Introduction
This work introduces the chapters (10–14) that analyze transatlantic television’s audiences and fans. It considers debates regarding transnational/transcultural TV distribution and consumption, highlighting issues such as binge watching and piracy. Following Joseph Straubhaar, it argues that the “cultural proximity” of US/UK audiences cannot be treated as objective and can in fact be modified by cultural capital. Such variations in transatlantic TV consumption suggest a need to break with “methodological nationalism,” and the piece concludes by engaging with recent work on transatlantic TV and audiences that has begun to do this, such as Elke Weissmann on TV crime shows. It then sets up each of the following fan/audience-focused chapters, ranging from Black Mirror fans on Reddit to “quality” US TV drama covered via the Guardian media blog, and then from British TV brands at San Diego Comic-Con to fanfiction’s engagement with national-cultural “nitpicking,” and the transcultural fan creation of SuperWhoLock.