Cultural identity is a multidimensional concept that has fascinated scholars, researchers, and practitioners in (intercultural) communication and related disciplines over time. The year 2020 has witnessed renewed interests in and debates about a multiplicity of cultural identities, which demonstrate the concept’s relevance in everyday interactions across local and global contexts. For instance, both the rise of conservatism across the globe (including white nationalism in the United States during the Trump administration) and the push for greater equity and inclusion for all (e.g., Black Lives Matter movement, sexual misconduct policies, and gender-neutral bathrooms in public spaces) have garnered and regenerated needs to better understand cultural identity as a complex and contested communication construct. Analytically, cultural identity encompasses a wide range of socially constructed categories that influence how a person knows and experiences his/her/their social world (e.g., race, ethnicity, gender, nationality, socioeconomic status, ability, sexuality, religion, and more). As a social construct, cultural identity deals with important questions about conceptions, understandings, and lived experiences regarding the self in relation to others across time, space, and context. In particular, cultural identity—as opposed to identity—focuses on questions regarding membership in, acceptance into, (dis)identification with, and/or negotiation of (un)belongingness to various groups vis-à-vis communication. Questions about “difference” in a myriad of ways are at the heart of inquiries about cultural identity. That is, cultural identity is better understood as “cultural identities” as always already plural, intersecting, and evolving along various power lines that relate to histories, politics, and social forces. Communication scholars have studied the concept of cultural identity from different perspectives and approaches (e.g., functionalist, interpretive, and critical lenses). In this article, influential works are identified and reviewed in related fields such as psychology, sociology, and cultural studies that have shaped the study of cultural identity in (intercultural) communication in US academia. Then, core texts and articles in communication are considered that represent key issues, core debates, and central arguments about cultural identities, which are followed by textbooks and readers, a review of journals, and prominent theories of cultural identity by intercultural communication scholars in the United States. The article ends with major areas of study.
Mestizaje and Intercultural Communication as the Analeptics to the Transhistorical Borderland Crises in Alejandro Morales’s Novel The Rag Doll Plagues (1992)
