Crises of Self and Succession

2020 ◽  
pp. 282-302
Author(s):  
Edith Hall

This chapter addresses the theatrical reception of the Persian king Cambyses II as portrayed in Herodotus book III. The Achaemenid madman, whose death without issue creates an acute succession crisis, plays a noteworthy part as the ‘star’ of two of the most successful theatre works between 1560 and 1667. The first is Thomas Preston’s The Lamentable Tragedy Mixed Full of Pleasant Mirth Containing the Life of Cambises King of Persia (1560 or 1561, the earliest surviving Elizabethan tragedy). The second is Elkanah Settle’s Restoration drama Cambyses (1667). It is argued that both plays project the conflicted early modern English self and its fractured religious and political psyche and that Settle’s play foreshadows the emergent eighteenth-century ‘She-Tragedy’ and ‘Sentimental Drama’, in which the fantasy of familial domestic harmony, and honourable love, were to become the theatre’s ideological counterpart of the British bourgeois settlement.

2008 ◽  
Vol 12 (2) ◽  
pp. 345-359 ◽  
Author(s):  
MATTI RISSANEN

In this article I describe the semantic and syntactic development of the moderatorratherfrom Old to Present-day English using a variationist approach.Ratheroriginates in an Old English comparative adverb indicating speed, and hence time, but the loss of the indication of speed and movement can already be traced in the Old English period. In Middle English the ‘preferential’ senses ofrather(e.g. the type ‘I would rather do X than Y’) become more common than the temporal senses. This contrastive meaning constitutes the unmarked use ofratherin Early Modern English, but it gradually weakens in the course of the Modern English period. The moderator use becomes popular in the second half of the eighteenth century. The semantic development outlined above goes hand in hand with a syntactic development from an original adjunct into a subjunct and conjunct, and finally into a modifier of adjectives and adverbs.


2003 ◽  
Vol 76 (191) ◽  
pp. 54-77 ◽  
Author(s):  
Gwenda Morgan ◽  
Peter Rushton

Abstract The lone magistrate was the central figure of early modern English law enforcement, yet few records of his activities survive. This study of one of the rare notebooks kept by a local J.P. in north-east England in the eighteenth century suggests that his primary purpose was to negotiate peace between disputants rather than to secure prosecution and conviction of those accused of crimes. Prosecutions in court were few. Reconciliation was mixed with enforcement in areas such as employment relations, poor relief and the maintenance of illegitimate children, but here, as in the many cases of physical assault, outcomes were frequently ‘agreed’.


2019 ◽  
pp. 12-37
Author(s):  
Matthew C. Bingham

Chapter 1 introduces the individuals described in standard histories as “Particular Baptists.” Drawing upon the manuscript collection of the early eighteenth-century Baptist historian Benjamin Stinton, the chapter surveys their origins, formation, and early attempts at ecclesiastical organization. But, more importantly, the chapter examines the development of Baptist historiography and the ways in which the deliberate distortions of early Baptist historians continue to influence present scholarship. As the chapter contends, the basic interpretive framework within which early English Baptists have been understood is seriously flawed. Rather than growing organically out of the evidence, many of the fundamental conventions which govern scholarly discussion of early modern English Baptists have been bequeathed to modern historians by eighteenth-century Baptist churchmen. These early denominational historians wrote the story of their collective past with an eye firmly fixed upon the needs of their own collective present, and their decisions continue to negatively affect modern scholarship.


Author(s):  
Claire M. L. Bourne

Typographies of Performance is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fourteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for “plays” to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, “If a play is a book, it is not a play.” Typographies of Performance shows that “play” and “book” were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.


Author(s):  
Katrina Elizabeth Maydom

In the late seventeenth century, there was a boom in English imports of drugs from the Americas, such as sassafras, guaiacum and sarsaparilla. This was a result of a wider increase in colonial trade, the English acquisition of new drug-producing territories, such as Jamaica, and a broader trend towards greater medical consumption of drugs. How were these American drugs received in early modern English medicine? James Petiver (1665–1718), an apothecary in London, incorporated these drugs in his retail trade and institutional care. Analysis of Petiver's medical receipt books, daily prescription journals and administrative records demonstrates that American drugs, such as Virginia snakeroot, guaiacum and jalap, were readily accessible and dispensed to patients of all social classes in London by the turn of the eighteenth century. One-third of Petiver's private patients and one-fifth of his institutional patients were treated with American drugs. While men, women and children were all routinely prescribed American drugs, a greater variety of these drugs were available to his retail clients.


2021 ◽  
pp. 007542422097912
Author(s):  
Laurel J. Brinton

In Present-Day English, nearly functions as an approximator downtoner meaning ‘almost, all but, virtually,’ as do earlier variants based on the same root— nigh, nighly, near, next ( to)—though more rarely and in more restricted contexts. Nigh functions as an approximator downtoner in Old and Middle English. When near displaces nigh, nigh is retained as a downtoner with lexical adjectives expressing negative semantic prosody. Near is used as a downtoner in later Middle and Early Modern English. However, degree adjunct uses are not well attested, thus pointing to incomplete grammaticalization. During the eighteenth century, the new -ly form ( nearly) takes over the innovative downtoner function and the old form ( near) is retained in the original locative sense, with some remnant downtoner uses. Next ( to) grammaticalizes as a downtoner, but proceeds only to the degree modifier stage and involves a high degree of idiomaticization, thus suggesting incipient grammaticalization. As spatial adverbs, nigh/ near/ next ( to)/ nearly represent one of the well-known sources for the grammaticalization of degree adverbs. However, these forms seem to follow a pathway where the degree modifier use (adjective/participle modifier) precedes the degree adjunct use (verb modifier), contrary to the reverse pathway postulated for other degree adverbs.


2020 ◽  
Vol 20 (2) ◽  
pp. 145-167
Author(s):  
Paula Rodríguez-Puente

This paper traces the development of two roughly synonymous nominalizing suffixes during the Early Modern English period, the Romance -ity and the native -ness. The aim is to assess whether these suffixes were favored in particular registers or followed similar paths of development, and to ascertain whether the ongoing processes of standardization and vernacularization may have affected their diachronic evolution. To this purpose, the type frequencies and rates of aggregation of new types of the two suffixes were analyzed in seventeen different registers distributed along the formal-informal and the speech-written continua. Results indicate that -ness tends to lose ground in favor of -ity between the sixteenth and the eighteenth centuries, a change which seems to have begun in formal written registers and spread towards ‘oral’ ones, probably aided by a general trend in written registers for the adoption of a more learned and literate style during the eighteenth century.


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