The Disability Rights Movement

Author(s):  
Richard Scotch ◽  
Kara Sutton

This chapter provides an overview of the social movement advocating for disability rights, including its origins, goals, strategies, structure, and impact. The chapter’s primary focus is on the movement in the United States, although developments in other nations are also discussed. The chapter reviews the origins of the disability rights movement in the 20th century in response to stigma and discrimination associated with disabilities and the medical model of disability; addresses the movement’s advocacy strategies, as well as the social model of disability that provided the conceptual underpinning for its goals and activities; and describes how the major components of the movement, including cross-disability organization, were brought together through collaboration and the common experiences of disability culture.

2017 ◽  
Vol 17 (1) ◽  
pp. 101-116 ◽  
Author(s):  
Thomas F. Burke ◽  
Jeb Barnes

The United States has been a leader in the creation of disability rights law, providing a policy template for other nations. Yet the social model, the animating philosophy behind the disability rights movement, has had little effect on the wide range of welfare programs that serve people with disabilities. These programs, whose creation preceded the modern disability rights movement, reflect a medical model of disability that is at odds with the social model. Analysing the Americans with Disabilities Act (which embodies the social model) and Social Security Disability Insurance (the largest welfare program for people with disabilities), we explore how and why this layering of contradictory disability rights and welfare programs developed and how it has been maintained. We argue that the tension between these policies engendered a series of patches, or ‘kludges’, that allow the policies to coexist without meaningful synthesis. We contend that the United States is particularly prone to this layering of ‘tense policies’, but that it is likely characteristic of disability policy in many nations. Finally we argue that accurate benchmarking of disability rights regimes across nations requires analysts to dig through all the layers of disability policy.


2018 ◽  
Vol 7 (2) ◽  
pp. 161-186
Author(s):  
Emily Brooks

Autism and romance occupy a space of discomfort in mainstream media conversation. Employing post-structuralist textual analysis, I explore themes arising from mainstream media representations of autism and dating, sexuality, and romance through eleven feature articles from major American newspapers. The United States mainstream media applies a medical model lens to autism, associates immaturity and a lack of empathy with autistic people, and positions autistic sexuality as disruptive and dangerous. Because autistic sexuality representation counters conventional concepts of romance, autism and romance are positioned as opposing forces. The mainstream media portrays autistic people who date through supercrip narratives. Rather than showing the vast diversity of autism communities, mainstream news articles present autistic people through a heterosexualized, gendered, and whitewashed lens. As a disability studies scholar and autistic writer, I advocate for mainstream news coverage that takes a social model approach to autism, incorporates multiple identities, and provides accurate reflections of autistic people as loving adults, as well as disability rights activism that addresses underlying sexual ableism in American society.


2019 ◽  
Vol 10 (1) ◽  
pp. 69-84 ◽  
Author(s):  
Delia Ferri

Daouidi v Bootes Plus SL is one the latest decisions in which the CJEU has been directly confronted with the concept of disability in the realm of EU anti-discrimination legislation. In particular, in this judgment, the Court attempted to identify when the dismissal of a worker due to temporary incapacity of an unknown duration may constitute direct discrimination on the grounds of disability. This decision appears to be significant in that, for the first time, the CJEU discusses the meaning of ‘long-term limitation’ for the purpose of Directive 2000/78. Although the Court treads carefully, it attempts to further elucidate and bring new elements to the definition of disability in EU anti-discrimination law. In spite of the fact that the Court is potentially widening the notion of disability, it appears, once again, quite reticent in its approach to the role of social, environmental and attitudinal barriers in disabling an individual, and remains somewhat ‘trapped’ in the medical model of disability. All in all, this analysis endeavors to highlight that the CJEU is struggling to move beyond a rhetorical recognition of the social model of disability and to apply this in practice.


2018 ◽  
Vol 18 (1) ◽  
Author(s):  
Robert Gross

More and more music therapists are becoming aware of the social model of disability. The social model of disability maintains that the locus of disability rests in the capacity for society to create barriers for people with physical or mental differences. Much of music therapy practice still invests in the medical model of disability, which maintains that disability is an inherent personal flaw in the individual which requires remediation. This paper argues that music therapy practice should adopt the social model of disability, and maintains that, in particular, music-centered music therapy is one theory of music therapy that resonates well with the social model of disability. The paper includes advice for the emerging music therapy clinician on how better to incorporate social model of disability perspectives in practice based on the work of previous scholars who have written extensively about the social model.


Author(s):  
Mary Ann Clute

Physical disability is traditionally defined by society's view of atypical function. The medical model offers information on factors contributing to physical disability, including genetics, injury, and disease. The social model of disability, however, defines the societal responses, not the physical differences, as disabling. People with physical disabilities have unique characteristics and experiences that fall into the broad range of human diversity. They belong as full participants in society. Social workers must focus on working in respectful partnerships with people with physical disabilities to change environments and attitudes. This will help build a just society that honors diversity. This entry addresses multiple factors that cause disability, from genetics to environment, as viewed through the medical model. The social model view of “the problem” is offered in comparison. It also introduces the wide diversity of people with physical disability. The entry discusses two major societal responses to physical disability. Environmental modification is one approach. A more recent approach, Universal Access, involves upfront design of environments to meet diverse needs. The final sections explain implications for social workers and lays groundwork for action. Creating access and respectful partnerships are foundations of the work ahead. It is difficult to define physical disability without situating the discussion in the model used to view and deal with human diversity. This discussion is based on the social model of disability, a view of disability that sees the environment as disabling, not the individual condition. Discussion of the medical model is offered as a contrast. (For a more complete discussion of disability models, see Mackelprang's Disability: An Overview in this publication.)


2020 ◽  
Vol 20 (3) ◽  
pp. 19
Author(s):  
Beth Pickard ◽  
Grace Thompson ◽  
Maren Metell ◽  
Efrat Roginsky ◽  
Cochavit Elefant

This position paper offers our personal reflections as five music therapists from varying social and international contexts attempting to understand and engage with the theory, politics and implications of the Neurodiversity Movement. We begin by positioning our views on the importance of the therapist’s intentionality when working with individuals for whom this social, cultural and political movement may represent central beliefs and values. The evolution of the Neurodiversity Movement is discussed, growing from the social model of disability and Disability Rights Movements to present a challenge to the dominant, medicalised model of disability. Throughout the paper, we invite critical debate around the role, position and attitude of the music therapist when working with neurodivergent participants, taking the powerful words of Autistic author and activist, Penni Winter, as our provocation. Finally, we offer our interpretation of key concepts and dimensions of this discourse, before sharing examples of how we might apply these understandings to tangible tenets of music therapy practice in different contexts through a series of brief composite case stories. Through critical reflection and discussion, we attempt to draw together the threads of these diverse narratives to challenge a normocentric position, and conclude by posing further questions for the reader and the wider music therapy profession.


2015 ◽  
Author(s):  
◽  
Giulianne Krug

The number of disabled students enrolling in college is steadily increasing in the United States (U.S.). At the same time, there is a trend in this country of efforts to increase diversity and inclusion in postsecondary institutions. As an underrepresented minority in these efforts, disabled students, many of whom aspire to careers in the health professions, have not persisted in college to the degree of their non-disabled counterparts. There is a paucity of research seeking to understand the experiences and perceptions of disabled college students, with particularly limited efforts notable in the U.S. as compared to other countries worldwide. Studies specific to disabled health professions students as a cohort are nonexistent to date. Central University (CU) is a large, research very-high institution in the Midwest with several health professions programs within the College of Health Professions (CHP). Approximately 7% of students enrolled in the CHP are registered with the Office of Disability Services (ODS), consistent with the proportion of disabled students across campus. The director of the ODS at CU identified accessibility and inclusion as a specific concern in health professions education, both at CU and nationally. This research is a direct response to that concern. In effort to hear the collective voices of disabled students in the CU CHP, a qualitative case study was conducted using a series of 3 extensive semi-structured interviews. Additionally, participants were encouraged to take photographs representative of their experiences of access and inclusion within the school. Nine participants completed all three interviews and one participant completed one. Consistent with enrollment in the CHP overall, 7 (70%) participants were enrolled in the non-professional health sciences program and 3 (30%) were enrolled in professional programs within the school. Consistent with students registered with the ODS at CU, 9 students had invisible disabilities (90%) and 1 had a visible disability (10%). The social model of disability, which identifies societal structure as the problem which serves to disable individuals as opposed to the impairment, was used as a lens through which the data was analyzed and interpreted. While all participants were able to identify specific faculty, staff members, and peers who treated them with respect and inclusion, a significant number of experiences represented in the interview and photographic data were either suggestive of or overtly revealed experiences and perceptions of marginalization and exclusion. Several students reflected upon the experience of entering the ODS building and feeling instantly set apart; once registered, informing instructors of their accommodation status further served to separate participants from their peers and often resulted in a negative response from the faculty member. Student experiences of inclusion and acceptance often varied dependent upon others' ability to see and understand the disability; invisibility or misapprehending of disability often resulted in outright denial of reasonable accommodations. Further, consequences of disability disclosure resulted in both subtle and overt discouragement from pursuing admission to CHP programs on several occasions. Overall, disabled students in the CHP voiced concerns with faculty, staff, and peer attitudes and behaviors that served to marginalize them and prevent full and equal engagement in their education as their non-disabled peers. The implications of this research are significant and far-reaching. Disability service offices on the CU campus and beyond operate on the medical model of disability; the results of this study suggest the social model of disability as an appropriate lens through which to examine the disability policies on which campus disability offices establish criteria and procedures for supporting disabled students. Further, and perhaps more importantly, replication of this research across disciplines and institutions would serve to inform and perhaps perpetuate policy change in this country. Exploration of faculty, staff, and clinical preceptor understanding about disability policy, educational rights of disabled students, and inclusive educational practices would serve to identify specific areas of education needed to enhance the educational experiences of disabled college students. Specific to the health professions, exploration of admissions processes to identify potentially discriminative admission practices and inform new, more inclusive practices would be an important step to creating equal educational opportunity.


2002 ◽  
Vol 22 (6) ◽  
pp. 791-806 ◽  
Author(s):  
CHRISTINE OLDMAN

There has been very limited debate about the usefulness of links between later life and disability studies. The paper reviews the arguments for and against a closer association. The social model of disability makes crucial the separation of disability from impairment and shows that it is society that does the disabling. This is never so clear as in the case of housing policies for older people, the focus of this article. Older people suffer discrimination and have to submit to a medical model of later life if they receive health or social care services. The argument against an association between later life studies and disability studies is that later life is an immensely diverse experience, much of it nothing to do with disability. Moreover, some older people reject the negative connotation when later life is equated with disability. The paper argues, however, for a specific application of the social model of disability to the situation of older people with impairments who receive services. It also asserts that the social model of disability can be accommodated in critical gerontology and, in particular, in a post-modern perspective. The paper concludes with examples of the value of the social model of disability at both the policy and political levels.


2021 ◽  
pp. 193-215
Author(s):  
Nanna Kathrine Edvardsen ◽  
Rikke Gürgens Gjærum

This chapter explores the questions of how and why certain behaviours are perceived as an expression of a disability – and not, for example, as an mic expression – and what role art can play when it comes to constructing and (re)framing disability as a phenomenon. The chapter is based on three field studies conducted at the NewYoungArt [NyUngKunst] festival in Northern Norway during the period 2017–2019, and uses dissemination methodology derived from art-based research and performance ethnography (Denzin, 2003; Haseman & Mafe, 2009; McNiff, 2007). The authors’ purpose is to present the “aesthetic model of disability”. This is a new model that clearly deviates from the medical model, but which complements the social model of disability and the Nordic GAP model (Owens, 2015; Shakespeare, 2004). The theoretical framework consists of Rancière (2012), Seel (2003) and Dewey (1934), among others. With this chapter, the authors wish to contribute to cultural democracy by identifying an opportunity, through applied art, for people with disabilities.


2019 ◽  
Vol 13 (1) ◽  
pp. 67-78 ◽  
Author(s):  
Samuel Yates

This article aims to amplify disability theory’s impact in performance studies by generating a framework for understanding disability representation in musical theatre. Taking the original and revival Broadway productions of Side Show (1997, 2014) as a case study, I articulate how the musical simulates disability through a ‘choreography of conjoinment’ that relies on the exceptional able-bodiedness of the actors playing conjoined twins Daisy and Violet Hilton. Using disability as a category of analysis reveals how disabled bodies are made to be maximally productive iterations of themselves in musicals. To support this claim, I track the shift from the 1997 production’s co-construction of disability by the actors and audience, which replicates the social model of disability, to the 2014 revival’s grounding in a diagnostic realism typical of disability’s medical model. Side Show’s trajectory generates possibilities for considering the musical as an archive for disability representation and knowledge, bioethical inquiry, and artistic innovation.


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