Polynesian Pathways

2019 ◽  
pp. 107-132
Author(s):  
Dan Bendrups

This chapter considers interactions between the Rapanui and other Polynesians, and the impact of these interactions on Rapanui music. The relationship to Polynesia, especially Tahiti and, more recently, New Zealand and Hawaii, is central to contemporary Rapanui constructions of identity and provides a counterpoint to prevailing cultural influence from Chile. This has been manifested in musical choices, including the adoption and adaptation of particular elements of pan-Pacific performance practice. However, as this chapter reveals, the influence is long-standing, dating back to the 1860s, when the arrival of missionaries, together with their Polynesian assistants, enabled a physical and cultural link to French Polynesia.

2001 ◽  
Vol 34 (2) ◽  
pp. 193-203 ◽  
Author(s):  
Clare O'donnell ◽  
Christine Stephens

In recent years workplace stress has been seen as an important occupational health and safety problem and probation officers in New Zealand have been identified as suffering from increasing perceptions of stress. Accordingly, the present study was undertaken with a sample of 50 New Zealand Probation Officers in three offices to examine the relationship of individual, organisational and work stressors with work related strains. It was predicted that work stressors would be positively related to strains and that individual differences (e.g., age or gender) would have a moderating effect on the relationship between stressors and strains. The results showed that stressors caused by organisational problems, such as role boundary and overload, were related to strains, more strongly than job content problems, such as difficult clients. Secondly, age may have a curvilinear relationship to strains. Thirdly, the office, or place of work, moderates the stressor strain relationship.


2021 ◽  
Vol 18 ◽  
pp. 66-73
Author(s):  
Nigel Isaacs

Although it is often thought that the 3 February 1931 Napier earthquake led to the first New Zealand building codes, they have a far longer history. Often developed by the local town, city or borough engineer, these codes or by-laws covered a wide range of topics, not just structural safety. Two surveys of local government building bylaws undertaken to support the development of national building controls, have created digests of details from a number of these codes. The 1924 survey of 37 municipalities supported the development of the first national code for timber buildings, while the 1938 survey of 84 municipalities was used to develop NZSS 95 Model Building By-law during the 1930s and early 1940s. The digests provide an opportunity to explore the 1930s development of building by-laws by geographical and topic coverage, as well as the impact on building controls since that time.These local building bylaws often included requirements that affected the interior architecture of buildings, such as the requirement for minimum dwelling or bedroom room heights. In 1924 these minima ranged from 8 ft to 10 ft (2.4 m to 3.0 m) for either a dwelling or an attic room. However, by 1938 while the height range for dwelling rooms was unchanged for attic rooms the range was reduced by 1 foot (0.3 m) to 7 ft to 9 ft (2.1 to 2.9 m). Although the 1992 New Zealand Building Code does not specify minimum habitable room heights, the House Improvement Regulations 1947 are still in force. These initially set the habitable room height requirement to 2.1 m, increasing in 1975 to 2.4 m.The paper explores the development of minimum dwelling height requirements in New Zealand using these two surveys with analysis of Wellington and Dunedin City Councils from the 1870s to the 1930s. These requirements will be compared to UK codes, exploring both the international evolution of room height requirements and the relationship to New Zealand.


2016 ◽  
Vol 56 (11) ◽  
pp. 1775 ◽  
Author(s):  
A. M. Nicol ◽  
J. L. Klotz

On the basis of published reports, the daily intake of the alkaloid ergovaline from the consumption of endophyte-containing ryegrass in New Zealand ranges from 0.008 to 0.287 mg ergovaline/kg LW0.75.day. Most of the reports are based on the use of standard endophyte-containing ryegrass and, thus, it is difficult to disassociate the impact of ergovaline consumption from that of lolitrem B. However, physiological effects of ergovaline consumption, such as reduced circulating prolactin concentration, vasoconstriction and elevated core temperature, have been detected at fairly low ergovaline intake, whereas decreased feed intake, liveweight gain and milk production have not generally been observed in animals at an intake below 0.07 mg ergovaline/kg LW0.75.day. Intakes above this value represent only 17% of published values. There are insufficient data to suggest a threshold ergovaline intake associated with heat stress with animal-welfare implications. The relationship between published ergovaline intake and the corresponding ergovaline concentration in pasture is poor (R2 = 0.48), but on average an intake of 0.07 ergovaline/kg LW0.75.day is associated with an ergovaline concentration in ryegrass of 0.70 mg/kg DM. About 16–18% of published ergovaline concentrations in ryegrass pasture exceed this value. The ergovaline concentration in ryegrass is greater in the basal parts of the plant than in the leaf and during the late summer–autumn than in spring. Animals grazing in the lower sward horizons (horizontal grazing plane) are more at risk of high ergovaline intake, although the reduction in grazing intake induced by grazing at low pasture height aids in limiting ergovaline intake. As pasture growth rates decline in late summer, supplementary feed may be used to maintain stocking rate and, if such feeds have zero ergovaline concentration, they serve to dilute the mean dietary ergovaline intake. Ergovaline-containing ryegrass pastures are widely used in New Zealand. It appears that farmers consider the risks of depressed animal production on these pastures to be less than the benefits ergovaline bestows through its deterrent effect of specific insect attack and thus greater survival and pasture persistence.


2021 ◽  
Author(s):  
◽  
Laura McKim

<p>New Zealand has one of the highest rates of car ownership in the world and as such contributes disproportionately to global climate change, cardiovascular disease and obesity. This need not be the case for, among other things, New Zealand cities have the potential to increase the use of walking and cycling. There is substantial evidence that modifying the urban form and design of neighbourhoods can influence the use of active transport. However factors such as those related to employment and income have so far received far less attention as possible influences. This thesis explores the impact of income on the use of active modes of transport for commuting. Modal choice is sensitive to both income and relative costs. While historically the car has replaced walking and cycling as wage rates have risen, in cross section the relationship between income and active commuting takes quite a different form. While higher incomes do allow people to purchase motorised transport, they also allow workers to purchase shorter commutes and to integrate active modes into more complex trip chains. As a result, the probability of active commuting rises with income. As such, raising urban density can help stem some of the negative environmental and health effects of rising affluence.</p>


Author(s):  
Lex McDonald ◽  
Liz Melchior

The tertiary education sector in New Zealand is changing, with more and more emphasis being placed upon outcomes and the relationship that universities have with their stake-holders. There is a danger that the complexities of change may over-shadow some key issues in the transformation. This article highlights the importance of one of the keys to accomplishing a meaningful relationship with the stakeholders – the development of teaching strategies that ensure transfer of learning occurs. A case study of a professional education programme in dance is outlined as an example of how planning for the impact of outcomes can be accomplished.


2021 ◽  
Author(s):  
◽  
Naiomi Murgatroyd

<p>Dance has been used historically in museums in both exhibitions and public programmes. These events provide opportunities for museums to collaborate with performing arts institutions. Incorporating contemporary dance in New Zealand museums poses a number of challenges for both the dance company and for the museum; however it can provide a unique and rewarding visitor experience. There has been little research into the use of contemporary dance in the museum environment, or the practicalities of holding such events. The impact of dance performances on the museum visitor has also been neglected. This case study of a contemporary dance company performing in a New Zealand museum investigates the relationship between the two organisations and the impact the performance had on the visitor. Ten interviews were conducted with museum staff, dance company staff and one audience member. This case study provides insight into the relationship between the two institutions as well as the visitor experience. It was found that significant practical and financial barriers could potentially prevent both the dance company and the museum from holding dance events. Key areas of concern in organising this event were safety, communication and measuring the success of the event. A strong relationship between the institutions and open channels of communication between the staff involved allowed for practical solutions to these issues. The connection between the dance work and the museum exhibition space was questioned by visitors, who did not overtly see a link between the two despite the artistic intentions of the dance company. Nonetheless meaning was taken from the piece in less direct ways. Firstly, visitors generated meaning from the social aspects of their visit. Secondly, they found meaning in the physical environment of the museum.</p>


2005 ◽  
Vol 38 (2) ◽  
pp. 307-333 ◽  
Author(s):  
Katherine Teghtsoonian

Abstract. This article develops an explanation for the different approaches to existing women's policy agencies adopted by governments of the right elected to office in Aotearoa/New Zealand (in 1990) and in the province of British Columbia (in 2001). In Aotearoa/New Zealand, the Ministry of Women's Affairs remained structurally intact, while in British Columbia the Ministry of Women's Equality was eliminated and replaced with a women's policy agency that constitutes a small subunit within a much larger ministry. My analysis of these developments focuses on the impact of two institutional features of the women's ministries: (1) the nature of the activities in which they were involved and the different allocations of their budgetary resources that these activities entailed; and (2) the relationship between each ministry and community-based women's groups. I also explore the interaction between these institutional variables and the particular way in which a discourse of “special interests” has been expressed within the party of the right in each case.Résumé. Cet article développe une explication des différences d'attitude envers les agences chargées des politiques concernant les femmes entre les gouvernements de droite qui ont été élus à Aotearoa/Nouvelle-Zélande (en 1990), et en Colombie-Britannique (en 2001). À Aotearoa/Nouvelle-Zélande, la structure du ministère des Affaires des femmes est restée intacte, tandis qu'en Colombie-Britannique le ministère de l'Égalité des femmes a été éliminé et remplacé par une agence chargée des politiques concernant les femmes, qui n'est qu'une petite sous-unité d'un ministère beaucoup plus étendu. Mon analyse de ces développements porte sur l'impact de deux aspects institutionnels des ministères de la condition féminine: (1) le caractère de leurs activités et les différences correspondantes d'allocation de leurs ressources budgétaires; (2) le rapport entre chaque ministère et les groupes féministes des collectivités locales. En plus, j'explore l'interaction entre ces variables institutionnelles et la formation de l'argument d'“ intérêts particuliers ” avancé par le parti de droite dans chaque cas.


Author(s):  
Lewis Tennant

This article explores how recent technological changes have affected the social and cultural practices of New Zealand communities that are based on recorded music. It considers the shrinking number of brick-and-mortar record shops in the wider context of discussing how now widespread Internet usage has forever changed the music producer-distributor-consumer relationship, as well as the relationship audience members have with one another. The account tracks the history of the record retail space in 20th Century New Zealand, before drawing on conversations with 30 highly-engaged music consumers in order to explore the relevance of the record shops that remain today. Participants also discuss the impact Internet access has had on New Zealand-based music aficionados. The central theme that emerges during these conversations is that though ‘something’ is lost with increasingly less physical community spaces to congregate, the Internet provides a potentially more inclusive and expansive platform for a greater cross-section of audience members to feel involved.


2021 ◽  
Author(s):  
◽  
Naiomi Murgatroyd

<p>Dance has been used historically in museums in both exhibitions and public programmes. These events provide opportunities for museums to collaborate with performing arts institutions. Incorporating contemporary dance in New Zealand museums poses a number of challenges for both the dance company and for the museum; however it can provide a unique and rewarding visitor experience. There has been little research into the use of contemporary dance in the museum environment, or the practicalities of holding such events. The impact of dance performances on the museum visitor has also been neglected. This case study of a contemporary dance company performing in a New Zealand museum investigates the relationship between the two organisations and the impact the performance had on the visitor. Ten interviews were conducted with museum staff, dance company staff and one audience member. This case study provides insight into the relationship between the two institutions as well as the visitor experience. It was found that significant practical and financial barriers could potentially prevent both the dance company and the museum from holding dance events. Key areas of concern in organising this event were safety, communication and measuring the success of the event. A strong relationship between the institutions and open channels of communication between the staff involved allowed for practical solutions to these issues. The connection between the dance work and the museum exhibition space was questioned by visitors, who did not overtly see a link between the two despite the artistic intentions of the dance company. Nonetheless meaning was taken from the piece in less direct ways. Firstly, visitors generated meaning from the social aspects of their visit. Secondly, they found meaning in the physical environment of the museum.</p>


Author(s):  
Andrew Hancock

The introduction of the Australian and New Zealand Standard Classification of Occupations (ANZSCO) into statistical collections, particularly the 2006 Census of Population and Dwellings, has enabled the first real comparison of occupation data using a consistent standard framework between Australia and New Zealand. The paper discusses the issues of introducing a harmonised classification into statistical collections and the impact for time-series and comparability of occupation data. Issues related to what to include in the classification structure, to ensure consistency in skill levels and to establish a framework that is practical for both countries to produce occupation data on will be examined. This paper will also discuss whether ANZSCO meets the need as a standard framework and introduces a strategy for ongoing maintenance and ensuring relevance and consistency moving into the future. In addition, commentary on the relationship with the 2008 International Standard Classification of Occupations will be provided.


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