The Interim II: 1914–1922

Rilke ◽  
2020 ◽  
pp. 304-356
Author(s):  
Charlie Louth

This chapter continues the examination of Rilke’s ‘interim’ work with a focus on his responses to German literature, which he began to read in a more systematic fashion at this time, moving away from the French tradition which he had virtually made himself part of in Paris. Although the First World War stifled Rilke’s writing, he remained committed to a poetics of experimentation. The chapter looks in detail at his relationship with the poetry of Hölderlin, which was edited fully for the first time in these years and, within the context of the war, goes on to deal with the ‘phallic’ ‘Sieben Gedichte’ and other poems including ‘Der Tod’, ‘An die Musik’ and ‘Laß dir, daß Kindheit war…’ ending with ‘Solang du Selbstgeworfnes fängst…’ as a prelude to the Duineser Elegien.

Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


Author(s):  
Vladimir Roganovic

The aim of this study is to determine the importance of Velimir Zivojinovic Massuka?s role in presenting German literature in the ?Misao? magazine (published in Belgrade, 1919 through 1937). As a translator, editor and critic Zivojinovic strongly influenced overall presentation of the German literature in the magazine. Research shows that all the translations of the works by German authors (Goethe, Heine, Rener, Evers) were published at the time when Zivojinovic was the editor of the magazine or a co-editor with Sima Pandurovic or Zivko Milicevic. In that period a large number of studies and other works on German literature was published as well, which significantly and fruitfully influenced the profile and the quality of the magazine, thus contributing to the strengthening of German-Serbian cultural ties after the First World War.


2008 ◽  
Vol 44 ◽  
pp. 354-364
Author(s):  
Andrew Atherstone

The twenty-five theological colleges of the Church of England entered the 1960s in buoyant mood. Rooms were full, finances were steadily improving, expansion seemed inevitable. For four years in succession, from 1961 to 1964, ordinations exceeded six hundred a year, for the first time since before the First World War, and the peak was expected to rise still higher. In a famously misleading report, the sociologist Leslie Paul predicted that at a ‘conservative estimate’ there would be more than eight hundred ordinations a year by the 1970s. In fact, the opposite occurred. The boom was followed by bust, and the early 1970s saw ordinations dip below four hundred. The dramatic plunge in the number of candidates offering themselves for Anglican ministry devastated the theological colleges. Many began running at a loss and faced imminent bankruptcy. In desperation the central Church authorities set about closing or merging colleges, but even their ruthless cutbacks could not keep pace with the fall in ordinands.


2021 ◽  
Vol 21 (2021) (2) ◽  
Author(s):  
Janez Osojnik ◽  
Aleš Maver

The article discusses plebiscites held in years after the First World War, specifically in 1920 and 1921. They were conducted for the purpose of redrawing borders in areas where this was difficult due to their multinational structure, as well as economic, geographical, and historical factors. Thus, the great powers, who were on a winning side in the First World War, in some cases decided for an instrument of popular vote, which was not a novelty in history, but was then used for the first time to a greater extend. In the article, the authors present the similarities and differences between the discussed plebiscites.


2017 ◽  
Vol 8 (1) ◽  
pp. 27-40
Author(s):  
Hans-Christian von Herrmann

"In den Jahren nach dem Ersten Weltkrieg wurde im Jenaer Zeiss-Werk im Auftrag des Deutschen Museums in München das Projektionsplanetarium als immersives Modell des Universums entwickelt. In ihm hallte eine lange Geschichte von Himmelsgloben, Armillarsphären, Astrolabien und mechanischen Planetarien nach, die seit der Antike als astronomische Demonstrationsobjekte gedient hatten. Erstmals aber fand sich diese Aufgabe nun mit einer Simulation des raum-zeitlichen In-der-Welt-Seins des Menschen verbunden. In the years following the First World War, commissioned by the German Museum in Munich, the projection planetarium was developed as an immersive model of the universe at the Zeiss plant in Jena. In it, a long history of celestial globes, armillary spheres, astrolabes, and mechanical planetaria resonated, which had served as astronomical demonstration objects since ancient times. For the first time, however, this task was associated with a simulation of man’s spaciotemporal being-in-the-world. "


2017 ◽  

Stefan George's "Der Stern des Bundes" is one of the most provocative and unusual works of poetry in the history of German literature. Here, on the eve of the First World War, George unfolds social, religious, poetic, personal, philosophical and even economic issues. Members of Georges´s famous "circle" as well as his contemporaries perceived of the "Stern des Bundes" as a prediction of coming catastrophes and a warning, as a stimulus for peaceful and intimate community building in the face of great crises and as a reaffirmation of a hopeful outlook towards a shared world. Krise und Gemeinschaft assembles introductory and survey articles, contributions to key words from the “Stern”, and interpretations of key poems. It is especially aimed at readers who are still unfamiliar with the "Stern".


1960 ◽  
Vol 64 (599) ◽  
pp. 687-691
Author(s):  
J. A. Miller

Whenever a new and truly great idea is put forward for the first time it is usually received with scorn and derision by those whom it directly concerns. Such was the initial reception of the idea of refuelling aircraft in flight.Soon after the First World War air carnivals became very popular around the flying fields of the United States of America and it was in a search for new stunts that two intrepid fliers hit on the idea of transferring fuel by hose pipe from one aircraft to another. The two single-seater aeroplanes flew one above the other, the upper one carrying the extra fuel; in order to transfer it the pilot threw a length of hose overboard leaving it trailing behind him. The receiver aircraft then manoeuvred into position and the pilot caught the hose and put the nozzle into his reserve fuel tank. When a small quantity of fuel had been transferred, he pulled out the hose and threw it clear of his aircraft, leaving the donor aircraft to haul it in.


1945 ◽  
Vol 11 ◽  
pp. 39-60 ◽  
Author(s):  
M. Raymond Lantier

During these four hard years of German occupation and in spite of hindrances of all kinds—preliminary permits to be obtained, censorship and severe limitations imposed on the liberty of the scientific press—research and the publication of works on our national antiquities have not meanwhile been interrupted. Excavations have been carried on with an activity, which the struggles for liberation during the summer of 1944, have not invariably retarded. The reviews and publications of the learned societies of the departments, although perceptibly reduced in bulk, continued to record discoveries and to print erudite articles. A new documentary review, Gallia: Excavations and Archaeological Monuments of Metropolitan France, was even published for the first time in 1943. Edited under the aegis of the National Centre for Scientific Research, its object is to publish, with the least delay possible, the reports of excavators upon their discoveries. Such results could not have been attained without the co-operation of all archaeologists, editors and printers, in fulfilling a single and imperative duty, namely, to assure the continuity of French archaeology in spite of the uncertainties and distress of the period. This amounted moreover, at the same time to a form of service and was one of the aspects of resistance to the invader. All were thus only following the example, set at the time of the first world war by Camille Jullian, the great historian of Gaul, who then placed his science and his eloquence at the service of his country. The book, dedicated to him by Albert Grenier, is no mere biography; it traces another page of the history and archaeology of contemporary France.


1951 ◽  
Vol 4 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Felix Gilbert

Ever since Woodrow Wilson, in the course of his attempts to lay a new and secure basis for peace after the First World War, proclaimed the necessity for “open covenants of peace, openly arrived at,” the methods of diplomacy have been regarded as having had their part in bringing about the outbreak of the First World War, and the demand for a “new diplomacy” has been raised. Although this concept has come into frequent use only in our century, it was soon realized that its history could be raced back into the nineteenth century, but its exact provenance has never been fully established. This article will show that the term can be found even earlier than is generally assumed, namely as early as 1793. As in all such disputes about the origin of a term, it would be ridiculous to maintain that this was definitely the first time this concept made its appearance, but it seems justified to propose that the concept definitely belongs to the second part of the eighteenth century.


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