Becoming- work

2019 ◽  
pp. 182-199
Author(s):  
Nicholas Owen

Chapter 11 describes a new approach to adherence. Earlier chapters have examined the various forms of work that social movements do and asked whether and when such work can be pursued conjointly, by adherents as well as constituents. Chapter 11 reverses the question and looks beyond the answers so far given. It asks: what else would the work have to be, in order for it to be possible for adherents and constituents to pursue it conjointly? It defines a sixth approach, beyond the five already discussed in chapter 10—which it terms “becoming- work,” drawing on the work of Gilles Deleuze and Felix Guattari. It assesses the implication of becoming- work for the older dilemmas of adherence and describes some contemporary and emerging examples of the approach in alter-globalization politics and queer theory.

2020 ◽  
pp. 92-134
Author(s):  
Kenneth B. Kidd

Chapter 3 entertains the idea that children’s literature might also be called a literature for minors, and even a minor literature as conceptualized by Gilles Deleuze and Félix Guattari. Children are legally minors, but adults can be minors too, culturally if not also legally. Such an understanding of children’s literature broadens our sense of its purpose. The chapter begins with Walter Benjamin’s attention to childhood and children’s forms as a baseline for critical thinking about “minors.” It then traces the reception history of Lewis Carroll’s Alice, the Anglophone children’s classic that most closely approaches recognition as theory. Finally, the chapter explores the idea that some children’s literature functions as queer theory for kids, discussing a wide range of texts including A Series of Unfortunate Events. The chapter concludes with a reading of Alison Bechdel’s memoir Are You My Mother?, seemingly for adults but preoccupied with queer childhood.


1996 ◽  
Vol 14 (4) ◽  
pp. 487-499 ◽  
Author(s):  
Cindi Katz

In this essay I develop the notion of ‘minor theory’ following the work of Gilles Deleuze and Felix Guattari on Kafka's ‘minor literature’ as a way of reconfiguring the production of knowledge in geography. I will explore the politics of producing theory that is, for example, interstitial with empirical research and social location; of scholarship that self-reflexively interpolates the theories and practices of everyday historical subjects—including, but not restricted to, scholars; and of work that reworks marginality by decomposing the major. I will discuss the ways that by consciously refusing ‘mastery’ in both the academy and its research practices, ‘minor’ research strives to change theory and practice simultaneously, and I will suggest that these practices can be conjoined with the critical and transformative concerns of Marxism, feminism, antiracism, and queer theory to pry apart conventional geographies and produce renegade cartographies of change.


Author(s):  
Bertie Russell ◽  
Raphael Schlembach ◽  
Ben Lear

The chapter engages with the notion of ‘political refrain’, adapted from the work of Gilles Deleuze and Felix Guattari, to offer some reflections on the strengths and limitations of protest camps in the action repertoire available to social movements. In the present study, ‘camping’ was a recurring thematic for British environmental protest, especially in the mobilisations of the Camp for Climate Action. Camps played more than a simple organisational role and signified a desire to prefigure alternative social and ecological configurations. The camp-form, however, took on a logic of its own, locking the protest movement into repertoire dependency, which signified the problematic tension between organisational continuity and tactical innovation. Unable to resolve this tension, and with British climate activism so fundamentally tied to the imaginary of the protest camp, the emergence of a new political praxis was prevented.


Author(s):  
Bruno Gonçalves Borges

O problema que pretende responder este texto pode ser resumido ao questionamento acerca do processo que levou a pedagogia a se tornar uma peça indispensável de uma engenhosa estrutura de produção de subjetividades na era capitalista. Para tanto, esse problema ganha contornos a partir do esboço de um cenário dual, em que há de um lado, um Pequeno Emílio, originário da obra rousseauniana , desprendido do desejo de formulação de um padrão subjetivo, ainda que aspectos de um naturalismo liberal sejam pertinentes a ele; e, de outro, um Grande Emílio, produto de uma “pequena”, mas incessante e, talvez, pretensiosa resposta ao problema do governo de si e dos outros por meio dos usos de uma pedagogia científica e suas variações, encerrada na ideia de formação plena de um corpo social que reduz a multiplicidade aos níveis economicamente produtivos. Ao propor a abordagem em questão, este texto lança mão de uma análise ao estilo esquizo dos filósofos franceses Gilles Deleuze e Félix Guattari de textos importantes para a filosofia da educação e da própria pedagogia em função de encontrar suporte para os elementos de uma produção subjetiva em curso que passa pela pedagogia.


Ramus ◽  
2020 ◽  
Vol 49 (1-2) ◽  
pp. 213-235
Author(s):  
Michiel van Veldhuizen

The reception of Circe's island in and through Classical Antiquity has largely focused on the enigmatic sorceress herself. The long literary chain of interpretive topoi—Circe the witch, the whore, the temptress—stretches from Apollonius, Virgil, Ovid, and Dio Chrysostom to Spenser, Calderón, Joyce, Margaret Atwood, and Madeline Miller. Her role as Odysseus’ benefactor, so unmistakable in Homer, is soon forgotten; to Virgil, she is above all dea saeva, (‘the savage goddess’, Aen. 7.19). One distinguishing feature of Circe and her reception is the focus on representation: the enchantment of Circe, as Greta Hawes puts it, is above all a study in allegory. From the moment Circe put a spell on Odysseus’ companions, transforming them into animals in Book 10 of the Odyssey, Circe has invited analogical reasoning, centered on what the transformation from one being into another represents. More often than not, this transformation is interpreted according to a dualist thinking about humans and animals: subjects are transformed from one being into another being, thus representing some moral or physical degradation. This article, by contrast, concentrates on Circe's island through the lens of becoming-animal, the concept developed by Gilles Deleuze and Félix Guattari in the tenth plateau of A Thousand Plateaus, ‘1730: Becoming-Intense, Becoming-Animal, Becoming-Imperceptible…’. I explicate the concept of becoming-animal by applying it to a Deleuzian encounter with Circe's island, both in its ancient articulations and in its various receptions, including H.G. Wells's science fiction novel The Island of Dr. Moreau.


2021 ◽  
Vol 13 (10) ◽  
pp. 5588
Author(s):  
Anita Tvedt Crisostomo ◽  
Anne B. Reinertsen

In this article, we seek to theorize the role of the kindergarten teacher as an agency mobiliser for sustainability through keeping the concept of the child in play, ultimately envisioning the child as a knowledgeable and connectable collective. This implies a non-dialectical politics of multiplicity ready to support and join a creative pluralism of educational organization and teacher roles for sustainability. Comprising friction zones between actual and virtual multiplicities that replace discursive productions of educational policies with enfoldedness, relations between bodies and becomings. This changes the power, position and function of language in and for agency and change. Not through making the child a constructivist change-agent through language but through opening up the possibilities for teachers to explore relations between language and matter, nature and culture and what might be produced collectively and individually. We go via the concepts of agencement expanding on the concept of agency, and conceptual personae directing the becoming of the kindergarten teacher. Both concepts informed by the transformational pragmatics of Gilles Deleuze (1925–1995) and Félix Guattari (1930–1992). The overarching contribution of this article is therefore political and pragmatic and concerns the constitution of subjectivity and transformative citizenships for sustainability in inter- and intra-generational perspectives.


PMLA ◽  
2003 ◽  
Vol 118 (1) ◽  
pp. 114-119 ◽  
Author(s):  
Roger Bartra

Ecology defines territory as an area defended by an organism or a group of similar organisms with the purpose of pairing off, nesting, resting, and feeding. The defense of this space frequently brings about an aggressive behavior toward intruders and the marking of boundaries by means of repulsive chemical odors. Human beings, though they lack a precise ecological niche and are capable of adapting themselves to diverse spaces, also define territorial limits, from which emanate particular aromas that identify certain social groups. This is a question not of chemical perfumes but rather of codified cultural effusions that fill these groups with pride, even though they may, on occasion, strike others as repulsive. Many years ago, theories established that modern society impels a relentless process of deterritorialization and decodification, a process that tends to be ill regarded by ecologists, the populist left, fundamentalists, and conservatives. The proponents of this idea in the 1970s, Gilles Deleuze and Félix Guattari, stated in their renowned but forgotten book Anti-Oedipus (1972) that this process would end in the liberation of “desiring machines” and the dismantling of the oppressive state, in the same way that the death of God announced by Nietzsche was to be a liberating catastrophe. It is curious that these theories should end up hermetically codified and entombed beneath the seven seals of postmodernism and deconstruction, in the territory of an insufferable and unnecessary jargon.


2012 ◽  
Vol 23 (3) ◽  
pp. 159-178 ◽  
Author(s):  
Thiago Ranniery Moreira de Oliveira ◽  
Marlucy Alves Paraíso

Escutar o universo filosófico de Gilles Deleuze e sua parceria com Félix Guattari e registrar possibilidades da cartografia como método de pesquisa em educação são os objetivos centrais deste artigo. É no trabalho sobre as linhas, no qual estão em jogo as metamorfoses da vida, que a cartografia se faz. A cartografia assume-se implicada na criação e na invenção, ao pensar uma pesquisa das multiplicidades que faz gerar multiplicidades. Traçar linhas, mapear territórios, acompanhar movimentos de desterritorialização, promover rotas de escape são alguns dos procedimentos que este estudo pretende registrar como possibilidades de pesquisar em educação. Discutindo a produtividade dessa coreografia do desassossego, esboçamos quatro movimentos que denominamos: olhares-ciganos, noite de núpcias, pintar um quadro, linhas bailarinas.


2017 ◽  
Vol 22 (2) ◽  
pp. 74-85
Author(s):  
Fernanda Moro Cechinel

Quando uma obra literária é lançada, a editora que o faz e, propriamente, o autor que a escreve esperam que ela ganhe os devidos louros da crítica e, consequentemente, alcance os méritos junto ao público leitor, mas isso só mesmo o tempo poderá dizer. Para aquelas que atingem o sucesso, as nomeamos de cânones ou clássicos. E a Commedia de Dante Alighieri é um exemplo. Desde sua escrita, no século XIV, até hoje, a obra dantesca inspirou diversos escritores mundo afora. O presente trabalho pretende elencar algumas obras, em poesia, prosa e também no cinema, que surgiram a partir do poema italiano. Importante deixar claro que não pretendemos aqui esgotar as obras, pois acredita-se que, ao longo de sete séculos, haja uma lista extremamente extensa de publicações que tiveram como ponto de partida a Commedia. Como referencial teórico para este artigo, utilizar-se-á, principalmente, a obra de Italo Calvino e a de Gilles Deleuze e Félix Guattari, com a teoria dos rizomas.


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