scholarly journals Cultural Identity

Communication ◽  
2021 ◽  
Author(s):  
Yea-Wen Chen ◽  
Marion G. Mendy

Cultural identity is a multidimensional concept that has fascinated scholars, researchers, and practitioners in (intercultural) communication and related disciplines over time. The year 2020 has witnessed renewed interests in and debates about a multiplicity of cultural identities, which demonstrate the concept’s relevance in everyday interactions across local and global contexts. For instance, both the rise of conservatism across the globe (including white nationalism in the United States during the Trump administration) and the push for greater equity and inclusion for all (e.g., Black Lives Matter movement, sexual misconduct policies, and gender-neutral bathrooms in public spaces) have garnered and regenerated needs to better understand cultural identity as a complex and contested communication construct. Analytically, cultural identity encompasses a wide range of socially constructed categories that influence how a person knows and experiences his/her/their social world (e.g., race, ethnicity, gender, nationality, socioeconomic status, ability, sexuality, religion, and more). As a social construct, cultural identity deals with important questions about conceptions, understandings, and lived experiences regarding the self in relation to others across time, space, and context. In particular, cultural identity—as opposed to identity—focuses on questions regarding membership in, acceptance into, (dis)identification with, and/or negotiation of (un)belongingness to various groups vis-à-vis communication. Questions about “difference” in a myriad of ways are at the heart of inquiries about cultural identity. That is, cultural identity is better understood as “cultural identities” as always already plural, intersecting, and evolving along various power lines that relate to histories, politics, and social forces. Communication scholars have studied the concept of cultural identity from different perspectives and approaches (e.g., functionalist, interpretive, and critical lenses). In this article, influential works are identified and reviewed in related fields such as psychology, sociology, and cultural studies that have shaped the study of cultural identity in (intercultural) communication in US academia. Then, core texts and articles in communication are considered that represent key issues, core debates, and central arguments about cultural identities, which are followed by textbooks and readers, a review of journals, and prominent theories of cultural identity by intercultural communication scholars in the United States. The article ends with major areas of study.

Dixit ◽  
2015 ◽  
pp. 40
Author(s):  
Graciela Rodríguez-Milhomens

Es un apasionado de la documentación audiovisual. Cuando estudiaba comunicación, en la compleja Cali colombiana de los noventa, Alex Gómez comenzó a documentar diferentes realidades, diferentes culturas, diferentes estilos de vida. Los trabajos que realizó con indígenas y comunidades afrocolombianas, varios de los cuales siguen siendo emitidos en la televisión de su país, lo marcaron profundamente. Luego de trabajar en producción televisiva, estudió una maestría en educación en España y desde hace algún tiempo vive en Estados Unidos, país que le ha permitido continuar con su pasión: la comunicación intercultural. Desde su empresa, dirige documentales, con la misma tónica: comunicar la diversidad, comunicar para la diversidad, comunicar para la interculturalidad. Palabras clave: comunicación intercultural, identidad cultural, educación, producción audiovisual, documentales.He is passionate about audiovisual documentaries. Alex Gómez began to record different realities, cultures and lifestyles already when he was a media scholar in the complex city of Cali during the 1990's. He has been deeply influenced by his works on indigenous Afro-Colombian communities, many of which are still being shown on TV in that country. After working for TV in production units he undertook a Master in Education in Spain and he has been living in the United States where he can still develop his passion: intercultural communication. From his company he directs documentaries with the same spirit: communicating diversity, communication for diversity and communication for an intercultural world.Key words: intercultural communication, cultural identity, education, audiovisual production, documentaries. 


Author(s):  
Maria S. Plakhotnik

The purpose of this chapter is to discuss how instructors could use autoethnography as a course assignment to help students understand their cultural identities and build their intercultural communication competences in higher education classroom. Autoethnography is a qualitative research method that helps people examine their relationship with a group or a culture. The chapter provides an overview of literature relevant to intercultural communication competences, social identity, and autoethnography and then describes the author's use of autoethnography in an undergraduate course “Social and Cultural Foundations of Education” taught at a large public university in the United States. In her class, the author uses this method to help students examine their cultural identity, or relationship with groups based on their religion, culture, nationality, ethnicity, or other groups relevant to the course.


Author(s):  
Maria S. Plakhotnik

The purpose of this chapter is to discuss how instructors could use autoethnography as a course assignment to help students understand their cultural identities and build their intercultural communication competences in higher education classroom. Autoethnography is a qualitative research method that helps people examine their relationship with a group or a culture. The chapter provides an overview of literature relevant to intercultural communication competences, social identity, and autoethnography and then describes the author's use of autoethnography in an undergraduate course “Social and Cultural Foundations of Education” taught at a large public university in the United States. In her class, the author uses this method to help students examine their cultural identity, or relationship with groups based on their religion, culture, nationality, ethnicity, or other groups relevant to the course.


Author(s):  
Foteini Toliou ◽  

This article focuses on Alejandro Morales’s novel The Rag Doll Plagues (1992) and explores the transhistorical dimensions of the subordination indigenous and mestiza/o identities experience against colonial and postcolonial authoritarian forces in the borderlands between Mexico and the United States. Spanish colonialism, US racism and eco-destruction, each transpiring in different moments of the New World history, are the diverse forms the borderland crises take up in the three Books comprising the novel. Mestizaje and intercultural communication, as well as the retrieval of the indigenous and Mexican cultural traditions, foster the ongoing creation of new hybrid racial, ethnic and cultural identities in all the three Books and, thus, emerge as the analeptics to the diachronically persistent plight of racism.


Author(s):  
David Vogel

This book examines the politics of consumer and environmental risk regulation in the United States and Europe over the last five decades, explaining why America and Europe have often regulated a wide range of similar risks differently. It finds that between 1960 and 1990, American health, safety, and environmental regulations were more stringent, risk averse, comprehensive, and innovative than those adopted in Europe. But since around 1990 global regulatory leadership has shifted to Europe. What explains this striking reversal? This book takes an in-depth, comparative look at European and American policies toward a range of consumer and environmental risks, including vehicle air pollution, ozone depletion, climate change, beef and milk hormones, genetically modified agriculture, antibiotics in animal feed, pesticides, cosmetic safety, and hazardous substances in electronic products. The book traces how concerns over such risks—and pressure on political leaders to do something about them—have risen among the European public but declined among Americans. The book explores how policymakers in Europe have grown supportive of more stringent regulations while those in the United States have become sharply polarized along partisan lines. And as European policymakers have grown more willing to regulate risks on precautionary grounds, increasingly skeptical American policymakers have called for higher levels of scientific certainty before imposing additional regulatory controls on business.


2011 ◽  
Vol 12 (1) ◽  
pp. 34 ◽  
Author(s):  
Craig G. Webster ◽  
William W. Turechek ◽  
H. Charles Mellinger ◽  
Galen Frantz ◽  
Nancy Roe ◽  
...  

To the best of our knowledge, this is the first report of GRSV infecting tomatillo and eggplant, and it is the first report of GRSV infecting pepper in the United States. This first identification of GRSV-infected crop plants in commercial fields in Palm Beach and Manatee Counties demonstrates the continuing geographic spread of the virus into additional vegetable production areas of Florida. This information indicates that a wide range of solanaceous plants is likely to be infected by this emerging viral pathogen in Florida and beyond. Accepted for publication 27 June 2011. Published 25 July 2011.


1939 ◽  
Vol 33 (2) ◽  
pp. 283-291
Author(s):  
Clark H. Woodward

In the conduct of foreign policy and the participation of the United States in international affairs, the relation between the Navy and the Foreign Service is of vital importance, but often misunderstood. The relationship encompasses the very wide range of coördination and coöperation which should and must exist between the two interdependent government agencies in peace, during times of national emergency, and, finally, when the country is engaged in actual warfare. The relationship involves, as well, the larger problem of national defense, and this cannot be ignored if the United States is to maintain its proper position in world affairs.


Author(s):  
Julie C. Garlen

Since the beginning of Western modernity, evolving perceptions of what childhood “should” be have shaped public discourse around what knowledge is of most worth and informed paradigms of curriculum development. Thus, “the child,” the discursive construct that emerges from dominant ideologies about the nature and purpose of childhood, is a critical artifact in understanding contemporary curriculum in the United States. Significantly, “the child” has operated as a key mechanism to reproduce and expand particular logics about who counts as fully human. In this way, curriculum is implicated in social injustices premised on the protection and futurity of “the child.” Tracing the history of conceptions of “the child” as they relate to curriculum development and theory illuminates the ways that childhood and curriculum are intertwined, and illustrates how childhood operates as a malleable social construct that is mobilized for diverse and sometimes contradictory political purposes.


Author(s):  
Melissa Ames

While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010--2020), ABC's reality franchises, The Bachelor (2002--present) and The Bachelorette (2003--present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.


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