Conclusion

Author(s):  
James Tweedie

This brief conclusion considers a group of films and videos about cinema made in the late twentieth century. Cinema has always been a favorite topic for filmmakers, and that tendency continued at the turn of the millennium. Rather than frame film as a perpetually modern medium, this work views it as an aging, fragile, and exhausted art, though it also considers the history of cinema as a paradoxical source of innovation and renewal. This conclusion surveys key examples of cinema trained on itself and links this reflexive filmmaking to the era’s dominant themes, including belatedness and nostalgia. A final discussion of the Derek Jarman’s Blue highlights the relationship between surface and depth, aesthetics and history explored in this archaeomodern cinema.

Author(s):  
David Ehrenfeld

The forest was small by American standards, perhaps fifty or sixty acres, but in the rolling Devon countryside with its parceled fields and narrow, hedge-enclosed lanes, it felt appropriately spacious. I was enjoying the guided tour in one of my favorite parts of the world. The light rain and chilly July breezes felt right; the English ivy carpeting the ground seemed right; the leafy hardwoods looked right (although I didn’t know the species and could easily have been fooled); and the probably medieval bank and ditch running through the woods at right angles to the path gave everything an impressive air of authenticity. The path turned. As we rounded the corner, I saw ahead the darker shade of conifers. Soon we were in the midst of a grove of youthful but already towering California-coast redwoods. A deep silence hung like a benediction over the dark wood, but it was quickly shattered. “I’d give anything to be allowed to cut them down,” said our guide, Stephan, in an angry voice. This incident passed out of my thoughts until weeks later back in New Jersey, when I was reading the chapter on conservation in Oliver Rack-ham’s The History of the Countryside, an account of the origins of Britain’s landscapes, flora, and fauna. The British landscape of the late twentieth century, Rack-ham wrote, is suffering from an acute loss of meaning—the unique messages once conveyed by many historic woodlands, witness to millennia of slow and painstaking change, have been garbled beyond recognition in five or six decades of modern planting, “restoration,” development, and agriculture. The more I read in this remarkable book, surely one of the most profound and eloquent descriptions of people and nature ever written, the more I understood Stephan’s feeling that his Devon woodland had been desecrated by the planting of those redwoods. I also began to understand how little I knew about the long discourse between people and trees in Britain, where the history of the relationship is probably as well documented as in any place on earth.


2009 ◽  
Vol 26 (1) ◽  
pp. 97-99
Author(s):  
Frederick S. Colby

Despite the central importance of festival and devotional piety to premodernMuslims, book-length studies in this field have been relatively rare.Katz’s work, The Birth of the Prophet Muhammad, represents a tour-deforceof critical scholarship that advances the field significantly both throughits engagement with textual sources from the formative period to the presentand through its judicious use of theoretical tools to analyze this material. Asits title suggests, the work strives to explore how Muslims have alternativelypromoted and contested the commemoration of the Prophet’s birth atdifferent points in history, with a particular emphasis on how the devotionalistapproach, which was prominent in the pre-modern era, fell out of favoramong Middle Eastern Sunnis in the late twentieth century. Aimed primarilyat specialists in Middle Eastern and Islamic studies, especially scholarsof history, law, and religion, this work is recommended to anyone interestedin the history of Muslim ritual, the history of devotion to the Prophet, andthe interplay between normative and non-normative forms ofMuslim beliefand practice ...


Author(s):  
James Tweedie

Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.


Author(s):  
Lara Freidenfelds

The Myth of the Perfect Pregnancy is a history of why Americans came to have the unrealistic expectation of perfect pregnancies and to mourn even very early miscarriages. The introduction explains that miscarriage is a common phenomenon and a natural part of healthy women’s childbearing: approximately 20 percent of confirmed pregnancies spontaneously miscarry, mostly in the first months of gestation. Eight topical chapters describe childbearing and pregnancy loss in colonial America; the rise of birth control from the late eighteenth century to the present; changes in parenting from the early nineteenth century to the present that increasingly focused attention on the emotional relationship between parent and child; the twentieth-century rise of prenatal care and maternal education about embryonic growth; the twentieth-century blossoming of a consumer culture that marketed baby items to pregnant women; the abortion debates from the mid-twentieth century to the present; the late twentieth-century introduction of obstetric ultrasound and its evolution into a pregnancy ritual of “meeting the baby” as early as eight weeks’ gestation; and the late twentieth-century introduction of home pregnancy testing and the identification of pregnancy as early as several days before a missed period. The conclusion offers suggestions for how women and their families, health-care providers, and the maternity care industry can better handle pregnancy and address miscarriage.


2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.


2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Richard Schechner

This essay by Richard Schechner dedicated to a mythical figure of the theater of the late twentieth century; a work of critical reconstruction that has contributed decisively to consolidating the legacy of Grotowski, just a few months after his death. In addition to fixing some essential terms of the vocabulary, together with the contents and the periodization of the Grotowskian work (aspects that Grotowski in life were entrusted exclusively to oral transmission), the essay retraces the formation of Grotowski, the aspects linked to his character, the specific forms of his research and his transmission of knowledge, the exercise of leadership, the role of his collaborators, the sources, the mystical side, his relationship with the spirit of time, the importance (and weakness) of his opera, in the history of twentieth century theater.


Author(s):  
Athena Athanasiou

This chapter engages the discursive conditions that made ethno-nationalist ideologies and armed conflicts of the 1990s possible and probable. Indeed, the question of how to recall the late twentieth-century history of former Yugoslavia constitutes a central aspect of the Women in Black labour of memory. The dissolution of Yugoslavia, especially the normalization of nationalist military violence in the mid-1990s, has manifested gendered norms as constitutive of nationalist discourses. Drawing on the ways in which the movement performatively brings forth an alternative public to embody the potentiality of displaced memory, this chapter argues in favor of breaking through the universalist, moralist, and humanist scripts of mourning. It seeks to make sense of the politically enabling ways in which these activists stage mourning as a site of agonistic resignification in order to interrogate the injustices and foreclosures which sustain dominant regimes of grievability, in Judith Butler’s terms.


Author(s):  
Sally Eden

Geographical approaches to human-environment relations have been diverse and dynamic over the last century. They have also been heavily influenced not only by academic disciplines outside geography but by popular and policy concerns outside academia. From an initial flurry of activity about how the environment influences society in the early part of the century, British geography then took a detour to other topics even as other disciplines discovered the environment as a topic of interest. This left geographers playing ‘catch-up’ in the late twentieth century, as the discipline sought to reoccupy the ground previously abandoned. This is not over yet: in the 1990s, research into ‘the environment’ and ‘nature’ was scattered across academia. This chapter examines the relationship between humans and the contemporary environment, focusing on environmental protection, environmental management and ecological science, environmental policy and management, environmentalism, and environment and history.


Author(s):  
Jean-Luc Marion

This chapter explains Marion’s intellectual, cultural, and religious background and academic pathway. It provides an account of French intellectual life in the late twentieth century, including the student revolutions and the movement of the “New Philosophers.” It also discusses the contribution of several prominent French intellectuals. Marion outlines the history of the founding of the Catholic lay journal Communio and comments on the importance of several twentieth-century theologians. He also discusses the French academic system and its future.


Mahjong ◽  
2021 ◽  
pp. 1-13
Author(s):  
Annelise Heinz

The Introduction provides an orientation to the book and its key questions: What did it mean to become “modern” in the early twentieth century? How did American ethnicities take shape in the years leading up to and after World War II? How did middle-class women experience and shape their changing roles in society, before the social revolutions of the late twentieth century? How are these things related? The Introduction also covers an overview of mahjong’s trajectory in the United States. It examines background related to the history of leisure, gender, and consumerism in addition to introducing key sources and methodologies. The introduction sets up the book to tell the story of mahjong’s role in the creation of identifiably ethnic communities, women’s access to respectable leisure, and how Americans used ideas of China to understand themselves.


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