The Politics of Aesthetics
This chapter explores punk’s intersection with politics in the East and West following its collision with the mass entertainment industry. Examining debates over punk in the Polish Communist Party and the UK Parliament, and efforts to integrate punk into Poland’s Solidarity movement, it shows how politicians struggled to accommodate punk to their worldviews, since punk defied traditional late Cold War sociopolitical categories. Instead, politicians in the First and Second Worlds alike fell back on the model of Matthew Arnold, interpreting culture in terms of “sweetness and light” versus chaos and anarchy—with punk often identified as the latter. While mainstream politicians struggled to fit punk to their worldviews, marginal voices on the Left and Right sought to integrate punk through affiliation with groups such as the Socialist Workers Party (in Rock Against Racism) and the right-wing National Front, ultimately also finding that punk fit poorly with their worldviews.