Introduction

Author(s):  
Emily Kopley

Perceptions surrounding literary genres and forms can influence writing practice. If poetry is perceived as exalted, one might read and write it for the challenge or the cachet, or avoid it out of intimidation. If novels are perceived as unpretentious, one might read and write them to join the mainstream, or prefer other genres precisely to avoid the mainstream. The career of Virginia Woolf offers an excellent case study of how cultural associations with literary genres and forms influence reading and writing practice. The Introduction to Virginia Woolf and Poetry traces the long rivalry between prose and verse, and more particularly the novel and poetry. It then describes the genre rivalry among British and American modernist writers, and surveys Woolf’s knowledge of the poetry of her time. It concludes by acknowledging the relevant scholarship.

Kalbotyra ◽  
2021 ◽  
Vol 74 ◽  
pp. 160-181
Author(s):  
Iva Novakova

The present paper is based on the assumption that the language of the novel is characterized by a statistically relevant overrepresentation of certain linguistic units (e.g. lexemes, key words, collocations and colligations, Siepmann 2015). First steps towards checking the validity of this hypothesis had been undertaken in pioneering works in the 1990s/2000s (e.g. Stubbs & Barth 2003). These studies were however limited by the small size of their (exclusively English) corpora. The present study explores the role of some patterns (phraseological motifs) in distinguishing French literary subgenres. It also proposes a case study of some motifs related to the verbal (dire avec sourire ‘to say with a smile’) and non-verbal communication (adresser un sourire ‘to send a smile’). Unlike traditional corpus-stylistic analyses, which frequently focus on the style of a single author, our corpus-driven approach identifies lexico-syntactic constructions in literary genres which are automatically extracted from the corpora.The main purpose is to show the relevance of the notion of phraseological motif (Legallois 2012; Longrée & Mellet 2013; Novakova & Siepmann 2020) for the distinction of literary subgenres. Linking form and meaning, these ‘multidimensional units’ fulfil pragmatic as well as discursive functions.The data has been extracted from large French corpora of the PhraseoRom research project https://phraseorom.univ-grenoble-alpes.fr. They are accessible on http://phraseotext.univ-grenoble-alpes.fr/phraseobase/index.html and contain 1000 novels (published from the 1950s to the present), partitioned into six sub-corpora: general literature (GEN), crime fiction (CRIM), romances (ROM), historical novels (HIST), science fiction (SF) and fantasy (FY).The results of our study reveal some unexpected differences between the literary subgenres: e.g. the motif dire d’une voix ‘to say in a voice’ in HIST compared to GEN. In FY, expressions of verbal communication are related to shouting and screaming. Expressions related to the non-verbal communication (prendre dans ses bras ‘to take in one’s arms’) are specific to ROM, where body language is overrepresented. In SF, there is a very limited number of these types of expressions. More generally, the motifs provide the link between the micro level (phraseological recurrences) and the macro level (the fictional script).


2016 ◽  
Vol 4 (9) ◽  
pp. 21
Author(s):  
Visvaganthie Moodley

Symbols and symbolisms across literary genres are powerful rhetoric devices used to enhance not only writers’ style, but to convey richness in meaning that transcends narrative descriptions. However, as its interpretations are context-bound, it causes anxieties for the under-proficient language teacher who, firstmost, requires deep specific content knowledge to drive instruction and enhance cognition amongst learners. Using qualitative descriptive case study, this paper aims to provide specific content knowledge by examining the literary use of symbols, symbolisms and significance in Yann Martel’s ‘Life of Pi’, which has been prescribed as a set book for Grade 12 school-exiting learners in South Africa, for the year 2017 onwards. The paper will – by analysing arbitrary, cultural and personal symbolisms and significances, mostly through psychoanalytical lens – unravel covert meanings and messages in cultural, religious and environmental contexts whilst simultaneously showing how these are pivotal to understanding major themes in the novel.  


1983 ◽  
Vol 16 ◽  
pp. 115-134
Author(s):  
Jacquelyn Kegley

Though John Barth won the National Book Award for his novel, Giles Goat Boy, his second novel, The End of the Road, proves a more interesting case study for our purposes, namely, to explore the relationship between philosophy and literature. This is so for at least three reasons. First, by the author's own admission, the novel is intended as a refutation of ethical subjectivism, particularly as expoused by Jean Paul Sartre. Secondly, in the novel, Barth, like Virginia Woolf in To the Lighthouse, places reason and imagination in contention, suggesting that either faculty in isolation is inadequate in dealing with human experience. Both Barth and Woolf are reflecting and probably criticizing the assumption of a number of contemporary writers and critics, namely, that rational discourse is inadequate to the task of ordering the chaotic, fragmentary world and giving meaning to life and only the poet (novelist) employing his imagination can do this.


1983 ◽  
Vol 16 ◽  
pp. 115-134
Author(s):  
Jacquelyn Kegley

Though John Barth won the National Book Award for his novel, Giles Goat Boy, his second novel, The End of the Road, proves a more interesting case study for our purposes, namely, to explore the relationship between philosophy and literature. This is so for at least three reasons. First, by the author's own admission, the novel is intended as a refutation of ethical subjectivism, particularly as expoused by Jean Paul Sartre. Secondly, in the novel, Barth, like Virginia Woolf in To the Lighthouse, places reason and imagination in contention, suggesting that either faculty in isolation is inadequate in dealing with human experience. Both Barth and Woolf are reflecting and probably criticizing the assumption of a number of contemporary writers and critics, namely, that rational discourse is inadequate to the task of ordering the chaotic, fragmentary world and giving meaning to life and only the poet (novelist) employing his imagination can do this.


2021 ◽  
Vol 58 (1) ◽  
pp. 127-138
Author(s):  
Lutz Diegner

Contemporary Swahili novels transgress the boundaries of the novel text itself. They employ metatextualities of different categories in order to fulfil a variety of functions. In this essay, I explore metatextualities in the Kenyan Swahili novel, and provide a case study reading of one of the novels by the prolific and award-winning writer Kyallo Wadi Wamitila. My reading of Wamitila’s novel Dharau ya Ini (Contempt of the Liver, 2007) concentrates on metanarration and metareference. I analyse how narration, especially point of view, is used and how it is discussed and reflected upon by the text and in the text itself (metanarration). Another focus will be put on instances of metareference, especially on references to oral literature and to the literary genres of drama and poetry, as part of a work of prose. These analyses are done by a close reading informed by current research on metatextualities, and, in one of the examples, by phonostylistics. A general purpose of this study is to show how Swahili novel writing as African language writing participates in global discourses on, and practices in, literature and the arts. In a perspective of East(ern) African literature, it argues that Swahili literature and literary studies provide stimuli to literary theory and practice otherwise still dominated by its Anglophone counterpart in the region, and beyond. As regards Swahili literature, it reflects the crucial impact of Kenyan writing since about the turn of the millennium, in a sphere hitherto dominated by writers from Tanzania. The study is part of a research project I am undertaking in analysing metatextualities in contemporary Swahili novels by both Tanzanian and Kenyan writers.


TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.


2020 ◽  
Vol 73 (3) ◽  
pp. 497-520
Author(s):  
Nicola Pozza

AbstractNumerous studies have dealt with the process of globalization and its various cultural products. Three such cultural products illustrate this process: Vikas Swarup’s novel Q and A (2005), the TV quiz show Kaun banega crorepati? (Who Wants to Be a Millionaire?), and Danny Boyle’s film Slumdog Millionaire (2008). The novel, the TV show and the film have so far been studied separately. Juxtaposing and comparing Q and A, Kaun banega crorepati, and Slumdog Millionaire provides an effective means to shed light on the dialogic and interactive nature of the process of globalization. It is argued through this case study that an analysis of their place of production, language and content, helps clarify the derivative concepts of “glocalization” and “grobalization” with regard to the way(s) contemporary cultural products respond to globalization.


2020 ◽  
Vol 35 (9) ◽  
pp. 2675-2679 ◽  
Author(s):  
Katharine Lawrence ◽  
Kathleen Hanley ◽  
Jennifer Adams ◽  
Daniel J Sartori ◽  
Richard Greene ◽  
...  

2008 ◽  
Vol 72 (1) ◽  
pp. 515-519 ◽  
Author(s):  
E. Valsami-Jones ◽  
D. Berhanu ◽  
A. Dybowska ◽  
S. Misra ◽  
A. R. Boccaccini ◽  
...  

AbstractIn recent years it has become apparent that the novel properties of nanomaterials may predispose them to a hitherto unknown potential for toxicity. A number of recent toxicological studies of nanomaterials exist, but these appear to be fragmented and often contradictory. Such discrepancies may be, at least in part, due to poor description of the nanomaterial or incomplete characterization, including failure to recognise impurities, surface modifications or other important physicochemical aspects of the nanomaterial. Herew em ake a casef or the importance of good quality, well-characterized nanomaterials for future toxicological studies, combined with reliable synthesis protocols, and we present our efforts to generate such materials. The model system for which we present results is TiO2 nanoparticles, currently used in a variety of commercial products.


2021 ◽  
Vol 9 (6) ◽  
pp. 624
Author(s):  
Antonino Cirello ◽  
Tommaso Ingrassia ◽  
Antonio Mancuso ◽  
Vincenzo Nigrelli ◽  
Davide Tumino

The process of designing a sail can be a challenging task because of the difficulties in predicting the real aerodynamic performance. This is especially true in the case of downwind sails, where the evaluation of the real shapes and aerodynamic forces can be very complex because of turbulent and detached flows and the high-deformable behavior of structures. Of course, numerical methods are very useful and reliable tools to investigate sail performances, and their use, also as a result of the exponential growth of computational resources at a very low cost, is spreading more and more, even in not highly competitive fields. This paper presents a new methodology to support sail designers in evaluating and optimizing downwind sail performance and manufacturing. A new weakly coupled fluid–structure interaction (FSI) procedure has been developed to study downwind sails. The proposed method is parametric and automated and allows for investigating multiple kinds of sails under different sailing conditions. The study of a gennaker of a small sailing yacht is presented as a case study. Based on the numerical results obtained, an analytical formulation for calculating the sail corner loads has been also proposed. The novel proposed methodology could represent a promising approach to allow for the widespread and effective use of numerical methods in the design and manufacturing of yacht sails.


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