Justo Rufino Barrios again forced the couple into exile. After a failed attempt to resettle in Havana under a general amnesty following the Ten Years’ War (1868–1878) and his second expulsion from Cuba, Martí eventually landed in New York, which served as his base for building the Cuban independence movement. After several false starts, the Cuban Revolutionary Party finally launched its War of Independence in February 1895. Martí joined rebel forces on the island in April and died in battle little over a month later. Martí’s posthumous fame spread slowly, but by the 1930s he was generally hailed as Cuba’s great “apostle” of independence. Successive Cuban governments burnished his legend, and Fidel Castro claimed Martí as the 1959 Cuban Revolution’s “intellectual author.” The mass emigration of Cubans fleeing the revolution then spread Martí’s fame to the United States and Europe; Cuban-Americans continue to identify with him as an example of the nation in exile. Though not a Latino in the contemporary sense, Martí remains a key figure in the historical formation of US Latino/a identities.

Obscenity Trials and American Literature

2021 ◽  
Author(s):  
Jordan Carroll
Keyword(s):  
United States ◽  
New York ◽  
American Literature ◽  
Sexual Interest ◽  
The United States ◽  
Sexually Explicit Material ◽  
Radclyffe Hall ◽  
Obscenity Law ◽  
Sexually Explicit ◽  
Lady Chatterley's Lover

While obscenity is notoriously difficult to define and the test for determining obscenity has shifted over time, typically the term has referred to the crime of publishing prohibited, sexually explicit material. Obscenity has always been a criminal offense in the United States. Citing English common law, judges in the early republic and antebellum periods maintained that obscenity threatened to degrade the nation’s character. Nevertheless, obscenity law was not strongly or consistently enforced throughout the United States until the Comstock Act in 1873. Anthony Comstock, founder of the New York Society for the Suppression of Vice, targeted Walt Whitman’s Leaves of Grass along with publications by advocates for feminism, free love, and birth control. American courts adopted the test put forth by Lord Chief Justice Sir Alexander Cockburn in Regina v. Hicklin (1868), which held that obscenity was defined by “the tendency . . . to deprave and corrupt those whose minds are open to such immoral influences, and into whose hands a publication of this sort may fall.” Obscenity became a battleground not only for debates about gender and sexual politics but also about the nature of the public sphere. During the 20th century, American literary presses and magazines became increasingly willing to challenge bans on sexually explicit speech, publishing controversial works including The Well of Loneliness by Radclyffe Hall and Ulysses by James Joyce. Modernist authors transgressed the legal bounds of propriety to explore the unconscious, fight for erotic pleasure free from heteronormative restraints, or claim aesthetic autonomy from moral and legal restrictions. United States v. One Book Called “Ulysses” (1933) struck a blow against the Hicklin test. Affirming Judge John M. Woolsey’s not guilty verdict, Judge Augustus Hand proposed a new test for obscenity that anticipated many of the themes that would emerge when the Supreme Court took up this question with Roth v. United States (1957), which defined obscenity as “whether to the average person, applying contemporary community standards, the dominant theme of the material taken as a whole appeals to the prurient [i.e., sexual] interest.” The Court liberalized obscenity law even as it maintained restrictions on pornographic literature, setting off a wave of censorship cases including trials on Howl and Other Poems by Allen Ginsberg, Lady Chatterley’s Lover by D. H. Lawrence, Tropic of Cancer by Henry Miller, and Naked Lunch by William S. Burroughs. After Roth, lawyers defending borderline obscene publishers pushed for courts to hold that a work could not be obscene if it possessed any redeeming literary or social value. Free speech libertarians succeeded with Memoirs v. Massachusetts (1966) and Redrup v. New York (1967). Although Miller v. California (1973) clawed back this ruling by stipulating that a work must possess “serious literary, artistic, political, or scientific value” to be cleared of obscenity, in the 21st century obscenity convictions for publishing textual media have been limited to a handful of cases concerning pornographic depictions of child sexual abuse. Obscenity remains on the books but largely unenforced for literature.

Epilogue

2018 ◽  
Author(s):  
Rosina Lozano
Keyword(s):  
New York ◽  
World War Ii ◽  
Bilingual Education ◽  
Latin American ◽  
The United States ◽  
Spanish Language ◽  
Spanish Speakers ◽  
History Of ◽  
American Spanish ◽  
Education Act

This epilogue briefly identifies some of the major changes in Spanish language politics since World War II. These include community shifts in activism. For example, the Chicano Movementreclaimed the language and advocated for culturally affirming bilingual education programs. The epilogue also turns to federal support for Spanish instruction with the 1968 Bilingual Education Act and with the 1975 extension to the Voting Rights Act that provides federal protection for ballots in languages other than English. Spanish is no longer a language of just the Southwest and there are major populations of Spanish speakers in cities like Chicago, New York, and Miami today. In 2013, tens of millions of U.S. residents spoke Spanish in their homes. Spanish language perseverance in the United States is due to a long history of Latin American migration to the country. It began as a language of settlement and power in the nineteenth century and has transformed into a language often deemed as foreign or un-American. Spanish is an American language historically and this book has recovered that history.

Spanish-speaking Anarchists in the United States

2019 ◽  
pp. 86-102
Author(s):  
Susana Sueiro Seoane
Keyword(s):  
United States ◽  
New York ◽  
Latin American ◽  
York City ◽  
The United States ◽  
The Other ◽  
Spanish Speaking ◽  
The World ◽  
Latin American Countries ◽  
Different Parts

This chapter analyzes Cultura Obrera (Labor Culture), published in New York City from 1911 to 1927. Pedro Esteve, the primary editor, gave expression to his ideas in this newspaper and while it represented Spanish firemen and marine workers, it reported on many other workers’ struggles in different parts of the world, for example, supporting and collecting funds for the Mexican revolutionary brothers Flores Magón. This newspaper, as all the anarchist press, was part of a transnational network and had a circulation not only in many parts of the United States but also in Latin American countries, including Argentina and Cuba, as well as on the other side of the Atlantic, in Spain and various European countries.

Laura Limonic, Kugel and Frijoles: Latino Jews in the United States. Detroit: Wayne State University Press, 2019. 264 pp.

2021 ◽  
pp. 297-298
Keyword(s):  
United States ◽  
Latin American ◽  
The United States ◽  
Religious Institutions ◽  
State University ◽  
Social Spaces ◽  
American Jews ◽  
Sociological Study ◽  
Fidel Castro ◽  
Wayne State University

This chapter assesses Laura Limonic's Kugel and Frijoles: Latino Jews in the United States (2019). This sociological study focuses on Latinx Jews who have migrated to the United States since 1965, largely from Argentina, Mexico, and Venezuela. Limonic establishes that the earlier migration of Cuban Jews to Miami in the early 1960s created a precedent for other Latin American Jews to search for a new home and a new sense of identity as “Latino Jews” in the United States. Fleeing the turn to Communism after Fidel Castro came to power in 1959, thousands of Cuban Jews arrived in Miami hoping to be welcomed into the American Jewish communal and religious institutions of the day. Instead, they discovered that their Cubanness made their Jewishness suspect at a time when multiculturalism was not yet in vogue. As a result, they had to build their own religious and social spaces, constructing an Ashkenazi synagogue, the Cuban Hebrew Congregation of Miami, and a Sephardic synagogue, Temple Moses.

scholarly journals En híbrida mezcolanza: Exile and Cultural Anxiety in Alirio Díaz Guerra’s Lucas Guevara

2005 ◽  
Vol 2 (1) ◽  
Author(s):  
Jeffrey Browitt
Keyword(s):  
United States ◽  
New York ◽  
Latin American ◽  
The United States ◽  
The Novel ◽  
Implied Author ◽  
Point Of Entry ◽  
Class Anxiety ◽  
Materialistic Values ◽  
Latin American Immigration

The novel Lucas Guevara, written by the Colombian exile, Alirio Díaz Guerra, was first published in New York in 1914. It is considered to be the earliest novel about Latin American immigration to the United States written in Spanish. This fact alone merits its study. A second edition was published in 2001 along with a critical-biographical introduction, which presents the novel as the precursor of a developing genre of Hispanic immigrant literature centred on the naïve Latin American migrant who arrives in the United States inspired by the opportunities which the metropolis supposedly affords, but who nevertheless suffers a series of misfortunes because of the inability to adapt to the new culture. On the level of overt content, the novel is a lachrymose, stereotypical and conventional denunciation of the supposed evils of an amoral US society and the libertine and materialistic values underpinning it. But on a much deeper level, a picture emerges of Díaz Guerra himself as a displaced, disenchanted intellectual exile who suffers (or has suffered) an acute cultural and class anxiety in the transition from a patrician Arcadia to the heart of capitalist, industrial modernity. Through a reading of the narrative voice, and by extension the implied author, we witness his difficult coming to terms with a highly-charged New York society (in comparison to his homeland), not only because of the sexual liberation brought on by secular modernization, but also because of the close proximity of volatile, eroticised bodies on the over-crowded Lower East Side of New York, the scene of the novel and Díaz Guerra’s point of entry into the United States. The novel also provides an occasion to contrast how Díaz Guerra deals with the condition of exile, in contrast to that most emblematic of Latin American political refugees, José Martí.

The United States and China: Into the Twenty-First Century (Third Edition). By Michael Schaller. [New York and Oxford: Oxford University Press, 2002. 242 pp. Hard cover $45.00, ISBN 0-19-513758-2; paperback $23.95, ISBN 0-19-513759-0.]

2003 ◽  
Vol 174 ◽  
pp. 523-525
Author(s):  
Bruce J. Dickson
Keyword(s):  
United States ◽  
New York ◽  
19Th Century ◽  
Foreign Relations ◽  
The United States ◽  
First Century ◽  
Late 19Th Century ◽  
Oxford University ◽  
The Relationship ◽  
Hard Cover

This useful textbook provides an overview of US–China relations between the late 19th century and the beginning of the 21st. It gives a clear chronology of events and covers the main events and issues in the relationship. It also embeds the description of these events and issues in the larger international and domestic contexts, allowing it to mesh easily with other textbooks that focus either on China's foreign relations in general or on its domestic developments.

This Is Your Book: Marketing America to Itself

PMLA ◽  
2003 ◽  
Vol 118 (1) ◽  
pp. 90-102 ◽  
Author(s):  
Lori Ween
Keyword(s):  
New York ◽  
African American ◽  
American Literature ◽  
New York Times ◽  
The United States ◽  
Ivory Tower ◽  
American Novel ◽  
Per Se ◽  
Book World ◽  
Important Shift

In February 2001, Knopf Publishing Company, a division of Random House, reportedly purchased the rights to publish two novels by Stephen L. Carter for $4 million. As the Daily Variety Gotham stated, “Yale law professor Stephen L. Carter emerged from the ivory tower last week and shook the book world from its February doldrums” (Bing 43). And the New York Times wrote, “The advance is among the highest ever paid for a first novel and is all the more unusual because of the author's background. Mr. Carter, 46, is an African-American who has written several works of nonfiction, including ‘Reflections of an Affirmative Action Baby’ and ‘The Culture of Disbelief‘” (Kirkpatrick, “Knopf”). Whether this purchase is considered “unusual” because it is a first novel or because the author is African American, it is part of an important shift for American literature: the jacket art, prepublication publicity, and sales materials shape this novel as a mainstream, blockbuster, best-selling legal thriller, not as an African American novel per se. The mainstream feel of Carter's novel brings up pertinent questions about race, literature, and the marketing of ethnic identity in the United States. Looking at the positioning of this novel allows us to understand how the publishers, newspaper reporters, and marketers have planted seeds that will influence the reception of the text by reviewers and readers.

scholarly journals Cuba now

1990 ◽  
Vol 64 (1-2) ◽  
pp. 41-49
Author(s):  
Catherine A. Sunshine
Keyword(s):  
United States ◽  
New York ◽  
Human Rights ◽  
South African ◽  
Latin American ◽  
Reagan Administration ◽  
The United States ◽  
Cambridge University ◽  
Grove Press ◽  
Imperial State

[First paragraph]The Cuba reader: the making of a revolutionary society. PHILIP BRENNER, WILLIAM M. LEOGRANDE, DONNA RICH, and DANIEL SIEGEL (eds.). New York: Grove Press, 1989. xxxv + 564 pp. (Paper US $14.95). Cuba: the test of time. JEAN STUBBS. London: Latin America Bureau, 1989. xvii + 142 pp. (Paper UK £3.95). Cuba: politics, economics and society. MAX AZICRI. London: Pinter Publishers Ltd., 1988. xxiii + 276 pp. (Cloth US $35.00, Paper US $12.50). Cuba libre: breaking the chains? PETER MARSHALL. Boston: Faber & Faber, 1987. viii + 300 pp. (Cloth US $18.95). The closest of enemies: a personal and diplomatic account of U.S.-Cuban relations since 1957. WAYNE S. SMITH. New York and London: W.W. Norton & Co., 1987. 308 pp. (Paper US $8.95). Imperial state and revolution: the United States and Cuba, 1952-1986. MORRIS H. MORLEY. New Rochelle, New York: Cambridge University Press, 1987. ix + 571 pp. (Paper US $16.95, Cloth US $59.50). From confrontation to negotiation: U.S. relations with Cuba. PHILIP BRENNER. Boulder, Colorado: Westview Press, 1988. x + 118 pp. (Cloth US $30.00, Paper US $9.95).Nineteen eighty-eight marked the completion of the Cuban revolution's third decade. Several events that year suggested that Cubans might finally look forward to a lessening of the island's international isolation, if not its domestic economic woes. The revolution had survived eight years of hostility from the Reagan administration. Washington's attempts to secure international censure of Cuba on human rights grounds had culminated in the visit of a United Nations delegation, at Havana's invitation and with relatively little damage to Cuba's image. Fidel Castro's visits to Ecuador and Mexico to attend the inaugurations of two Latin American presidents underscored Cuba's reinsertion into the hemispheric community. Finally, Cuban military successes against South African troops in Angola and Cuba's role in the subsequent negotiations over Angola and Namibia were a source of pride.

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