Review: Dmitri Schostakowitsch und das jüdische musikalische Erbe/Dmitri Shostakovich and the Jewish Heritage in Music

2003 ◽  
Vol 84 (1) ◽  
pp. 136-138
Author(s):  
David Fanning
Author(s):  
Ilan Zvi Baron

Questions arose about what it meant to support a country whose political future the author has no say in as a Diaspora Jew. The questions became all the more pronounced the more I learned about Israel’s history. Many Jews feel the same way, and often are uncomfortable with what such an obligation can mean, in no small part because of concerns over being identified with Israel because of one’s Jewish heritage or because of the overwhelming significance that Israel has come to have for Jewish identity. Israel’s significance is matched by how much is published about Israel. Increasingly, this literature is not only about trying to explain Israel’s wars, the military occupation or other parts of its history, but about the relationship between Diaspora1 Jewry and Israel.


2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.


1970 ◽  
Vol 2 (1) ◽  
pp. 30
Author(s):  
Pablo Fabião Lisboa ◽  
Alexandre Vieira Maschio

Este trabalho aborda a interação humano-tecnologia no âmbito dos museus e do patrimônio cultural urbano a partir de uma contextualização teórica e da descrição dos procedimentos adotados pelo Museum of Jewish Heritage (New York City, EUA) e pela Gallery One do The Cleveland Museum of Art (Cleveland, EUA).


Significance Lithuania is the most religious: the predominant Roman Catholic Church’s socio-political influence has been increasing regarding the still-sensitive issues of LGBT+ and women’s rights. Patriarchal values are helping traditional religious entities regain influence in Latvia. Estonia is the most successful in separating religion and politics. Impacts In Latvia and Lithuania, religious and social conservatism will together hinder gender equality. The outlook for gender equality and human rights is better in Estonia. The president’s Catholicism will align Lithuania’s EU stance more towards Poland, its larger Catholic neighbour. Vilnius’s Jewish heritage -- culture, festivals, food and drink, and the surviving synagogue-- will attract West European tourists.


2015 ◽  
Vol 39 (2) ◽  
pp. 77-96 ◽  
Author(s):  
Mathieu Giraud ◽  
Richard Groult ◽  
Emmanuel Leguy ◽  
Florence Levé

One of the pinnacles of form in classical Western music, the fugue is often used in the teaching of music analysis and composition. Fugues alternate between instances of a subject and other patterns and modulatory sections, called episodes. Musicological analyses are generally built on these patterns and sections. We have developed several algorithms to perform an automated analysis of a fugue, starting from a score in which all the voices are separated. By focusing on the diatonic similarities between pitch intervals, we detect subjects and countersubjects, as well as partial harmonic sequences inside the episodes. We also implemented tools to detect subject scale degrees, cadences, and pedals, as well as a method for segmenting the fugue into exposition and episodic parts. Our algorithms were tested on a corpus of 36 fugues by J. S. Bach and Dmitri Shostakovich. We provide formalized ground-truth data on this corpus as well as a dynamic visualization of the ground truth and of our computed results. The complete system showed acceptable or good results for about one half of the fugues tested, enabling us to depict their design.


ICONI ◽  
2021 ◽  
pp. 148-159
Author(s):  
Alexander I. Demchenko ◽  

The previous issues of the journal featured publications of lectures about such outstanding 20th century Russian composers as Sergei Rachmaninoff, Igor Stravinsky, Sergei Prokofi ev, Nikolai Myaskovsky, Dmitri Shostakovich, Aram Khachaturian and Georgy Sviridov. This series is continued with a lecture about the music of Rodion Shchedrin. Following the portions of the lecture which deal with the early and middle periods of the composer’s music, the drama and even the tragic quality of his world perception and their overcoming. the present situation acquired maximal tension upon Shchedrin’s turning to the most acute problem for the romantic consciousness — the problem of interactions of personality and its surroundings, especially in the event of their confrontation. During the lecture’s exposition fragments of musical compositions are offered with their recommended performances, in their sum providing a perception of the most substantial sides of Shchedrin’s musical legacy.


2016 ◽  
pp. 79-108 ◽  
Author(s):  
Konrad Matyjaszek

The rules of the reservation. On the book Jewish Poland Revisited by Erica Lehrer The paper offers a review of Erica Lehrer’s Jewish Poland Revisited, a publication presenting outcomes of an anthropological research on Jewish-Polish memory projects in Cracow's former Jewish district of Kazimierz. In a discussion of the book's theses, the author critically analyses Lehrer's postulate of 'ethnography of possibility' and the resultant strategy of approval for contemporary Kazimierz as a 'space of encounter' alongside with its rules of participation, imposed by the Polish proprietors of the district on its visitors.The article focuses on two such rules that condition a visitor’s possibility of participation in shrinking public spaces of Kazimierz. First of these laws is discussed as an imperative of abandoning the immediacy of district's physical space and its histories signified by the surviving built environment. Instead, Lehrer introduces a conceptual division of "social" and "physical" spaces, which leads to silencing of otherwise immediately present evidence of the violent past. The second rule is analyzed as a requirement of accepting the contemporary Polish owners’ role of 'brokers" and "purveyors" of Jewish heritage, consequential with an approval of a doubtful legal and moral title to the appropriated spaces.Through focusing on these rules of participation that determine and perpetuate the conditionality of Jewish presence in the space of Kazimierz, the author argues for a necessity of questioning and re-defining the traditional divisions of disciplines that establish conceptual separations of "social" and "built" spaces, as well as for a necessity of a critical outlook on contemporary Central European understandings of "heritage". Such an inquiry is discussed as conditional for overcoming the largely avoided yet still present "heritages" in the history of Polish-Jewish relations: the traditions of violence and exclusion, either social and spatial. Regulamin rezerwatu. O książce Jewish Poland Revisited Eriki LehrerArtykuł stanowi recenzję książki Jewish Poland Revisited Eriki Lehrer, prezentującej wyniki antropologicznych badań na temat żydowsko-polskich projektów pamięci realizowanych w byłej dzielnicy żydowskiej na krakowskim Kazimierzu. Omawiając tezy pracy, autor poddaje krytycznej analizie proponowany przez Lehrer projekt etnografii możliwości i wynikającą z niego strategię akceptacji współczesnego Kazimierza jako przestrzeni spotkania, za którą idzie akceptacja zasad uczestnictwa narzuconych gościom przez polskich zarządców Kazimierza.W artykule rozpatrywane są dwie takie zasady, warunkujące możliwość uczestnictwa gościa w kurczącej się przestrzeni publicznej Kazimierza. Pierwszą z nich autor opisuje jako nakaz porzucenia bezpośrednio dostępnej, fizycznej przestrzeni dzielnicy i niesionych przez nią historii, których znakiem jest ocalała zabudowa. W to miejsce Lehrer wprowadza podział na przestrzeń społeczną i fizyczną, skutkiem czego stłumione zostają ślady brutalnej przeszłości, w przeciwnym razie bezpośrednio obecne. Drugą zasadę autor odtwarza jako wymóg akceptacji roli współczesnych polskich właścicieli jako brokerów i pośredników żydowskiego dziedzictwa, co w konsekwencji pociąga za sobą akceptację ich wątpliwych prawnie i moralnie roszczeń do zawłaszczonej przestrzeni.Skupienie uwagi na regulaminie uczestnictwa, który ustanawia i utrzymuje warunkowy charakter żydowskiej obecności w przestrzeni Kazimierza, prowadzi autora do wniosku o konieczności rewaluacji i redefinicji tradycyjnego rozdziału dyscyplin, który tworzy konceptualny podział na społeczne przestrzenie i architektoniczne obiekty, oraz do krytycznego namysłu nad obowiązującym obecnie w Europie Środkowo-Wschodniej rozumieniem pojęcia „dziedzictwo”. Tego rodzaju poszukiwanie uznaje autor za warunek przezwyciężenia ignorowanego zwykle, choć mimo wszystko obecnego w polsko-żydowskich stosunkach „dziedzictwa”: tradycji przemocy i wykluczenia, tak społecznego, jak i przestrzennego. 


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