Introduction
This introductory chapter presents two new directions in Western scholarship that coincide with the study of human relationships with flora and fauna in gardens and zoos. The first grew out of increasing interest in natural history in its broadest sense, with investigation into such topics as the intersection of science and art, and the societal and personal motivations behind the collection of specimens, living and not. Historians of botanical and zoological gardens, for their part, were now considering the evolution of planting schemes, display architecture, public access, and popular expectations, as well as the psychology of interaction with the strange and wonderful. The second direction was a byproduct of globalization. Here, museums led the way by mounting exhibitions that transcended disciplinary boundaries to demonstrate influences and linkages across time and space. Thought-provoking juxtapositions illuminated the myriad ways in which communities reflected, absorbed, reinterpreted, and sometimes rejected the exotic. Ultimately, among the book’s unifying themes is the pervasive, persistent notion that exotic flora and fauna were essential elements in creating and ordering perfect, microcosmic worlds.