Foundations
This chapter examines the conventions of Iberian theater with music from the mid-sixteenth to the early eighteenth century, as they surface in written sources and theatrical practices primarily related to Brazilian contexts. It presents an overview of the main theatrical genres, character types, and standard plots and the basic structure of theatrical functions, as well as the role of music in Jesuit autos and tragédias, religious oratorios, and secular comédias and entremezes. The chapter discusses the pedagogical function of musical theater in the early colonial period and the use of Latin, Spanish, Portuguese, and indigenous languages in these plays. It also examines the work of Brazil-born aficionados and playwrights in Europe and their role in the development of music-dramatic arts in Brazil and abroad.