Conclusion

Joseph Conrad ◽  
2020 ◽  
pp. 152-162
Author(s):  
Yael Levin

The chapter reads the tensions observed throughout this study with recent critical re-evaluations of human experience. Conrad’s art, and the modernism with which it is associated, have long been read as centering on questions of knowledge and truth, concealment and revelation, doubt and the desire to know. A more ontologically-driven thinking of modernism shows that the oscillations between Being and Becoming are meaningful not only as competing forces in critical practice and philosophical discourse, but as a gauge for significant changes in the way we engage with and represent the world. Conrad’s writing unmoors time from its chronological measure, frees the subject of the limits of the Cartesian cogito, and abandons telos in the charting of narrative form. Where conceptual logic cancels out difference in an attempt to create a coherent, recognizable picture, Conrad’s work repeatedly returns to the life force of difference.

2018 ◽  
Vol 5 (1) ◽  
pp. 21-33
Author(s):  
Verónica Heredia Ruiz

Netflix, a platform with more than 100 million users in the world, has forever changed the way television is produced and consumed. This article analyzes how this new television model convergent with Internet has transformed the concept of programming and teleclairvoyance through intensified viewing or binge watching. A conceptual review identifies the main theoretical displacements on television, programming and audiences generated by the platform, as well as a documentary analysis of news articles on the subject, and the visualization of the Original contents published until May 2017.Netflix, una plataforma con más de 100 millones de usuarios en el mundo, ha cambiado para siempre la forma como se produce y se consume la televisión. Este artículo analiza como este nuevo modelo de televisión convergente con internet ha transformado el concepto de programación y televidencias a través del visionado intensificado o binge watching. A través de una revisión conceptual se identifican los principales desplazamientos teóricos sobre televisión, programación y audiencias generadas por la plataforma, además de un análisis documental de artículos noticiosos sobre el tema, y la visualización de los contenidos originales publicados hasta mayo de 2017.


Author(s):  
Brian Barry

This chapter argues that in the study of politics, numbers make a difference: a discipline with a hundred or so members must behave in a different way from one with over a thousand. It divides the century in the middle, in 1950, the date of the PSA’s founding. The first period, then, is one of gradual expansion to the small base from which the massive expansion of the second period was launched. The chapter traces through the implications of professionalization for the way in which politics is studied, looking at the relations among subdisciplines within the subject and relations between the discipline in Britain and in the rest of the world. Britain has scarcely embraced the project of modernism with enthusiasm, so there is less provocation to fuel postmodernism. Perhaps resistance to intellectual fashion will continue to be the distinctive British trait – for better and for worse.


Author(s):  
Neal Robinson

Ibn al-‘Arabi was a mystic who drew on the writings of Sufis, Islamic theologians and philosophers in order to elaborate a complex theosophical system akin to that of Plotinus. He was born in Murcia (in southeast Spain) in AH 560/ad 1164, and died in Damascus in AH 638/ad 1240. Of several hundred works attributed to him the most famous are al-Futuhat al-makkiyya (The Meccan Illuminations) and Fusus al-hikam (The Bezels of Wisdom). The Futuhat is an encyclopedic discussion of Islamic lore viewed from the perspective of the stages of the mystic path. It exists in two editions, both completed in Damascus – one in AH 629/ad 1231 and the other in AH 636/ad 1238 – but the work was conceived in Mecca many years earlier, in the course of a vision which Ibn al-‘Arabi experienced near the Kaaba, the cube-shaped House of God which Muslims visit on pilgrimage. Because of its length, this work has been relatively neglected. The Fusus, which is much shorter, comprises twenty-seven chapters named after prophets who epitomize different spiritual types. Ibn al-‘Arabi claimed that he received it directly from Muhammad, who appeared to him in Damascus in AH 627/ad 1229. It has been the subject of over forty commentaries. Although Ibn al-‘Arabi was primarily a mystic who believed that he possessed superior divinely-bestowed knowledge, his work is of interest to the philosopher because of the way in which he used philosophical terminology in an attempt to explain his inner experience. He held that whereas the divine Essence is absolutely unknowable, the cosmos as a whole is the locus of manifestation of all God’s attributes. Moreover, since these attributes require the creation for their expression, the One is continually driven to transform itself into Many. The goal of spiritual realization is therefore to penetrate beyond the exterior multiplicity of phenomena to a consciousness of what subsequent writers have termed the ‘unity of existence’. This entails the abolition of the ego or ‘passing away from self’ (fana’) in which one becomes aware of absolute unity, followed by ‘perpetuation’ (baqa’) in which one sees the world as at once One and Many, and one is able to see God in the creature and the creature in God.


2007 ◽  
Vol 41 (2) ◽  
Author(s):  
N. Vorster

Theodicy is the attempt to justify God’s righteousness and goodness amidst the experience of evil and suffering in the world. This article discusses Karl Barth’s Christological and Jürgen Moltmann’s eschatological approach to the problem of theodicy. The central theoretical argument is that the problem of theodicy poses a major hermeneutical challenge to Christianity that needs to be addressed, since it has implications for the way in which theology defines itself. Questions that arise are: What are the boundaries of theology? What are the grounds on which the question of theodicy must be asked? Is the Christian understanding of God’s omnipotence truly Scriptural? The modern formulation of theodicy finds its origin in the Enlighten- ment that approaches the problem from a theoretical framework based on human experience. This theoretical approach leads, however, to further logical inconsistencies. Theology must rather approach the problem in the same way as Scripture does, by taking the cross, resurrection and parousia of Christ as point of departure. The cross and resurrection are a sign that suffering is not part of God’s plan and at the same time an affirmation of God’s victory over suffering and evil.


2021 ◽  
Vol 27 ◽  
pp. 247-259
Author(s):  
Krystyna Walc

Andrzej Sapkowski’s novels are not typical “books about books”. However, both The Witcher cycle and The Hussite Trilogy abound in themes associated with them. The characters read, own book collections, they themselves are authors of various works. From the titles listed in individual texts, one could compile quite an extensive bibliography. This fact encourages a description of the way various texts exist in the world presented by the creator of The Witcher. Education of a young protagonist is a good opportunity to present books one reads, and the use of this readings in further life. Contrary to what the reader would expect, the book collections he learns about do not belong to universities. As for the library in Oxenfurt, we only know its roof, which is used by poet Jaskier, wanting to free himself from the spies following him. The scholarly books can be found in various places, even in a hut in a remote area (behind a curtain of dubious purity), inhabited by the scholar in exile — Vysogota from Corvo. Not only universities and scholars (including wizards) have impressive book collections. Duchess Anarietta, who hosts the witcher and his team, has a huge library in her palace in Toussaint. The subject of banned books appears in The Hussite Trilogy, so the hidden library motif is the obvious motive. Some protagonists of The Witcher cycle are authors of books. It is worth emphasizing that the reader has the opportunity to learn at least fragments of the mentioned works. They are also read by other characters. Quotes from the characters’ works also appear in mottoes.


Author(s):  
Naser A. Anjum

The world is puzzling over the origin of the current outbreak of the coronavirus disease (COVID-19) that is caused by a novel coronavirus-2019 (2019-nCoV). As of 25th March 2020, the World Health Organization has reported 4,14,179 confirmed cases and 18,440 confirmed deaths in total due to COVID-19. To this end, two unique mammals namely bats and pangolins are being investigated for their potential link to COVID-19. However, the evidence so far gathered in this context is far from clear. This paper aimed to: (i) enlighten the major aspects of life of bats and pangolins; (ii) briefly discusses their potential link to COVID-19; and also (iii) to highlight the way forward. The outcomes may contribute to future research on the subject.


Authorship ◽  
2012 ◽  
Vol 1 (2) ◽  
Author(s):  
Carmen Lara-Rallo

In his 2005 monograph on The Author, Andrew Bennett reflects on how “authorship is central to the way in which critical practice is currently conceptualized and theorized”. The rebirth of the author in contemporary criticism is being accompanied by a renewed fascination with the figure of the author as the subject of recent fiction. This can be seen reflected in current portrayals of real and fictional writers such as Henry James, in David Lodge’s Author, Author (2004), or Olive Wellwood, in A.S. Byatt’s The Children’s Book (2009). Moreover, the recovery of the author can be traced as well in the context of the emergence of music as a fertile referent for interartistic narratives. In terms of the dialogue between contemporary fiction and music, there seems to be a common interest in the image of the author, both in the act of creation, as a composer, and of re-creation, as a performer. Works such as Bernard MacLaverty’s Grace Notes (1997), Vikram Seth’s An Equal Music (1999), Conrad Williams’ The Concert Pianist (2006), or Kazuo Ishiguro’s Nocturnes. Five Stories of Music and Nightfall (2009) favour the author-musician’s perspective as they interact with music in different ways. In light of this, the aim of this article is to explore the process of rebirth of the musical author in recent fiction written in English, analysing this trend as part of a more general tendency to recover the author’s presence and voice in both fiction and criticism.


2021 ◽  
Author(s):  
◽  
Fitria Anindhita H. Wibowo

<p>This paper deals with the subject of Special and Differential Treatment (SDT) of the World Trade Organization (WTO), a special right that allows developing countries preferential treatment by other member countries, particularly developed countries. The paper more specifically discusses the ineffectiveness of the SDT owing to its structure and formulation, and explores the factors that have caused such ineffectiveness. It touches upon the provisions and the ways in which they are formulated and implemented, which deemed to have lead to the ineffectiveness. An observation of the way that negotiations are conducted and the underlying interests that direct those negotiations also contribute to the slow progress of introducing changes to the provisions. Furthermore, this paper analyses and identifies steps that may be taken to improve the concept, formulation, and implementation of SDT, inter alia through amendments of the provisions and conduct of negotiations. The paper also looks at several dispute cases which highlight the ineffectiveness of the existing provisions in advancing the interests of developing countries in particular and in fulfilling its purpose in general.</p>


2014 ◽  
Vol 6 (7) ◽  
pp. 1259-1273
Author(s):  
Fedja Borčak

In this article I put forward the concept of subversive infantilisation to designate a phenomenon in contemporary Bosnian literature, which by using a certain kind of childish outlook on the world undermines paternalistic and balkanist Western discourse on Bosnia and Herzegovina. By analysing primarily the portrayal of the role of mass media in a few literary texts, principally books by Nenad Veličkovié and Miljenko Jergovié, I highlight the way in which these texts “re-rig” and by means of irony and exaggeration illuminate the problematic logic inherent in the subject position from which one represents the other. Textual characteristics of subversive infantilisation are contextualised further and seen as a discursive continuation of experiences of the 1990s war in Bosnia and Herzegovina.


Author(s):  
Aslı Ekici

Tale as a popular and narrative form differentiates according to time and space, the subject it deals with, the way it works, and the way the hero is built, and it designs different worlds for children. Various gender definitions—femininity and masculinity roles—through these designed worlds are presented to children underhandedly. This study evaluates how gender definitions—redefined with social, cultural, and economic changes in today's Turkey—are handled in recent Turkish tales by text analysis, specific to Keloğlan Tales on TRT cartoon channel.


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