Comic Opera

2017 ◽  
Author(s):  
Carolyn Williams
Keyword(s):  
Social Class ◽  
Everyday Life ◽  
Gender Relations ◽  
Musical Theatre ◽  
Comic Opera ◽  
Exhibition Culture ◽  
English Society ◽  
The Law ◽  
Gender And Nationalism ◽  
Arthur Sullivan

W. S. Gilbert (librettist) and Arthur Sullivan (composer) wrote fourteen works of musical theatre from 1871 to 1896, often called the ‘Savoy operas’ after 1881, when producer Richard D’Oyly Carte built the Savoy Theatre to house them. They crafted a distinctive genre of English comic opera through parodies of previous genres both high and low, both English and Continental. The operas are absurdist, parodic, and satirical, but are played in a deadpan style and are punctuated with resonantly affecting numbers. The comic operas by Gilbert and Sullivan are an essential precursor of the modern musical, and their depiction of English society is humorous yet critical, replete with satire of English institutions, the law, the professions, gender relations, and empire. They examine the theatricality of everyday life, the dynamics of socialization, accidents of birth and circumstance, the effects of tutelage and authority, Victorian exhibition culture, social class, gender, and nationalism.

Social Class, Consumption and the Influence of Bourdieu: Some Critical Issues

1997 ◽  
Vol 44 (1_suppl) ◽  
pp. 274-301 ◽  
Author(s):  
Brian Longhurst ◽  
Mike Savage
Keyword(s):  
Social Networks ◽  
Social Class ◽  
Everyday Life ◽  
Occupational Groups ◽  
Critical Issues ◽  
Consumption Practices ◽  
The Relationship ◽  
Point Of Departure ◽  
The Way

Bourdieu's work has been an important point of departure for recent analyses of the relationship between social class and consumption practices. This chapter takes stock of Bourdieu's influence and explores some problems which have become apparent—often in spite of Bourdieu's own hopes and general views. We point to the way that Bourdieu's influence has led to an approach to consumption which focuses on the consumption practices of specific occupational classes and on examining variations in consumption practice between such occupational groups. We argue that it this approach has a series of problems and suggest the need to broaden analyses of consumption to consider issues of ‘everyday life’, sociation, and social networks.

Equal Rights and Unequal People

2017 ◽  
Author(s):  
Richard D. Brown
Keyword(s):  
Public Opinion ◽  
Social Class ◽  
Equal Opportunity ◽  
Equal Treatment ◽  
Equal Rights ◽  
Criminal Trials ◽  
The Law ◽  
And Gender ◽  
The Ideal

Though Americans have favored the idea of equal rights and equal opportunity, they recognize that differences in wealth and social advantage, like differences in ability and appearance, influence the realization, or not, of equal rights, including equality before the law. In the generations after 1776 the rights of creditors, for example, often overrode the rights of debtors. And criminal trials demonstrate that in courtrooms equal treatment was most often achieved when defendant and victim came from the same social class. Otherwise if they came from different classes social realities, including ethnicity, color, and gender could shape court officials and public opinion. And when a woman’s sexual virtue was compromised, her credibility was almost always discounted. In principle officials paid homage to the ideal of equality before the law, but in practice unequal rights often prevailed.

scholarly journals KHALWAT DALAM PERSPEKTIF HUKUM ISLAM DAN HUKUM POSITIF

2019 ◽  
Vol 10 (2) ◽  
pp. 109-121
Author(s):  
Bukhari Bukhari
Keyword(s):  
Everyday Life ◽  
Common Good ◽  
Female Side ◽  
The Common Good ◽  
Bargaining Position ◽  
The Common ◽  
The Law

The existence of a man and woman who have no kinship so that it is lawful to marry her, in a lonely place without being ac companied by a mahram of the male or female side. This khalwat is a crime that is not subject to hudud punishment and kafarah punishment. This form of khalwat crime is included in the category of ta'zir finger whose number of punishment is not limited. In the Qur'an and Sunnah this khalwat act is highly reproached, but not clearly regulated in the Qur'an and Sunnah. So this act can be entered into the ta'zir group. All deeds that should (need) be forbidden to fulfill the common good (community). This prohibition must necessarily be made on the basis of community agreement / consensus in ways that are considered eligible. In North Aceh, the khalwat actors who are close to the power are hard to touch with the law, it is not surprising to all of us to remember that the law in this country is not yet the commander but the law is merely a bargaining position in everyday life.

Introduction

2020 ◽  
pp. 1-20
Author(s):  
Glenda Goodman
Keyword(s):  
United States ◽  
Social Class ◽  
Everyday Life ◽  
Early Republic ◽  
Cultural Practices ◽  
Cultural Nationalism ◽  
Music Making ◽  
Music Books ◽  
Instrumental Role

Amateurs musicians and their manuscript music books provide valuable insights into the nature of music in everyday life in the post-Revolutionary United States. Examining the cultural practices of amateur music-making allows us to see the instrumental role music played in the construction of gender, social class, race, and the nation. Much of the repertoire popular among white amateur women and men was imported from Britain and reflected an aesthetic conservatism that belied the impulse toward cultural nationalism in the early republic. Moreover, this repertoire was avowedly conventional and eschews the traits heralded as innovative by musicologists who work on the Classical and early Romantic periods. As nonprofessionals, as people engaged in manuscript copying in the age of print, and in their choice of repertoire, amateurs’ contributions have been triply obscured. Nevertheless, the experience of learning, copying, and performing such repertoire was critical for amateurs’ self-fashioning as genteel, erudite, pious, and cosmopolitan.

How violent was eighteenth-century Ireland?

1997 ◽  
Vol 30 (119) ◽  
pp. 377-392 ◽  
Author(s):  
Neal Garnham
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Everyday Life ◽  
Recent Book ◽  
Ethnic Conflicts ◽  
Popular Protest ◽  
Ancient Regime ◽  
History Of ◽  
Typical Part ◽  
The Law

In his recent book dealing with the history of duelling in Ireland, James Kelly comes to the conclusion that eighteenth-century Ireland was essentially ‘a violent society’, peopled at least in part ‘by wilful men who put their individual reputations above their lives, their families, their religion, and the law’. Such comments seem to continue a well-established tradition of interpretation that goes back to the nineteenth century. However, this image of a society in which violence was endemic, and conflict a feature of everyday life, has not gone unquestioned by historians. For example, Thomas Bartlett and Sean Connolly have instead noted the relatively controlled nature of popular protest, the early disappearance of banditry, and the reliance, until the very end of the century, on local enforcement of the law, as possible indications that Ireland may not have been as disorderly a society as has been suggested. These differing interpretations have, in turn, an obvious relevance to the wider debate on how eighteenth-century Ireland should be perceived: as a society irreconcilably and uniquely divided by religious and ethnic conflicts, or as a more or less typical part of the European ancient régime.

The returning of Hallyu in China: transnational reception of the Korean drama My Love from the Star

2019 ◽  
Vol 175 (1) ◽  
pp. 79-92
Author(s):  
Lingwei Shao
Keyword(s):  
Social Class ◽  
Middle Class ◽  
Gender Relations ◽  
Lived Experiences ◽  
Textual Analysis ◽  
Cultural Background ◽  
Young Generation ◽  
Free Love ◽  
Cultural Proximity ◽  
The Social

My Love from the Star, the hit Korean drama has led to the revival of the Hallyu boom in China in 2013. After conducting a textual analysis of 100 reviews on Douban, the results of this study indicate that urban middle class audiences in China are attracted by the beauty of the actors and the conservative romantic storyline, and admire individual pursuits of free love and career success depicted in the drama. However, they are dissatisfied with the stereotypical gender relations and criticize the drama’s aim of securing the submission of women to male domination. The results illustrate that cultural proximity is not only related to the audiences’ cultural background, but also determined by the social class and lived experiences. As the major consumers of Hallyu 2.0 have switched to the open-minded young generation, the production of Korean dramas which maintains the traditional patriarchal ideologies is facing challenges ahead.

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