Cuban Music Is African Music

2020 ◽  
pp. 85-118
Author(s):  
Aleysia K. Whitmore
Keyword(s):  
Music Industry ◽  
Black Atlantic ◽  
African Music ◽  
Social Meanings ◽  
Economic Ties

Part II examines how AfroCubism and Orchestra Baobab musicians negotiate geographic, cultural, and linguistic boundaries as they mix musics across the black Atlantic and bring their music into the word music industry. In so doing, this section shows how musicians’ experiences are intertwined with the commodities they create, and that many of us consume (and critique). This chapter explores how musicians creatively combine African and Cuban musics. In bringing these musics together, musicians (re)negotiate and (re)imagine cultural, historical, political, and economic ties between Africans, Cubans, Europeans, and Americans. Their ideas conflict, diverge, and intersect as they strategically combine musics and social meanings, idealistically connect peoples and musics across the Atlantic, and pragmatically address the limits of musical mixing and collaboration.

Introduction—Collaborations

2020 ◽  
pp. 1-37
Author(s):  
Aleysia K. Whitmore
Keyword(s):  
West Africa ◽  
Music Industry ◽  
Black Atlantic ◽  
Theoretical Background ◽  
World Music ◽  
Global Markets ◽  
Historical Overview ◽  
Black Internationalism ◽  
The World

The Introduction provides historical and theoretical background for the book. The chapter offers an historical overview of Cuban music in West Africa, and explains how histories and discourses of globalization, cosmopolitanism, Africa, the black Atlantic, and black internationalism intersect. Musicians, industry personnel, and audiences draw on these histories as they collaborate with each other to create international commodities. The chapter argues that all of these actors see their labor and its products quite differently as they move between and combine local and global markets, African and Afro-diasporic sounds, traditional and hybrid musics, and histories of slavery, colonialism, and independence. Musicians, industry personnel, and audiences work with and push against one another as they continually (re)position themselves in the world music industry.

Russia and China: The Vector of Development of Economic Cooperation

2004 ◽  
pp. 113-122
Author(s):  
L. Kabir
Keyword(s):  
World Economy ◽  
Economic Cooperation ◽  
Point Of View ◽  
Basic Commodity ◽  
The World ◽  
Economic Ties

This article considers the basic tendencies of development of trade and economic cooperation of the two countries with accent on increasing volumes and consolidating trade and economic ties in Russian-Chinese relations. The author compares Russian and Chinese participation in the world economy and analyzes the counter trade from the point of view of basic commodity groups.

Endurance of Transnationalism in Bolivia’s Valle Alto

2006 ◽  
Vol 3 (1) ◽  
pp. 63-74 ◽  
Author(s):  
Richard C. Jones ◽  
Leonardo De la Torre
Keyword(s):  
Random Sample ◽  
Work Experience ◽  
Household Income ◽  
Return Migration ◽  
Ethnographic Interviews ◽  
The Us ◽  
Foreign Work ◽  
Intentions To Return ◽  
Economic Ties

The increasing difficulty of return migration and the demands for assimilation into host societies suggest a long-term cutting of ties to origin areas—likely accentuated in the Bolivian case by the recent shift in destinations from Argentina to the US and Spain. Making use of a stratified random sample of 417 families as well as ethnographic interviews in the provinces of Punata, Esteban Arze, and Jordán in the Valle Alto region the authors investigate these issues. Results suggest that for families with greater than ten years cumulated foreign work experience, there are significantly more absentees and lower levels of remittances as a percentage of household income. Although cultural ties remain strong after ten years, intentions to return to Bolivia decline markedly. The question of whether the dimunition of economic ties results in long-term village decline in the Valle Alto remains an unanswered.   

KOMIK DI LINGKARAN INDUSTRI MUSIK

DeKaVe ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Terra Bajraghosa
Keyword(s):  
Comic Books ◽  
Music Industry ◽  
Comic Book ◽  
Narrative Approach ◽  
Visual Narrative ◽  
Common Practices ◽  
Visual Style ◽  
Song Lyrics ◽  
The Common

Comic ges. Based on comprehention as a narrative media, comics in Indonesia are oftenly compared to bas-reliefs on Borobudur temple and Wayang Beber.. From many kind of stories Indonesian comic books recently offered, with the developed visual wrapping, some comics steal attentions by its unique themes. These comic books are created because of the inspiration and relation to music industry. These comic books couldn't be seen from the visual style alone, as they were created in many visual genres, but they could be seen from their relations to music industry, whether the mainstream or indie ones. These comic books are published together with the music CDs, telling fictional stories from factual bands or musicians, telling a band's factual stories, or created by one of the band members. To understand modes of creation of these music industry-related-comic books, visual narrative approach will be applied. Through visual narrative approach, the band members' or musician's necessity for telling stories via comics, beside the common practices via music and song lyrics, will be observed.Keywords : Comic book, music industry, visual narrative

Analyzing the impact of financial momentum on the development of the economy

2020 ◽  
Vol 26 (2) ◽  
pp. 299-315
Author(s):  
V.V. Smirnov
Keyword(s):  
Financial Regulation ◽  
Systems Approach ◽  
Financial System ◽  
Modern Economic ◽  
And Performance ◽  
The Interest Rate ◽  
National Economies ◽  
Economic Ties ◽  
The Impact ◽  
Global Financial System

Subject. The article discusses the momentum in finance. Objectives. The study reveals the impact of financial momentum as the unity of antipodes in the development of the national economy. Methods. The study is based on a systems approach and methods of descriptive statistics. Results. I discover the ultimate goal of globalization, i.e. the substantive simplification of national economies and strengthening of global economic ties. The goals determine the logic tendency of national economies for reducing the interest rate so as to gain the financial momentum and, consequently, fanning the crisis risk in the global financial system. The global financial system became the substance of global economic processes, which determined development opportunities of national economies. I reveal what countries have the high and low financial momentum. Conclusions and Relevance. Being the unity of antipodes in the modern economic development, financial momentum causes countries to lose their economic identity, making them just functions of the global financial system. The cyclical development model of national economies is replaced with the metron model that rests on fluctuating advanced economies with the low financial momentum at its bottom and emerging economies at its top. The findings crystallize the concept and new competencies for a person who decide on the determination and performance of financial regulation activities.

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