The Expressive Culture of Sound Communication among Humans and Other Beings
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This chapter is divided into four parts, addressed in turn to four questions: (1) How might phenomenological methods inform field research and ethnographic studies of people making music? (2) How do concepts from phenomenology, especially direct social perception, direct perception empathy, and embodiment, inform research on the expressive culture of same-species beings, both human and nonhuman, communicating with each other by means of sound? (3) How might phenomenology contribute to our understanding of cross-species sonic communication? (4) What might be gained (and lost) when ethnomusicologists reorient their research from the study of people making music to eco-ethnomusicology, the study of beings making sound?
2020 ◽
Vol 64
(1)
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pp. 1595-1599
2015 ◽
Vol 36
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pp. 483-497
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2020 ◽
Vol 12
(3)
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pp. 468-480
2015 ◽
Vol 36
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pp. 466-471
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2011 ◽
Vol 2
(3)
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pp. 541-558
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