Syriac

2021 ◽  
pp. 188-195
Author(s):  
Pablo Ubierna
Keyword(s):  
Seventh Century ◽  
Sixth Century ◽  
General Overview ◽  
Patristic Literature ◽  
Ephrem The Syrian

The chapter presents a general overview of Syriac texts which were translated into Greek. From the fourth to the sixth century, one encounters primarily classics of Syriac patristic literature (such as Ephrem the Syrian) and various hagiographical texts. After the seventh century, Greek translations from Syriac were limited to a few texts: the mystical writings of Isaak the Syrian and an Apocalypse related to the rise of Islam, and pseudonymously attributed to Methodios bishop of Olympos.

Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Social Status ◽  
Social Power ◽  
Fifth Century ◽  
Seventh Century ◽  
Sixth Century ◽  
Late Antique ◽  
Imperial Authority ◽  
Christian Culture ◽  
Noble Identity ◽  
Late Roman

This chapter examines the use of monograms as graphic signs of imperial authority in the late Roman and early Byzantine empire, from its appropriation on imperial coinage in the mid-fifth century to its employment in other material media in the following centuries. It also overviews the use of monograms by imperial officials and aristocrats as visible signs of social power and noble identity on mass-produced objects, dress accessories, and luxury items. The concluding section discusses a new social function for late antique monograms as visible tokens of a new Christian paideia and of elevated social status, related to ennobling calligraphic skills. This transformation of monograms into an attribute of visual Christian culture became especially apparent in sixth-century Byzantium, with the cruciform monograms appearing in the second quarter of the sixth century and becoming a default monogrammatic form from the seventh century onwards.

scholarly journals New perspectives on Byzantine Spain: the Discriptio Hispaniae

2018 ◽  
Vol 6 (2) ◽  
pp. 278-308
Author(s):  
Oriol Olesti Vila ◽  
Ricard Andreu Expósito ◽  
Jamie Wood
Keyword(s):  
English Translation ◽  
Late Antiquity ◽  
Seventh Century ◽  
Southern Spain ◽  
Sixth Century ◽  
Main Theme ◽  
Territorial Division ◽  
Short Section

AbstractThe Discriptio Hispaniae is a passage from the Geometry of Gisemundus, also entitled Ars Gromatica Gisemundi (AGG), a medieval treatise of agrimensura written by an unknown author, probably a monk known as Gisemundus who had some agrimensorial experience. The work was compiled around AD 800 by collecting passages of a range of sizes, from just a few words to several pages, extracted from ancient and medieval sources. Although modern research into Roman agrimensorial texts has admitted the importance of the AGG, its corrupt condition has not invited sustained analysis. The passage now known as the Discriptio Hispaniae, a short section from chapter three of the second book of the AGG entitled III De segregatione provinciarum ab Augustalibus terminis, is particularly interesting for the information that it provides concerning the territorial division of Hispania in Late Antiquity. This article presents an edition and English translation of the Discriptio Hispaniae and argues that the most likely point of origin for the Discriptio Hispaniae is during the Byzantine occupation of parts of southern Spain during the second half of the sixth century and the first quarter of the seventh century. We suggest that the Discriptio Hispaniae was preserved because the Byzantine authorities were keen to keep on record information about the borders of the province of Carthaginensis, perhaps the main theme in the text.

Sailing to the Britannic Isles: Some Mediterranean Perspectives on the Remote Northwest from the Sixth Century bc to the Seventh Century AD

2007 ◽  
Author(s):  
John Wilkes
Keyword(s):  
Second Century ◽  
Seventh Century ◽  
Detailed Account ◽  
Sixth Century ◽  
The Arctic ◽  
British Isles ◽  
Alexander The Great ◽  
Astronomical Observations ◽  
The Baltic ◽  
A Minor

If you were training to be an athlete you would not spend all your time doing exercises: you would also have to learn when and how to relax, for relaxation is generally regarded as one of the most important elements in physical training. To my mind it is equally important for scholars. When you have been doing a lot of serious reading, it is a good idea to give your mind a rest and so build up energy for another bout of hard labour. For this purpose the best sort of book to read is not merely one that is witty and entertaining but also has something interesting to say. This advice from the satirist Lucian, sometime itinerant lecturer and at other times a minor government official, seems as valid today as it was in the second century AD. For students engaged in the history and archaeology of Europe in the first millennia BC and ad, I can currently think of no better respite from the structures, models and databases, that are the currencies of modern research, than Barry Cunliffie’s monograph on the explorer Pytheas published in 2001. Unencumbered with footnotes and with minimal bibliography, a text of barely 170 pages introduces one of the great mysteries of antiquity, the fantastic voyage of exploration by a citizen of Massalia, the Greek ancestor of modern Marseilles, to the British Isles and beyond to Iceland and the Arctic Circle and then in the direction of the Baltic (Cunliffe 2001). Nothing is known of Pytheas himself and the only reasonably certain fact we have concerning the voyage is that it was undertaken around the time of Alexander the Great (d. 323 BC). No less remarkable is that all we know of Pytheas’ own account of his travels is preserved in later writers, who at the least denigrated his achievement and often branded him a downright liar with considerable vehemence, while still exploiting his detailed account of the lands and seas he saw. Despite this the value of his astronomical observations was recognized by some of the greatest minds of antiquity and as a result his place in the development of the geographical sciences is assured.

Art, Nature, Power

2019 ◽  
pp. 339-354
Author(s):  
Steven D. Smith
Keyword(s):  
Late Antiquity ◽  
Seventh Century ◽  
Sixth Century ◽  
Space And Time ◽  
Imperial Power

This final chapter demonstrates the importance of contextualizing epigrams into the sociohistorical circumstances of their era if we want to achieve a deeper comprehension of the transformations that various motifs undergo through space and time. The chapter analyses a cluster of epigrams on imperial gardens that date from the first to the seventh century CE, and shows how these poems reflect diverse views about imperial power, aesthetics, pagan culture, and Christianity. The chapter discusses first an epigram from the Neronian era, then moves forward to late antiquity to consider a sequence of garden epigrams from the age of the Emperor Justinian (sixth century CE). The chapter concludes with an explicitly Christian garden epigram from the reign of the Emperor Heraclius (seventh century CE).

3. Material clues

2019 ◽  
pp. 21-33
Author(s):  
Barbara Graziosi
Keyword(s):  
Historical Context ◽  
Seventh Century ◽  
Sixth Century ◽  
Political Agenda ◽  
Archaeological Evidence ◽  
Original Audience ◽  
Greek World

‘Material clues’ considers the archaeological evidence for when the Iliad and Odyssey were composed, including Heinrich Schliemann’s quest to find Troy on the basis of clues in the texts. The Iliad and the Odyssey refer to material circumstances not found before the later eighth or early seventh century BCE. They describe a distant, mythical past, but are set in a real and recognisable landscape. No interpretation leads to a single original audience, historical context, or specific political agenda, but earliest quotations from, and references to, Homer in other poets’ work prove that by the late sixth century BCE, the poems were well known throughout the Greek world.

The Saxon Culture-Sequence at Portchester Castle

1970 ◽  
Vol 50 (1) ◽  
pp. 67-85 ◽  
Author(s):  
Barry Cunliffe
Keyword(s):  
Tenth Century ◽  
Eighth Century ◽  
Fifth Century ◽  
Seventh Century ◽  
Sixth Century ◽  
Isle Of Wight ◽  
Glass Vessel ◽  
Local Tradition ◽  
Culture Sequence ◽  
Made In

SummaryExcavations at Portchester Castle have produced evidence of occupation throughout the Saxon period. After the cessation of standard Roman wares and local hand-made types early in the fifth century two Grubenhäuser were built. The contemporary assemblage, assignable to the mid fifth century, included (?) imported carinated bowls and local hand-made grass-tempered wares made in the Roman tradition. Late in the fifth or early in the sixth century stamped Saxon urns appear and probably continue, alongside the grass-tempered tradition, into the seventh century. An association of a grass-tempered pot with an imported glass vessel of eighth-century date shows that the local tradition persisted, but by the middle of the eighth century hand-made jars in gritty fabrics, like those from Hamwih, appear in a substantial rubbish deposit which belongs to the initial occupation of the hall complex. By the tenth century a new style of wheel-thrown pottery, called here Portchester ware, is dominant. It is mass produced and distributed largely from the Isle of Wight to central Hampshire and from the Sussex border to the River Mean. Contemporary forms include imported wares, green-glazed pitchers, pots from the Chichester region, and an assemblage made in a wheel-made continuation of the local gritty-fabric tradition. Portchester ware had gone out of use by 1100 at the latest.

Love and Protest. Chinese Poems from the Sixth Century B.C. to the Seventh Century A.D.

Books Abroad ◽  
1973 ◽  
Vol 47 (1) ◽  
pp. 217
Author(s):  
John L. Bishop ◽  
John Scott ◽  
Graham Martin
Keyword(s):  
Seventh Century ◽  
Sixth Century

The Sun and the Throne.

Numen ◽  
1997 ◽  
Vol 44 (2) ◽  
pp. 109-152
Author(s):  
Russell Kirkland
Keyword(s):  
Textual Analysis ◽  
External Factors ◽  
Seventh Century ◽  
Sixth Century ◽  
Modern World ◽  
The Sun ◽  
Key Factors ◽  
Internal Dynamics ◽  
Imperial Cult

AbstractIn this study, I seek to elucidate the process by which the Japanese royal descent myth evolved into the form with which the modern world is familiar. I analyze and compare the forms of the myth found in the Nihongi and the Kojiki, and explicate their evolution through historical and textual analysis. By examining the interplay of the internal dynamics of the myth itself and the external factors that worked to shape it, I reconstruct the mythographical process, and suggest key factors that may have molded the myth. In particular, I argue that it was the introduction of Buddhism at the Yamato court that stimulated the establishment of an imperial cult at Ise and the reconfiguration of key mythic traditions. According to my analysis, the myth itself originated during the reign of king Keitai (early 6th century). In the original myth, the ancestor of the ruling house was not the sun-goddess Amaterasu, but rather the heavenly ruler Takami-musubi. In the mid-sixth century, a sun-goddess named Ō-hirume was introduced in an effort to combat the rising influence of Buddhism. The artificial figure of Amaterasu was introduced only during the reign of Temmu, late in the seventh century.

ACROSS THE HELLESPONT: MAYDOS (ANCIENT MADYTOS), TROY AND THE NORTH-EASTERN AEGEAN IN THE LATE EIGHTH TO EARLY SIXTH CENTURY BC

2016 ◽  
Vol 111 ◽  
pp. 121-162 ◽  
Author(s):  
Carolyn C. Aslan ◽  
Göksel Sazcı
Keyword(s):  
Material Culture ◽  
Seventh Century ◽  
Sixth Century ◽  
Aegean Region ◽  
Regional Centre ◽  
Early Archaic ◽  
The North ◽  
Eastern Aegean ◽  
North Eastern ◽  
Gallipoli Peninsula

This article presents new excavation results from three oval or apsidal houses discovered at the site of Maydos-Kilisetepe (ancient Madytos), which is located near the coast of the Hellespont on the Gallipoli peninsula. The houses date to the late eighth to early sixth century bc. The material from Maydos is evaluated in comparison with the nearby site of Troy (Ilion) and situated within the wider context of developments in the north-eastern Aegean region during the Late Geometric to Early Archaic periods. From the mid-eighth to the mid-seventh century, a cultural koine existed in the north-eastern Aegean, shown by the strong similarities in material culture among the sites in the region. Troy was most probably a large regional centre, while Maydos functioned as a smaller settlement within this network. The power and influence of this koine declined or was replaced in the mid-seventh century, when there was a sudden influx of Ionian-style ceramics at Maydos, around the same time that Troy experienced a destruction. The patterns of cultural interactions changed with the establishment of Greek (primarily Ionian and Athenian) colonies on both sides of the Hellespont during the second half of the seventh to the early sixth century.

The Imperial Administration and the Church in Byzantine Africa

1967 ◽  
Vol 36 (1) ◽  
pp. 18-23 ◽  
Author(s):  
R. A. Markus
Keyword(s):  
Seventh Century ◽  
Sixth Century ◽  
Middle Years ◽  
Byzantine Era ◽  
The Church

There are only two moments during the Byzantine era at which the African Church emerges into something like daylight: on the morrow of the reconquest, in the middle years of the sixth century, and again almost a century later, under the emperors Heraclius and Constans II. Both in the controversies over the ‘three chapters’ under Justinian, and in those over monothelitism in the seventh century, the African Church took the lead in resisting what seemed, in the eyes of its leading churchmen, attempts by the Court to subvert the Chalcedonian orthodoxy.

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