The city of Los Angeles, CA, is, for sure, the first city to authentically emerge as a result of the widespread popularisation of automobile use, and it should, therefore, come as no surprise that the analytical and synthetic understanding of its profound nature is associated with this means of transportation and the infrastructures that make it possible. This is how the critic and historian Peter Reyner Banham understood it, when he proposed that only from behind the wheel of a vehicle could it be possible to reveal the true idiosyncrasies of this unusual city that the most orthodox European critics rejected, who were unable to extract a synthesis that could explain it. What was happening was that the city appeared as the pioneer of a new urban form which, relying on the widespread use of the car and the single-family dwelling, which is typical of the suburban garden city, proposed an absolute decentralisation as an alternative to the compact industrial city. In 1971, Banham published a now canonical text -Los Angeles, The Architecture of Four Ecologies- which aimed at revealing a clear and synthetic image of the city. This article highlights the main points of Reyner Banham's proposal, looking to expand its theoretical approach -which handles the structural and morphological scales- to a third scale: that of the sensory perception of the physical experience of space, based on some academic works of reference, but also on literary references by writers linked to the city in an attempt to transfer the poetic and sensitive vision to the field of urban studies. This vision makes it possible to show a change of paradigm regarding the relationship that the inhabitant of a contemporary city like Los Angeles -and, by extension, so many others- establishes with the scenario of collective life, represented by public space.
AVALIAÇÃO DE DIFERENTES TÉCNICAS ESPACIAIS PARA ANÁLISE DA OCORRÊNCIA DE DENGUE EM RIO CLARO-SP