The Varieties of Coups D’état: Introducing the Colpus Dataset

Author(s):  
John J Chin ◽  
David B Carter ◽  
Joseph G Wright

Abstract Interest in authoritarian politics and democratic breakdown has fueled a revival in scholarship on coups d'état. However, this research is held back by the fact that no global coup dataset captures theoretically salient information on the identity of coup-makers, their goals, and the relationship between the coup leaders and the ruling regime. We introduce the Colpus dataset, new global data on coup types and characteristics in the post–World War II era. These data introduce a typology of coups, measurement strategy, and coding procedures to differentiate between whether coups seek to preserve existing ruling coalitions (leader reshuffling coups) or significantly alter ruling coalitions (regime change coups). We show trends in coup types across time and space. Finally, we demonstrate that poverty—an established determinant of coups—only predicts regime change coups. Colpus data will be of use to scholars of political instability and conflict, regime change, leadership accountability, the political economy of democracy and dictatorship, and related topics.

Author(s):  
Nicola Phillips

This chapter focuses on the political economy of development. It first considers the different (and competing) ways of thinking about development that have emerged since the end of World War II, laying emphasis on modernization, structuralist, and underdevelopment theories, neo-liberalism and neo-statism, and ‘human development’, gender, and environmental theories. The chapter proceeds by exploring how particular understandings of development have given rise to particular kinds of development strategies at both the national and global levels. It then examines the relationship between globalization and development, in both empirical and theoretical terms. It also describes how conditions of ‘mal-development’ — or development failures — both arise from and are reinforced by globalization processes and the ways in which the world economy is governed.


2019 ◽  
Vol 46 (3) ◽  
pp. 494-499
Author(s):  
Destin Jenkins

This essay revisits Making the Second Ghetto to consider what Arnold Hirsch argued about the relationship between race, money, and the ghetto. It explores how Hirsch’s analysis of this relationship was at once consistent with those penned by other urban historians and distinct from those interested in the political economy of the ghetto. Although moneymaking was hardly the main focus, Hirsch’s engagement with “Vampire” rental agencies and panic peddlers laid the groundwork for an analysis that treats the post–World War II metropolis as a crucial node in the history of racial capitalism. Finally, this essay offers a way to connect local forms of violence to the kinds of constraints imposed by financiers far removed from the city itself.


Author(s):  
Sally M. Horrocks

Commentators and politicians have frequently argued that the performance of the British economy could be significantly improved by paying more attention to the translation of the results of scientific research into new products and processes. They have frequently suggested that deficiencies in achieving this are part of a long-standing national malaise and regularly point to a few well-worn examples to support their contention. What are conspicuous by their absence from these debates are detailed and contextual studies that actually examine the nature of the interactions between scientists and industry and how these changed over time. This paper provides one such study by examining three aspects of the relationship between the Royal Society, its Fellows and industrial R&D during the mid twentieth century. It looks first at the enthusiasm for industrial research to be found across the political spectrum after World War II before examining the election as Fellows of the Royal Society of men who worked in industry at the time of their election. Finally it considers the extent to which industrial R&D was incorporated into the way in which the Royal Society presented itself to the outside world through its Conversazione. Despite the absence of formal structures to translate the results of the work of scientists employed in other institutional contexts to industry, there is much evidence to indicate that there were plenty of other opportunities for the exchange of information to take place.


2008 ◽  
Vol 10 (1) ◽  
pp. 72-85
Author(s):  
Nina Gerlach

The relationship between city and garden appears in many feature films in order to visualize narrative dualisms. In particular, the character of the border - as a fundamental medial characteristic of gardens - determines the meaning of the represented space. According to the Western representation of ideal places and the historically-developed antagonism of city and garden, the border defines the latter as the diametrically opposed utopian antithesis to urban life. This antagonism is used, for example, in The Garden of the Finzi-Continis (1970) in the political context of World War II, or as in Being There (1979), embedded in a philosophical discourse centered on Voltaire and Sartre.


2011 ◽  
Vol 39 (2) ◽  
pp. 223-236
Author(s):  
Jure Gašparič

King Alexander's dictatorship in Yugoslavia (proclaimed in January 1929) was an expression of a real political need for consolidation in the country; however, in essence, it was an autocratic and repressive regime. More decisive moves toward a return of democracy did not occur, even later, after the replacement of his regime in June 1935. The political methods in the internal political life followed the pattern from the first half of the 1930s to the very eve of World War II. Such a situation also defined the relationship between the Slovenes and Yugoslavia. Slovene politics continued to look at the state from two angles – a unitary/centralist angle on the one hand and an autonomist/federalist angle on the other. Both camps (as well as other Yugoslav political players), however, failed to create an environment that would enable truly democratic compromises. The state was stuck at a “standstill,” but in spite of all its flaws, in the view of the Slovene political groups it represented the most suitable environment for the political and national life of Slovenes. Any serious political calculations that would go beyond this framework hardly existed.


1996 ◽  
Vol 22 (3) ◽  
pp. 235-255 ◽  
Author(s):  
Roxanne Lynn Doty

Prompted by the integration of Europe, Derrida recently posed the following questions. ‘Indeed, to what concept, to what real individual, to what singular entity should this name be assigned today? Who will draw up its borders?’ While this question speaks of the political entity called Europe, it has much broader resonance. It echoes concerns about identity, boundaries, and the relationship between the inside and the outside of political entities, concerns that have not escaped the attention of critical International Relations scholars. Nor are these necessarily new concerns. The situation in post–World War II Britain prompted the same questions Derrida raises about Europe in 1992. To what real individuals, to what singular entity the terms ‘British’ and ‘Britain’ should be assigned was a question that prompted debate, political violence, and a series of increasingly restrictive and, some would suggest, racist immigration policies. The transformation of Britain from an empire to a nation–state was accompanied by a crisis of identity whereby early postwar proclamations that Britain ‘imposed no colour bar restrictions making it difficult for them when they come here’ and that ‘there must be freedom of movement within the British Empire and the Commonwealth’ were, rather quickly, to give way to exclusionary practices and a retreat to ‘little England’.


2021 ◽  
pp. 1-23
Author(s):  
Nicholas Devlin

This article offers a new reading of the place of Hannah Arendt's The Origins of Totalitarianism in the history of totalitarianism theory. Building on a novel genealogy of Marxist theories of totalitarianism, the article traces this inheritance into Arendt's early work on the subject, demonstrating that her “languages” (in the Pocockian sense) were basically continuous with those of interwar Marxism. The article proceeds in three stages. First, it reconstructs two core languages of interwar Marxism (imperialism and Bonapartism). Second, it shows how these languages underpinned a central controversy in Marxist theories of totalitarianism during World War II, a debate conducted in the languages of imperialism and Bonapartism and turning on the relationship between the political and the economic. Third, it shows that Arendt wrote in these languages and contributed to the same debate. In conclusion, this striking affinity with Marxism in Arendt's early work is contrasted with the emergence of classical totalitarianism theory—a project with which Arendt was soon eager to associate herself and which makes a unified and consistent reading of The Origins of Totalitarianism so difficult.


Nordlit ◽  
2015 ◽  
pp. 129
Author(s):  
Karsten Jørgensen

<p>The article reflects on the relationship between landscape architects, influential clients, and public involvement in Ekeberg, a publicly owned area of Oslo, where significant changes have taken place since the beginning of World War II. “Ekebergparken” was established as a public sculpture park in 2013. The park is funded entirely by private funds owned by the investor Christian Ringnes. The plans for the park sparked a public debate about private investor influence over public space, and protesters organized demonstrations against the establishment. After the opening of the park, the opposition has subsided, and criticism has been replaced by praise and recognition. Inside the park, there are remains of an honorary cemetery established by the German occupying forces in 1940. An honorary tribunal set up by the Association of Norwegian landscape architects condemned the Norwegian landscape architects who designed the cemetery for Germans after the war ended in 1945. The development of the park in both cases raises questions of democratic control over public space and ethical frames for landscape architects’ work. The two examples in this article show that understanding or lack of understanding of the political context landscape architects are working in, can result in their work subsequently receiving wide recognition in one case, and is characterized as a democratic failure in the other.</p>


2021 ◽  
Vol 43 (1) ◽  
pp. 213-232
Author(s):  
Rajnhardt Kokot

The study deals with the politicization of the hooligan nature of the crime in the initial period of the functioning of this structure in the Polish social and legal reality after World War II. The political entanglement of such behaviors, their ideologization and perception through the prism of attacks on the foundations of the new socio-economic system was undoubtedly influenced by the origin of this circumstance. The politicization of hooligan behavior in the Soviet reality — from where this structure was transplanted into the native reality and ultimately the legal order — had had a long tradition at that time. Over two decades of experience in demonstrating the “class” nature of such behavior, its “counter-revolutionary” basis and the “anti-systemic” motivation of its perpetrators were reflected in the statements of some of the interpreters of hooliganism in Poland at the turn of the 1940s and 1950s. Analyzing the literature and judicial decisions from this period, attention was drawn to the scale of the politicized exegesis of this concept and its reminiscences in the later periods of its functioning in the domestic criminal law system. At the same time, the exponential trend was not omitted, which more or less firmly disregarded the relationship between hooliganism and politics.


2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


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