"The Fellows from the Fogg": Modernism, Homosexuality, and Art-World Authority
The spread of modernist painting in the early-twentieth-century United States was met with cries of "degeneracy" and "homosexual conspiracy." This essay explores the claims and counter-claims. Above all, Stoneley argues that the battles reflected larger shifts in art-world authority, with the museums and the "museum professional" emerging as controlling forces.
2010 ◽
Vol 17
(4)
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pp. 305-323
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Keyword(s):
Keyword(s):
2018 ◽
Vol 17
(4)
◽
pp. 677-690
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