scholarly journals Space-Time and Integral Measures of Individual Accessibility: A Comparative Analysis Using a Point-based Framework

2010 ◽  
Vol 30 (3) ◽  
pp. 191-216 ◽  
Author(s):  
Mei-Po Kwan
2019 ◽  
Vol 42 (2) ◽  
pp. 97-119
Author(s):  
Raimundo Wilson Gama Raiol ◽  
Andrea Ferrreira Bispo

A concepção de lugar como espaço, tempo e cultura permite compreender que a visão que uma sociedade tem de si mesma constitui um lugar-mundo, cujos limites não correspondem às fronteiras de um Estado. Assim, nos conflitos entre sociedades distintas, as subordinações que se estabelecem correspondem à sobreposição de um lugar-mundo ao outro. Os processos de dominação que envolvem os povos indígenas e não-indígenas no Brasil, desde o período colonial, têm correspondido à sobreposição do lugar-mundo ocidental sobre o lugar-mundo dos povos indígenas. O objetivo deste artigo é responder a seguinte questão: como se dá essa sobreposição? Implícitas nesta pergunta há outras duas mais específicas: como essa sobreposição se justifica e quais são os seus pressupostos? Realizou-se a análise comparativa da carta do Jesuíta Manoel da Nóbrega, escrita em 1549, e do Relatório Figueiredo, elaborado em 1967, e em seguida fez-se a indicação das categorias homólogas nesses dois documentos, ambos relativos a práticas de órgãos oficiais a respeito da questão indígena. Ao final, sugeriu-se que o reconhecimento do direito de propriedade é indispensável para uma mudança de paradigma no tratamento dos temas relacionados aos povos indígenas. Abstract The conception of place as a space, time and culture allows to comprehend that the vision a society has of itself constitute a place-world, which its limits do not correspond to a state borders. This way, conflicts between distincts societies  the subordination stablished correspond to a sobreposition from a place-world to another one. The domination processes that envolve indigenous peoples and non-indigenous people in Brazil, since colonial period, has been corresponding to a sobreposition of occidental place-world against indigenous peoples place-world. This article aims to answer the following question: How does this sobreposition happen? There are two more questions implicit in this one: How does this sobreposition justifies itself and what are its pressuposts? A comparative analysis was made of the Jesuit Manoel da Nobrega letter, written in 1549, and the Figueiredo Report, elaborated in 1969, then a category homologation in these two documents was mad to indicate it, both related to official departments regarding the indigenous issue. In the end, it was suggested that recognize the property rights is indispensable to a change in the paradigm regarding the treatment of themes related to indigenous peoples.


2021 ◽  
Vol 9 (17) ◽  
pp. 38-56
Author(s):  
Edson Pereira da Costa Júnior

This essay analyses realist works from contemporary world cinema wherein the representation of space-time is directly affected by the color black, referring to both night and dark shadows. It investigates exactly how darkness participates in moments when the filmed subjects remember traumatic events and confront them through their courageous retellings. My hypothesis is that the color black converts the space—realistic and concerning the characters’ present time—into a place where different temporalities coexist. Through a comparative analysis of films made by the Portuguese filmmaker Pedro Costa and the Brazilian filmmaker Affonso Uchôa in the past two decades, I show how this modulation in space-time produced through color has a political meaning, since the narrated memories are related to a social experience of class and race.


2010 ◽  
Vol 65 (3) ◽  
pp. 107-111 ◽  
Author(s):  
E. L. Barsky ◽  
A. F. Lebedeva ◽  
Ya. V. Savanina ◽  
S. Yu. Koroleva ◽  
Yu. N. Korolev ◽  
...  

Author(s):  
А.В. Бланк ◽  
Н.А. Сухарева

Представлен метод сравнительного анализа профилей распределения интенсивности на основе тензора структуры изображения. Совокупность параметров массива локальных тензоров, вводимых для каждого пикселя регистрируемого изображения, используется для определения спектра локальных ориентаций, профиля энергоемкости изображения и согласованности его структуры. Рассматриваемый метод актуален для дискретного анализа пространственной и пространственно-временной структуры волновых пучков, прошедших область локализованных или распределенных рефракционных помех. A method for the comparative analysis of intensity distribution profiles is proposed on the basis of the image structure tensor. The parameter set of the local tensor array introduced for each pixel of the recorded image is used to determine the spectrum of local orientations, the energy intensity profile of the image, and the coherency of its structure. The proposed method is important for the discrete analysis of space-time structures of wave beams transmitted through the regions of localized or distributed refractive noises.


2020 ◽  
Vol 12 ◽  
pp. 109-117
Author(s):  
T. N. Suzanskaya

The article discusses artistic features of the lyrical poems by A. Bely and G. Bacovia. The author also traces the features of symbolist poetics characteristic of both lyricists – the outstanding representatives of Russian and Romanian symbolism. The author compares the poems “The flying forest sings...” by A. Bely and “Pastel” by G. Bacovia, dedicated to the parting of lyrical characters, to love that is going away. These works reveal the main levels of artistic unity: image system, space-time continuum, lyrical situation, features of poetics and melody. An attempt has been made to translate the poem “Pastel” by G. Bacovia into the Russian language. The relevance of the research is determined by the lack of works devoted to the comparative analysis of Russian and Romanian symbolism, in particular, the lyrics of Andrei Bely and George Bacovia. The creativity of these poets finds its origins in French symbolism and at the same time has a bright individual character. The purpose of the article is to reveal the artistic originality of the worldview of two outstanding representatives of European symbolism, to trace the specific features of covering the theme of love in their works, taking the comparative analysis of A. Bely’s poem “The flying forest sings” and G. Bacovia’s poem “Pastel” as an example. The comparative analysis is the main method of research, it allowed to make a conclusion about the dramatic but bright nature of love in A. Bely’s poem and its pessimistic embodiment in G. Bacovia’s poem. Some conclusions are drawn about the similarities and differences in the image of the lyrical situation, the system of images, the space-time plan, colour values, composition, the ideological content, as well as the melody, rhythmic structure and meter.


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