Coda

2020 ◽  
pp. 309-342
Author(s):  
Helen Moore
Keyword(s):  
Don Quixote ◽  
Cultural Work ◽  
The Novel ◽  
Future Direction ◽  
The Many ◽  
Relationship Of ◽  
The Relationship

Taking its cue from the Victorian periodical debates characterizing realism as a crocodile and romance as a monster or ‘catawampus’, this chapter examines the role played by Amadis in early discussions of what the novel was, or should be; how it had developed; and where its future direction lay. For literary historians, Amadis constituted a bridge between the newly constructed ‘medieval’ and the emergent ‘modern’. Philosopher-theorists (Bakhtin) and novelists (Nabokov) alike continued to be fascinated by the relationship of Amadis to Don Quixote and its implications for theories of the novel. Novelists themselves (Bulwer Lytton, Ouida, and Thackeray) enlisted Amadis in their critique of modern masculinity. The final iteration of Amadis in English takes the form of chivalric compilations and abridgements for children; this concluding transformation proves to be emblematic of the many varieties of cultural work into which romance can be enlisted.

scholarly journals The Transformed Beast:Penny Dreadful, Adaptation, and the Gothic

2016 ◽  
Vol 6 (1) ◽  
pp. 62-81 ◽  
Author(s):  
Benjamin Poore
Keyword(s):  
Cultural Work ◽  
The Novel ◽  
Television Series ◽  
Victorian Fiction ◽  
Contemporary Media ◽  
Relationship Of ◽  
International Success ◽  
Media Fandom ◽  
The Relationship ◽  
Serial Fiction

After only one eight-part season, the television series Penny Dreadful, a Showtime/Sky Atlantic co-production, had already become an international success with an active and vocal fanbase. Yet the relationship of the show (which was created and written by John Logan) to the Victorian serial fiction genre, penny dreadfuls, is an oblique one, and worth unpicking. The first part of this article focuses on the task of teasing out the connections between Penny Dreadful and the penny dreadful genre, arguing that the show's title performs significant cultural work in positioning itself in relation to Victorian fiction and in relation to modern television. In the second part of the essay, I explore how Penny Dreadful works as an adaptation, using Kamilla Elliott's insights into the contradictory and overlapping concepts of adaptation in Rethinking the Novel/Film Debate. Finally, the essay considers Penny Dreadful as a reflection – and, it is argued, an appropriation – of contemporary media fandom.

The role and relationship of mindreading and social attunement in HRI – position statements of interdisciplinary researchers. Workshop HRI'20

2020 ◽  
Author(s):  
Agnieszka Wykowska ◽  
Jairo Pérez-Osorio ◽  
Stefan Kopp
Keyword(s):  
Mental States ◽  
Human Robot Interaction ◽  
Human Interaction ◽  
Artificial Agents ◽  
The Novel ◽  
Robot Interaction ◽  
Novel Coronavirus ◽  
Relationship Of ◽  
The Relationship

This booklet is a collection of the position statements accepted for the HRI’20 conference workshop “Social Cognition for HRI: Exploring the relationship between mindreading and social attunement in human-robot interaction” (Wykowska, Perez-Osorio & Kopp, 2020). Unfortunately, due to the rapid unfolding of the novel coronavirus at the beginning of the present year, the conference and consequently our workshop, were canceled. On the light of these events, we decided to put together the positions statements accepted for the workshop. The contributions collected in these pages highlight the role of attribution of mental states to artificial agents in human-robot interaction, and precisely the quality and presence of social attunement mechanisms that are known to make human interaction smooth, efficient, and robust. These papers also accentuate the importance of the multidisciplinary approach to advance the understanding of the factors and the consequences of social interactions with artificial agents.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals THE MEANING OF INTERTEXTUALITY OF “THE MASTER AND MARGARITA”

2019 ◽  
Vol 29 (5) ◽  
pp. 832-838
Author(s):  
E.A. Ivanshina
Keyword(s):  
The Novel ◽  
Inspector General ◽  
The Master And Margarita ◽  
Relationship Of ◽  
The Relationship ◽  
Master And Margarita ◽  
Literary Codes

The article deals with the meaning of intertextual reading of "The Master and Margarita". The text of the novel is considered as a model of counterculture, from the standpoint of which the author chooses those literary codes from which his own model of literary behavior is built. These dominant codes are manifested in the course of decoding as a result of correlation of intertextual borrowings. This takes into account not only external borrowings, but also the relationship within the novel and the relationship of the novel with other Bulgakov’s texts. Special attention is paid to such signs of borrowing as a suit and money. As the keys to the novel, "The Inspector General", "The Covetous Knight" and "The Count of Monte Cristo" are updated, and the novel itself represents the act of retaliation of the author and the implementation of his inner freedom. Besides, the novel affirms the priority of genuine art over reality.

scholarly journals Aku Cinta Lovina: Peran Sastra dalam Mempromosikan Pariwisata Bali Utara

2020 ◽  
pp. 241
Author(s):  
Gde Artawan
Keyword(s):  
Reciprocal Relationship ◽  
Tourist Attraction ◽  
The Novel ◽  
Literary Tourism ◽  
Relationship Of ◽  
The Relationship

The development of tourism in North Bali is indebted to literary writers and works, but their contributions are rarely realized. Lovina Beach which was the center of the growth of North Bali tourism was originally introduced in the 1970s by writer Panji Tisna, later by Sunaryono Basuki who wrote several stories set in Lovina. This article analyzes the novel Aku Cinta Lovina (I Love Lovina, 2017) by Sunaryono Basuki to show aspects of the story that promote North Bali tourism. The novel is examined with a literary approach to tourism, with a focus on how the novel portrays the tourist attraction of Lovina and the relationship between the host and guest. The results of the analysis show that the novel Aku Cinta Lovina shows the strong reciprocal relationship between literature and tourism, where writers promote tourism, at the same time writers get inspiration from tourism. Besides being intense in promoting North Bali tourism, this novel also portrays a harmonious relationship of host and guest that reinforces Balinese hospitality which is an important attraction of Bali tourism. Keywords: North Bali, host and guest, Lovina, literary tourism, hospitality

A Judaism of Ethics in a Post-Holocaust World: The Interplay of Literature and Theology in Cynthia Ozick's Messiah of Stockholm

AJS Review ◽  
2021 ◽  
pp. 1-20
Author(s):  
Claire E. Sufrin
Keyword(s):  
The Novel ◽  
Jewish Literature ◽  
Harold Bloom ◽  
The Past ◽  
Jewish Thought ◽  
Literary Theories ◽  
Literature And Theology ◽  
Relationship Of ◽  
Bruno Schulz ◽  
The Relationship

This article suggests that bringing Jewish literature and Jewish thought into conversation can deepen our understanding of each. As an illustration of this interdisciplinary methodology, I offer a reading of Cynthia Ozick's 1987 Messiah of Stockholm. I claim that Ozick has embedded an argument about the relationship of post-Holocaust Jewry to the past into the literary features of her novel. Her argument draws in particular upon Leo Baeck's account of Judaism as focused on the present and future in contrast to the worshipful approach to the past characteristic of other religions. At the same time, I offer a more nuanced take on the fear of idolatry so often noted in analyses of Ozick's work and situate that fear in relationship to the literary theories of her predecessor Bruno Schulz, who plays a key role in the novel, and her contemporary Harold Bloom.

Pleasure As a Subject of Logic. To the Interpretation of Philebus. Part I

2021 ◽  
pp. 144-153
Author(s):  
Dmitry V. Bugai ◽  
Keyword(s):  
Ethical Problem ◽  
Point Of View ◽  
Main Subject ◽  
Logical Status ◽  
The Many ◽  
The One ◽  
Relationship Of ◽  
The Relationship

The task of the paper is to determine what is the philosophical meaning of Plato’s Philebus. To define the meaning is to show which way of understanding Phile­bus is the most fruitful, most fully grasping and revealing what forms the sub­stantive core of Plato’s text. It’s no secret that the meaning of Philebus is not at all self-evident. From our point of view, the main subject of the dialogue lies not in the plane of ontology, but in ethics, and what is taken for ontological aspects in Philebus is much more related to the logical and methodological conditions for solving the main ethical problem. Therefore, in this article an attempt was made to show that the key themes of Philebus(the problem of the one-many, the relationship of the four kinds of beings, the theory of false pleasures) are inter­nally related. The question of the relationship between the one and the many is raised in connection with the clarification of the question of the logical status of pleasure. Division into four kinds (limit, unlimited, mixture, reason) is the ful­fillment of the methodological requirement for the necessity of division. The ana­lysis of pleasures following this methodological introduction examines pleasure in an entirely new light, in the light of truth/falsity.

scholarly journals Major evolutionary transitions and innovations: the tympanic middle ear

2017 ◽  
Vol 372 (1713) ◽  
pp. 20150483 ◽  
Author(s):  
Abigail S. Tucker
Keyword(s):  
Middle Ear ◽  
Morphological Diversity ◽  
The Novel ◽  
Evolutionary Transitions ◽  
Jaw Joint ◽  
Evolution Of Mammals ◽  
Key Steps ◽  
Evo Devo ◽  
Relationship Of ◽  
The Relationship

One of the most amazing transitions and innovations during the evolution of mammals was the formation of a novel jaw joint and the incorporation of the original jaw joint into the middle ear to create the unique mammalian three bone/ossicle ear. In this review, we look at the key steps that led to this change and other unusual features of the middle ear and how developmental biology has been providing an understanding of the mechanisms involved. This starts with an overview of the tympanic (air-filled) middle ear, and how the ear drum (tympanic membrane) and the cavity itself form during development in amniotes. This is followed by an investigation of how the ear is connected to the pharynx and the relationship of the ear to the bony bulla in which it sits. Finally, the novel mammalian jaw joint and versatile dentary bone will be discussed with respect to evolution of the mammalian middle ear. This article is part of the themed issue ‘Evo-devo in the genomics era, and the origins of morphological diversity’.

Authentic Movement and the Relationship of Embodied Spirituality to Health and Wellbeing

2017 ◽  
pp. 164-178 ◽  
Author(s):  
Zoe Avstreih
Keyword(s):  
Religion And Spirituality ◽  
Authentic Movement ◽  
True Self ◽  
Dance Movement ◽  
Directed Movement ◽  
Health And Wellbeing ◽  
Embodied Spirituality ◽  
The Many ◽  
Relationship Of ◽  
The Relationship

This chapter explores the possibility of a relationship between spiritual practices and some of the many facets of wellbeing. It considers the distinction between religion and spirituality with reference to the literature. It discusses Authentic Movement, an inner-directed movement process rooted in the intersection of dance/movement therapy and Jungian depth psychology, and the concept of embodied spirituality in which the relationship between the mover and the witness is explored. In particular, it explores the relationship of this practice to health and the increased sense of wellbeing that stems from a direct experience of the sacred, which supports a deepening sense of connection to one’s true self.

scholarly journals Phenomenon of Suicide in Russian Stories by V. Nabokov

2020 ◽  
pp. 153-173
Author(s):  
V. Yu. Lebedeva
Keyword(s):  
Scientific Knowledge ◽  
Fairy Tale ◽  
Russian Language ◽  
Overwhelming Majority ◽  
The Novel ◽  
Christian Culture ◽  
Relationship Of ◽  
The Relationship ◽  
Acute Crisis

The results of the analysis of suicidal issues in the stories of V. Nabokov “Blow of a Wing”, “Fairy Tale”, “Accident”, “Lycus”, “Notification”, “Letter to Russia”, “Vasily Shishkov” are presented in the article. The relevance of the study is due to the fact that it makes it possible to clarify the writer’s ideas about being and the otherworldly, as well as to contribute to the development of such an interdisciplinary branch of scientific knowledge as thanatology. It is argued that the suicidal situations in the stories are similar: the characters take this step in a state of acute crisis as a result of long-term indulgence of weaknesses and passions (including addictions). The problem of the environment is also noted — despite the fact that the heroes are surrounded by people, they are in an atmosphere of misunderstanding and loneliness. Attention is also paid to the relationship of a number of characters with God and infernal forces (in particular, an intertextual parallel with the novel “Demons” is drawn). It is proved that suicide in the overwhelming majority of texts is a consequence of the metaphysical disintegration of heroes prone to irresponsibility, consumerism, escapism, and in some cases to the fight against God. It is concluded that the phenomenon of suicide in Russian-language Nabokov’s stories is devoid of a romantic and / or heroic halo — the writer comprehends it within the framework of European-Christian culture.

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