War and Peace
This chapter examines the intertwining of modernist time philosophy with the recurring theme of global war in Woolf’s oeuvre. Looking at a range of texts—including Jacob’s Room, Mrs Dalloway, Three Guineas, The Years, and Between the Acts—it examines how Woolf’s work developed in relation to the major geopolitical events that preoccupied her pacifist activism and informed her temporal innovations. It argues for the need to temporalize her relationship to what Martin Hägglund calls chronolibido—the investment in temporal finitude rather than temporal transcendence—which has to be understood both philosophically as well as politically, to understand how her desire to hold on to a life essentially mortal took shape in the context of seemingly unending war in the early twentieth century.