A particularly baroque literary appearance of the Kentucky Mummy highlights the transformation of public perceptions of indigenous antiquities in the United States in the Civil War decade. An imaginary romance of Mammoth Cave, Legends of the South (Smith 1869), describes a mysterious, annual journey of a “venerable Indian” down into the cavern. Ultimately the old man disappears into its depths, never to return. Decades later the author pursues the subterranean trail, encountering marvels that include the warning Siste viator—“Stop, traveler”— chalked on the cave wall. Nearby he finds the deceased elder, reduced to a “mummy-like dessication” clad in deerskin. Armed with an amulet taken from the body he pushes onward, ultimately entering a vast sepulcher in which . . . lay the warrior tribe, in their panoply complete. Supine—with their hands crossed upon their breasts, with their faces turned upward, as if acknowledging the presence of a superior being, they lay, like the marble effigies of the knights of old upon their sarcophagi. . . . In this catacomb the author is haunted by a ghostly “Sachem” who chides: “Are you not satisfied that your cruel warfare has exterminated us from the surface of the earth? Must you follow us to these chambers of death to scatter our ashes?” The supernatural figure then describes the wars of his dead people, prophesying that those events would be repeated in post-Civil War United States. “Nations from the rising sun shall make war upon the conquerors,” he pronounces “and then shall the Southern panther rise from his lair, and avenge his wrongs.” This subterranean tale amplified the myriad accounts of the Kentucky Mummy—a discovery two generations in the past by that time. By the mid-nineteenth century such visions of indigenous antiquity were increasingly commonplace, but the linkage between these histories and current events indicate increasingly deep associations with the American landscape. It was not simply abstract indigenous history that was being co-opted, however, but the material legacy of that experience—the ruins and artifacts that were ubiquitous in the increasingly populated countryside.