Dares Forged

Author(s):  
Frederic Clark

Chapter 1 begins with an examination of the early medieval encyclopedist Isidore of Seville, who christened Dares Phrygius the first pagan historian. It then moves back in time to consider the likely origins of the Destruction of Troy, and how those in both its supposed and actual milieux of composition (i.e., classical Rome of the first century BCE and late antiquity) defined the nature of history (historia) and distinguished history from fiction or fabula. It also discusses authors whom Dares co-opted, such as the ostensible translator of his text, the Roman historian and biographer Cornelius Nepos, and those whom he challenged (via claims of Aeneas’ treachery), such as the poet Virgil. Finally, it examines numerous attempts—by everyone from Hellenistic chronologers and Nepos himself to early Christian scholars like Eusebius and Jerome—to date the Trojan War and incorporate it into universal history. It argues that both the primacy assigned to autoptic history and the world historical significance assigned to Troy played signal roles in Dares’ afterlife.

2019 ◽  
pp. 157-193
Author(s):  
Romana Rupiewicz

The image of a judge in Late Antiquity is shrouded in mystery as visual artefacts depicting court proceedings are scarce. Early Christian sarcophagi and miniatures adorning early manuscripts help in researching this topic. Illustrations of the trial of Jesus found there fully represent jurisprudence of the 4th and 5th century. Western artists had no knowledge of the hearing held at the beginning of the first century in Jerusalem, in a Roman province, hence they recreated what they knew from experience. The pictures presenting the trial of Jesus are probably the most important iconographic evidence of court proceedings in which a judge and an accused stand facing each other. Based on the iconography analysed, we can see that certain elements are recurrent. They include a curule seat, crossed legs of the judge, a laurel wreath, a table, presence of other persons wearing soldiers’ uniforms and clerks, whose role was probably that of a record taker. The image of Pilate in Late Antiquity is, in fact, a representation of early court scenes.


Augustinianum ◽  
2021 ◽  
Vol 61 (1) ◽  
pp. 181-206
Author(s):  
John Joseph Gallagher ◽  

The sex aetates mundi constituted the defining framework for understanding biblical and salvation history in the Early Christian and Late Antique worlds. The origins of the idea that history can be divided into six epochs, each lasting roughly a thousand years, are commonly attributed to Augustine of Hippo. Although Augustine’s engagement with this notion significantly influenced its later popularity due to the prolific circulation of his works, he was by no means the sole progenitor of this concept. This bipartite study undertakes the first conspectus in English-speaking scholarship to date of the origins and evolution of the sex aetates mundi. Part I of this study traces the early origins of historiographical periodisation in writings from classical and biblical antiquity, taking account in particular of the role of numerology and notions of historical eras that are present in biblical texts. Expressions of the world ages in the writings of the Church Fathers are then traced in detail. Due consideration is afforded to attendant issues that influenced the six ages, including calendrical debates concerning the age of the world and the evolution of eschatological, apocalyptic, and millenarian thought. Overall, this article surveys the myriad intellectual and exegetical currents that converged in Early Christianity and Late Antiquity to create this sixfold historiographical and theological framework. The first instalment of this study lays the groundwork for understanding Augustine’s engagement with this motif in his writings, which is treated in Part II.


Scrinium ◽  
2019 ◽  
Vol 15 (1) ◽  
pp. 239-255
Author(s):  
Nino Doborjginidze

Abstract The article analyses the historical concepts of the medieval Georgian history by Leonti Mroveli, as the projection of religious historiography in Late Antiquity and the Middle Ages. Introductions to two redactions of The Georgian Chronicles have been considered. It has been shown that both versions have the same aim: to reconstruct the ethnic origin of the Georgians (our kin) from the onset of the world history and to legitimate our kin as an immediate partaker in the initial (Biblical) history. For this purpose, Leonti Mroveli uses diamerisms, a scheme of universal history (Διαμερισμὸς τῆς γῆς) employed in religious historiography from the 1st century AD. Fragments of diamerisms found in medieval Georgian historical narratives reveal that Georgian historiographers were familiar with them via Greek, Syriac, Ethiopian and Armenian versions and successfully used them to highlight the unity between the universal and their national (local) histories – the life of our kin.


2009 ◽  
Vol 3 (1) ◽  
Author(s):  
Karla Gusar

The site of Podvršje-Glavčine is situated in the vicinity of Zadar and it was excavated in several archaeological campaigns from 2002 to 2007 under the leadership of A. Uglešić. During the research an early Christian complex consisting of double basilicae with ancillary rooms and a cemetery was discovered on this position. Besides architectural remains, great number of fragments of stone furniture and architectural decoration was discovered in this complex, as well as fragments of ceramic and glass vessels belonging to Late Antiquity. The entire complex was destroyed in a fire during the first half or middle of the 7th century, as indicated by archaeological finds, and the results of radiocarbon analysis. Among finds which for the most part belong to Late Antiquity, fragments of early medieval ceramic vessels of Slavic technological-typological characteristics found chiefly in the front part of the northern church are particularly interesting. There were six such vessels among which we can distinguish hand made pottery and the one made on slow-turning potter's wheel, as well as undecorated and decorated vessels. Motif of wavy lines between parallel lines is dominant on decorated examples. All vessels are represented by sherds of pots, made of purified clay tempered with calcite grains, and their colour varies depending on the firing process. On the basis of analysis pots can be dated to the second half of the 7th and the first half of the 8th century. It is worth mentioning that these vessels belong to early medieval finds from a settlement which are extremely rare in Dalmatia representing the least explored segment of early medieval pottery production. It is also important to emphasize that these vessels are the only early medieval find at this site. Despite the paucity of these vessels, they represent an exceptionally important testimony of the presence of newly arrived Slavs who used dilapidated early Christian complex at Glavčine as a temporary shelter suitable for a shorter stay.


Art History ◽  
2019 ◽  
Author(s):  
Charles McClendon

The precise definition of the early Middle Ages as a historical period is far from clear, as is the specific beginning and end of the Middle Ages as a whole. In terms of architecture, it is generally taken to postdate the experiments of the late antique/early Christian period and to end sometime soon after the year 1000, when according to the monk Raoul Glaber the world put on a “white mantle of churches,” which is usually related to the emergence of Romanesque. This bibliography follows these general chronological perimeters, extending from the middle of the 6th to the early 11th century. Unlike Romanesque and later Gothic, early medieval architecture does not embody a single, particular style, aside from the often perceived antiquarian tendencies of the so-called Carolingian Renaissance of the late 8th and 9th centuries under Charlemagne and his immediate successors. Most studies are therefore regional, produced often by scholars writing in their native languages and focused on the monuments of their homeland.


2020 ◽  
Vol 69 ◽  
pp. 73-93
Author(s):  
Dirk Rohmann

Chronicles became the dominant historical genre in the transition period between Late Antiquity and the Early Middle Ages. While individual authors tended to build one on another, they also exerted considerable licence in rearranging the tralaticious material they found in previous compilations. Comparing Latin with Greek authors– Orosius, Isidore of Seville, Gregory of Tours, and John Malalas – the present contribution argues that all of these historical works, while summarising the history of antiquity, reflect discourses of their own day and age. These differences can be appreciated in comparing their specific views on the origin of sin in the world, on king Numa, and on the death of the Arian emperor Valens.


2010 ◽  
Vol 4 (1) ◽  
Author(s):  
Šime Perović

Three important components mark the problems of glass production in late antiquity and the early medieval period. The first consists of glass finds discovered in excavations of early Christian structures or complexes. The second consists of objects from the settlement strata of a considerable number of excavated medieval sites, some of them with a Roman past (Nin, Bribir…), while the third consists of material from the excavations of early medieval cemeteries. The subject of this discussion is actually the analysis of several exclusive glass items that come from the Early Croatian cemetery at Ždrijac that expand knowledge about late antique and early medieval glass production on the eastern Adriatic coast. The exclusive nature and exceptional value of the objects, as well as the context of the finds as a part of the integral position of Early Croatian prominent families define them as the possessions of elite members of society. The context of the absence of glass finds in the other graves from this period, and the reduced finds in the settlement strata of early medieval sites, suggests that these objects were imported by wealthy members of society, and from this we can indirectly presume a reduction and perhaps a discontinuation of local glass production in the region of ancient Liburnia in the early medieval period. Finds from the cemetery within grave units that can be assigned chronologically on the basis of other luxurious finds to the first half of the 9th century, when elements of Christianization can be noted at this cemetery otherwise characterized by a pagan burial ritual, allow the possibility of interpreting the probable ritual symbolism of these objects. The use of similar typological forms of glass footed goblets as votive lights during the Early Christian period otherwise leads us to consider that in the context of graves 310 and 322 these could perhaps be oil lamps, symbols of the eternal light that accompanies the deceased in the afterlife. In order to establish the possible production provenience and chronological determination for the manufacture of these objects, the reliably dated context of the burials in the first half of the 9th century was set aside, and a deductive analysis was performed of the basic characteristics of the glass grave goods, resulting in the finding that these items represent standard forms of the 6th and 7th centuries. In considering the production origin on the basis of certain analogies with northern Italy, primarily based on the large quantity of related goblets from sites in northern Italy, such as Nocera Umbra, Invilino, Castel Trosino, and also some nearby Slovenian sites, particularly Koper, one cannot a priori reject the previous relating of the glass finds from the Early Croatian cemetery at Ždrijac in Nin specifically to such a northern Adriatic source. However, the analysis of the decorative patterns on the flasks, which are tied to production in eastern Mediterranean workshops, as well as the exceptionally widespread appearance of glass footed goblets throughout the entire Mediterranean, also indicate the relevant possibility of an eastern provenience of these artifacts. The means by which they arrived in the context of the cemetery at Ždrijac are difficult to perceive, but the appearance of these grave goods in grave units from the 9th century shows a renewed interest in glass products, which after the great expansion in the early Imperial period had been greatly reduced in late antiquity and the early medieval period.


1996 ◽  
pp. 56-61
Author(s):  
I. Mozgovyy

The unceasing approximation of the remarkable 2000th anniversary of the coming to the world of Christ highlights the need for further analysis of those processes that took place in the spiritual life of the ancient peoples and laid the foundations of modern civilization with its universal human norms and values.


2019 ◽  
Vol 41 (1) ◽  
pp. 40-50
Author(s):  
Claire Colebrook

There is something more catastrophic than the end of the world, especially when ‘world’ is understood as the horizon of meaning and expectation that has composed the West. If the Anthropocene is the geological period marking the point at which the earth as a living system has been altered by ‘anthropos,’ the Trumpocene marks the twenty-first-century recognition that the destruction of the planet has occurred by way of racial violence, slavery and annihilation. Rather than saving the world, recognizing the Trumpocene demands that we think about destroying the barbarism that has marked the earth.


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