American Magazines and the Cultural Production of Blackness

Eurie Dahn’s Jim Crow Networks (2021) and E. James West’s Ebony Magazine and Lerone Bennett Jr. (2020) offer compelling examples of the two main literary historical approaches to periodical studies: A survey of several different types of magazines in relation to the social networks through which they were produced, distributed, and read, and a deep dive into the editorial orientation of a particular magazine, as shaped by a dominant individual presence. Both studies present detailed accounts of how these periodicals’ publics and counterpublics resisted (and sometimes reinforced) prevailing conceptions of racialized identity at important points in the twentieth century. But the material circumstances of those productions risk being misrepresented by the model of the network, so this review essay argues for the Bakhtinian chronotope as a more expressive metaphor for the temporal dimension of the magazine experience. This approach enables a more fully historicist understanding of how the various important literary figures represented here were perceived by their original periodical readers.