The Most Important Shot in Popular Cinema

2021 ◽  
pp. 168-184
Author(s):  
James E. Cutting

In this chapter, evidence is presented that the most important shot in cinema is the reaction shot—a shot of an unspeaking character reacting to an event. In particular, those at the end of a conversation have increased dramatically during the past 70 years. Much discussion of the reaction shot has focused on the Kuleshov effect, the empathic response of viewers to the mere juxtaposition of a character’s emotionless face with content. There seems to be little experimental support for this effect in isolation. The chapter then explores the nature of reaction-shot facial expressions in movies during the past 70 years. Results show a distinctly non-Kuleshovian bent. Instead of characters being expressionless, they show mild arousal and mild displeasure. This is consistent with the notion that viewers need hints to employ theory-of-mind considerations in evaluating these shots.

PLoS ONE ◽  
2013 ◽  
Vol 8 (12) ◽  
pp. e82422 ◽  
Author(s):  
Andrea Mike ◽  
Erzsebet Strammer ◽  
Mihaly Aradi ◽  
Gergely Orsi ◽  
Gabor Perlaki ◽  
...  

2018 ◽  
Vol 1 (2) ◽  
Author(s):  
Egor M. Isaev

Abstract This article discusses the representation of the era of the October Revolution and the Civil War in contemporary Russian popular cinema. It describes the modern tools used by the state to create new images of the past and to reconstruct history in Russian popular culture. It also considers how Russian society has reacted to this official discourse.


2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Elisabeth C. D. van der Stouwe ◽  
Jooske T. van Busschbach ◽  
Esther M. Opmeer ◽  
Bertine de Vries ◽  
Jan-Bernard C. Marsman ◽  
...  

Abstract Individuals with psychosis are at an increased risk of victimization. Processing of facial expressions has been suggested to be associated with victimization in this patient group. Especially processing of angry expressions may be relevant in the context of victimization. Therefore, differences in brain activation and connectivity between victimized and nonvictimized patients during processing of angry faces were investigated. Thirty-nine patients, of whom nineteen had experienced threats, assaults, or sexual violence in the past 5 years, underwent fMRI scanning, during which they viewed angry and neutral facial expressions. Using general linear model (GLM) analyses, generalized psychophysiological (gPPI) analysis and independent component analyses (ICA) differences in brain activation and connectivity between groups in response to angry faces were investigated. Whereas differences in regional brain activation GLM and gPPI analyses yielded no differences between groups, ICA revealed more deactivation of the sensorimotor network in victimized participants. Deactivation of the sensorimotor network in response to angry faces in victimized patients, might indicate a freeze reaction to threatening stimuli, previously observed in traumatized individuals.


2010 ◽  
Vol 41 (4) ◽  
pp. 133-143
Author(s):  
Bolanle Adetoun ◽  
Maggie Tserere ◽  
Modupe Adewuyi ◽  
Titilola Akande ◽  
Williams Akande

How good gets better and bad gets worse: measuring the face of emotion Given the history of the past, black South African students from different settings face unique academic and emotional climate. Using the Differential Emotions Scale (DES) which focuses on ten discrete emotions, and building upon Boyle's (1984) seminal work, this study reports a repeated-measure multiple discriminant function analysis for individual items across raters. The findings further indicate that majority of the DES items are sensitive indicators of the different innate and universal facial expressions. However, the construct requires revision so that it offers the examiner maximum flexibility in assessment at diverse levels, in terms of more extensive norming and programmatic replication. In brief, the DES potentially has much to offer provided that it is adequately developed for use in non-Western nations or contexts.


Psihologija ◽  
2020 ◽  
pp. 23-23
Author(s):  
Sanja Simlesa ◽  
Kaja Hacin ◽  
Maja Cepanec ◽  
Jasmina Ivsac-Pavlisa

The ability to attribute mental states to oneself and others, known as the theory of mind (ToM), has been widely researched over the past 40 years, along with its relation to language comprehension. However, a majority of the research on the relation between ToM and language used only verbal tasks assessing false belief understanding as a measure of ToM. Therefore, this study aimed to analyze the relation between language and ToM, using a larger battery of ToM measures, with different language demands. A total of 203 typically developing children between 46 and 68 months of age, with average nonverbal cognitive skills, were assessed using language comprehension and ToM tasks. The language aspect was assessed using the Reynell Developmental Language Scales (Language Comprehension scale A). To assess ToM, verbal and non-verbal tasks were taken from the ToM subtest of the NEPSY-II. Results indicated a significant correlation between language comprehension and verbal and non-verbal ToM measures. Hierarchical regression showed that language comprehension was a significant predictor for children's performance on both verbal and non-verbal ToM tasks. Specifically, language comprehension affected ToM, regardless of the language demands of the ToM tasks. However, language comprehension was a stronger predictor for verbal than non-verbal ToM tasks. The results of this study contribute to the view that the relation between language and ToM is fundamental and exceeds the features of specific tasks.


2021 ◽  
Vol 12 ◽  
Author(s):  
Elias Garcia-Pelegrin ◽  
Clive Wilkins ◽  
Nicola S. Clayton

Engaging in the art of creating and telling stories is a defining behaviour of humankind. Humans have been sharing stories with each other, with and without words, since the dawn of recorded history, but the cognitive foundations of the behaviour can be traced deeper into our past. The emergence of stories can be strongly linked to Mental Time Travel (the ability to recall the past and imagine the future) and plays a key role in our ability to communicate past, present and future scenarios with other individuals, within and beyond our lifetimes. Stories are products engraved within the concept of time, constructed to elucidate the past experiences of the self, but designed with the future in mind, thus imparting lessons of such experiences to the receiver. By being privy to the experiences of others, humans can imagine themselves in a similar position to the protagonist of the story, thus mentally learning from an experience they might have never encountered other than in the mind's eye. Evolutionary Psychology investigates how the engagement in artistic endeavours by our ancestors in the Pleistocene granted them an advantage when confronted with obstacles that challenged their survival or reproductive fitness and questions whether art is an adaptation of the human mind or a spandrel of other cognitive adaptations. However, little attention has been placed on the cognitive abilities that might have been imperative for the development of art. Here, we examine the relationship between art, storytelling, Mental Time Travel and Theory of Mind (i.e., the ability to attribute mental states to others). We suggest that Mental Time Travel played a key role in the development of storytelling because through stories, humans can fundamentally transcend their present condition, by being able to imagine different times, separate realities, and place themselves and others anywhere within the time space continuum. We argue that the development of a Theory of Mind also sparked storytelling practises in humans as a method of diffusing the past experiences of the self to others whilst enabling the receiver to dissociate between the past experiences of others and their own, and to understand them as lessons for a possible future. We propose that when artistic products rely on storytelling in form and function, they ought to be considered separate from other forms of art whose appreciation capitalise on our aesthetic preferences.


2010 ◽  
Vol 40 (10) ◽  
pp. 1607-1617 ◽  
Author(s):  
D. Mier ◽  
C. Sauer ◽  
S. Lis ◽  
C. Esslinger ◽  
J. Wilhelm ◽  
...  

BackgroundSchizophrenia out-patients have deficits in affective theory of mind (ToM) but also on more basal levels of social cognition, such as the processing of neutral and emotional expressions. These deficits are associated with changes in brain activation in the amygdala and the superior temporal sulcus (STS). However, until now there have been no studies that examined these different levels of social cognition and their neurobiological underpinnings in patients within one design.MethodSixteen medicated schizophrenia out-patients and 16 matched healthy controls were studied with functional magnetic resonance imaging (fMRI) during a social cognition task that allows the investigation of affective ToM (aToM), emotion recognition and the processing of neutral facial expressions.ResultsPatients showed a deficit in emotion recognition and a more prominent deficit in aToM. The performance in aToM and in emotion recognition was correlated in the control group but not in the schizophrenia group. Region-of-interest analysis of functional brain imaging data revealed no difference between groups during aToM, but a hyperactivation in the schizophrenia group in the left amygdala and right STS during emotion recognition and the processing of neutral facial expressions.ConclusionsThe results indicate that schizophrenia out-patients have deficits at several levels of social cognition and provide the first evidence that deficits on higher-order social cognitive processes in schizophrenia may be traced back to an aberrant processing of faces per se.


2016 ◽  
pp. 160-174 ◽  
Author(s):  
Austin Fisher

This chapter aims to locate a sub-set of what has become known as the ‘giallo’ filone within its historical contexts, and to ask what significance this relationship might hold for the broader study of Italy’s cultural history. Such an undertaking immediately poses methodological questions: what are we looking for when we seek to identify ‘history’ in such popular cinema; by what models can we best pursue a ‘historical’ approach to an amorphous, frequently unruly cinematic format like the Italian filone? Certainly, such films can offer insights into how discourses about the past have been represented and consumed within particular registers of historical address.


2018 ◽  
Vol 33 (2) ◽  
pp. 272-287 ◽  
Author(s):  
Suzanne L. K. Stewart ◽  
Astrid Schepman ◽  
Matthew Haigh ◽  
Rhian McHugh ◽  
Andrew J. Stewart

CNS Spectrums ◽  
2019 ◽  
Vol 24 (1) ◽  
pp. 204-205
Author(s):  
Mina Boazak ◽  
Robert Cotes

AbstractIntroductionFacial expressivity in schizophrenia has been a topic of clinical interest for the past century. Besides the schizophrenia sufferers difficulty decoding the facial expressions of others, they often have difficulty encoding facial expressions. Traditionally, evaluations of facial expressions have been conducted by trained human observers using the facial action coding system. The process was slow and subject to intra and inter-observer variability. In the past decade the traditional facial action coding system developed by Ekman has been adapted for use in affective computing. Here we assess the applications of this adaptation for schizophrenia, the findings of current groups, and the future role of this technology.Materials and MethodsWe review the applications of computer vision technology in schizophrenia using pubmed and google scholar search criteria of “computer vision” AND “Schizophrenia” from January of 2010 to June of 2018.ResultsFive articles were selected for inclusion representing 1 case series and 4 case-control analysis. Authors assessed variations in facial action unit presence, intensity, various measures of length of activation, action unit clustering, congruence, and appropriateness. Findings point to variations in each of these areas, except action unit appropriateness, between control and schizophrenia patients. Computer vision techniques were also demonstrated to have high accuracy in classifying schizophrenia from control patients, reaching an AUC just under 0.9 in one study, and to predict psychometric scores, reaching pearson’s correlation values of under 0.7.DiscussionOur review of the literature demonstrates agreement in findings of traditional and contemporary assessment techniques of facial expressivity in schizophrenia. Our findings also demonstrate that current computer vision techniques have achieved capacity to differentiate schizophrenia from control populations and to predict psychometric scores. Nevertheless, the predictive accuracy of these technologies leaves room for growth. On analysis our group found two modifiable areas that may contribute to improving algorithm accuracy: assessment protocol and feature inclusion. Based on our review we recommend assessment of facial expressivity during a period of silence in addition to an assessment during a clinically structured interview utilizing emotionally evocative questions. Furthermore, where underfit is a problem we recommend progressive inclusion of features including action unit activation, intensity, action unit rate of onset and offset, clustering (including richness, distribution, and typicality), and congruence. Inclusion of each of these features may improve algorithm predictive accuracy.ConclusionWe review current applications of computer vision in the assessment of facial expressions in schizophrenia. We present the results of current innovative works in the field and discuss areas for continued development.


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