Conclusion

2019 ◽  
pp. 237-246
Author(s):  
Clare Hutton

This chapter reviews the key findings of the book as a whole, and argues that literary criticism should learn from bibliography and textual criticism. It looks at Virginia Woolf as a reader of Ulysses, the anxiety of Joycean influence, and the value of the two historic first editions of Joyce’s iconic text.

Textus ◽  
2020 ◽  
Vol 29 (2) ◽  
pp. 168-192
Author(s):  
Domenico Lo Sardo

Abstract This article evaluates the relationship between the texts of 1 Sam 2:22 and Exod 38:8 using a methodology that proceeds from textual criticism to literary criticism. According to a traditional text-critical approach of the available textual witnesses (MT, LXX, 4QSama), the short reading of 1 Sam 2:22 found in LXXB 4QSama is preferable to that of MT. By contrast, using a literary critical approach, this article proposes that MT-Exod 38:8 depends on MT-1 Sam 2:22 and not vice versa. MT-1 Sam 2:22 has greater affinity with Num 4:23 and 8:24 regarding the terminology used for the women’s ‘cultic service’ at the entrance to the Tent of Meeting. 1 Sam 2:22b ought to be regarded as a post-P addition made after the text of the LXX had been translated from the Hebrew. For Exod 38:8 and related texts, we examine the role of the Vetus Latina in resolving this text-critical problem.


2021 ◽  
Vol 21 (3) ◽  
pp. 245-263
Author(s):  
Dunya AlJazrawi ◽  
Zeena AlJazrawi

This study aims at examining the use of metadiscourse markers in literary criticism texts to identify the role of the reader and how these markers are used to produce more persuasive essays. The data of 72,727 words from 17 texts were written by three well-known authors, namely, T.S. Eliot, Virginia Woolf and Stanley Fish. Hyland’s (2005) model of interpersonal metadiscourse markers was used to analyze the data. The analysis revealed that metadiscourse markers are used by literary critics to create coherent and persuasive texts. It was found out that the theory of criticism adopted by the literary critics does not affect the use of metadiscourse markers only maybe in terms of relying more on logos, ethos or pathos. The results of this study comply with those of previous research showing that metadiscourse markers are frequently used in literary criticism texts. This study will contribute to both the literary genre and the genre of critical essays by identifying the linguistic features to be used to produce more effective and convincing literary criticism texts. It will also help future critics to write more persuasive texts by highlighting the means that enable them to influence their readers and to produce more coherent and convincing texts. Keywords metadiscourse; persuasion; literary criticism; essays; critical theory


Scriptorium ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 33180
Author(s):  
Adriana Madeira Coutinho

Este artigo reflete sobre a condição humana e seu fim último, a morte, através do romance “To the Lighthouse”, de Virginia Woolf, em que a narrativa se desenvolve na relação entre a vida e a morte. Nas três partes do romance os acontecimentos giram em torno da morte, não só da morte física mas também de uma morte simbólica. Para tanto são apontadas algumas observações sobre subjetivismo e realidade objetiva, sobre temporalidade e sobre a própria prosa moderna nas formulações de Erich Auerbach. Em uma perspectiva empírica a autora aproxima o romance de sua realidade concreta, desnuda a dificuldade da escrita após um evento traumático além de apresentar aos leitores a fragilidade humana diante do inesperado. O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior – Brasil (CAPES) - Código de Financiamento 001.  *** When silence tells what happened: death in "To the Lighthouse" ***This article reflects on the human condition and its ultimate end, death, through Virginia Woolf's novel "To the Lighthouse," where the narrative unfolds in the relationship between life and death. In the three parts of the novel, events revolve around death, not only physical death but also a symbolic death. To this end, some observations on subjectivism and objective reality, on temporality, and on modern prose itself in the formulations of Erich Auerbach are pointed out. In an empirical perspective, the author brings the novel closer to its concrete reality, exposes the difficulty of writing after a traumatic event, as well as presenting the human frailty before the unexpected. This study was financed in part by the Coordenação de Aperfeiçoamento de Pessoal de Nível Superior – Brasil (CAPES) – Finance Code 001.Keywords: Virginia Woolf; Death; Human condition; Literary criticism.


2020 ◽  
Vol 18 (2) ◽  
pp. 161-169
Author(s):  
Kerdi Bancin

The purpose of this study is to find out what advice about anxiety is based on the book of Matthew 6: 25-34 and to explore the advice about concerns and to reflect it on today's Christians. The research method in writing this scientific paper is a qualitative method with an exegetical study approach. The interpretation method used is the terms and steps of biblical interpretation, so the steps used by researchers are as follows: book recognition, text analysis, textual criticism by comparing opinions of experts and analyzing them, comparison of translations, general context and specific context, general context, special context, form criticism, literary criticism, sitz im leben, verse by verse interpretation, overall interpretation and the scope. As a result of the exegetical study of Matthew 6: 25-34, concerns in the lives of Christians is a teaching of Jesus to strengthen the belief of Christians to put their hope in Jesus.Worry only exists in people who do not know God, and people who often feel anxious are grouped in people who lack faith and belief that God is the only helper and the way of salvation. God has provided everything for humans and humans do not need to think about what will happen tomorrow, but Christians must adopt a good lifestyle every day and they need not think or worry about an uncertain future. Because tomorrow has its own prosperity and only God knows what will happen tomorrow. Jesus wants Christians to seek God's kingdom and God's truth, which means to be obedient and faithful to God. If Christians have sought the kingdom of God, God will provide what is needed by His people. Keyword            : Worry


Author(s):  
Anthony W. Lee

Both Samuel Johnson and Virginia Woolf excelled in several genres—fiction, essay-writing, journals and diaries, biography, and criticism—and both held common attitudes toward a number of important topics. Furthermore, Woolf’s writings betray an admiration for and attraction to Johnson, as is suggested in the title of the chapter, “‘Saint Samuel of Fleet Street’: Johnson and Woolf,” which contrasts and compares a number of topics linking the two. The chapter then looks more closely at two particular genres, literary criticism and biography, and concludes with a meditation upon Johnson and Woolf’s intertextual engagements.


1958 ◽  
Vol 11 (1) ◽  
pp. 89-102 ◽  
Author(s):  
Robert A. Dahl

Bertrand de Jouvenel is one of a very small group of writers in our own time who make a serious effort to develop political theory in the grand style. In the English-speaking world, where so many of the interesting political problems have been solved (at least superficially), political theory is dead. In the Communist countries it is imprisoned. Elsewhere it is moribund. In the West, this is the age of textual criticism and historical analysis, when the student of political theory makes his way by rediscovering some deservedly obscure text or reinterpreting a familiar one. Political theory (like literary criticism) is reduced to living off capital—other people's capital at that.


2021 ◽  
Vol 14 (2) ◽  
pp. 67-79
Author(s):  
M.A. Chernyak ◽  
◽  
M.A. Sargsyan ◽  

Statement of the problem. The interest of modern literary criticism to the problem of literature reflection is carried out mainly on the material of various metatexts, especially vividly represented in the turn of the century. The purpose of the article is to reveal author’s identity and artistic self-reflection in non-fiction texts. In this regard, the collection of articles entitled “How Do We Write”, compiled in 2018 by St. Petersburg writers Pavel Krusanov and Aleksander Etoev, is of particular interest. This book was written in reply to the book “How Do We Write” in 1930. The literary process of the 1920s, like, in many respects, literature of the new 21st century, was a period of renewal of various types and genres of artistic creativity, a period of the birth of new forms. Research results. Comparison of the two books, in which writers from different literary eras reflect on the nature of creativity, on the technology of literary work, on relationships with a reader, gives grounds to talk about the contours of a new textual criticism of the 21st century. Deformation of the canon, destruction of the boundaries of literature and aesthetic taste, and new forms of communication influenced the content and form of texts. Conclusions. With emergence of Internet reality, new sources of textual criticism appeared. The new literary reality dictates its own laws and creates new conditions for the development of publish- ing, writing, and reading relationships. Modern literature, like the literature of past years, reacts to cultural and historical events and to the development of the literary process, reflecting on the creation of the text and on the role of a writer here and now.


2020 ◽  
Vol 2 (2) ◽  
pp. 83-96
Author(s):  
Anna Maria Cipriani

Defined as “the decade of translations”, the 1930s saw the publication of Virginia Woolf’s novels Orlando, Flush, and To the lighthouse in Italian. In the cultural and political context of Fascism, this is unexpected, given the peculiarities of Woolf’s experimental prose. Italian literary criticism was firmly founded on a normative anti-modernist canon, supported by both the Catholic Church, which decried modernism and excommunicated some modernist writers, and by the literary movement led by the anti-Fascist and liberal philosopher Benedetto Croce. This de facto intellectual dictatorship complemented the official cultural policy of the Fascist regime by generating another dimension of censorship that invariably affected the publication of periodicals and books. The present work focuses on the effects of this triple (political, moral, and literary) censorship on the first translation of To the lighthouse.


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