Singapore Political Cartooning

1997 ◽  
Vol 25 (1) ◽  
pp. 125-150 ◽  
Author(s):  

AbstractThe lack of research on the history of political cartoons in Singapore and the kind of tradition it has evolved is what prompted this thesis to perform its rudimentary search through 36 years of The Straits Times (1959-1995) in a basic attempt to fill in some of the gaps. It has taken upon itself to identify the trends - thematic and stylistic - of this tradition, by looking at the political context behind the cartoon's production. The assumption here is that the kind of tradition an art form has evolved can be understood by studying it from a historical viewpoint, that is, from its political context. A political cartoon is more than just a summing up of the day's issues. In Singapore, it has a consensus-shaping role as well. It reflects the times and political space and how things are run here. That is why its history is important to any society.

2021 ◽  
Author(s):  
Pavel Karabuschenko

This paper presents the history of the development of the Russophobic tradition of the collective West, which it used in its political and ideological interests. Russophobia is a chimera of Western propaganda, based on myths about the superiority of Western civilization and the chronic backwardness of Russians. The tradition indicated by the author is assessed as a kind of pseudo-ideological chimera, which permanently arises in the national enemies and geopolitical competitors of Russia as the main ideological means in the general mechanism of deterring the imaginary "Russian threat". It is known that Russia itself has improved the political space of Eastern Europe and Asia, in accordance with the understanding of its goals and objectives. And most often, it was this independence that caused discontent and indignation of her opponents. It is intended for all those who are interested in the political history and modern politics of Russia.


Author(s):  
Frank Griffel

Post-classical philosophy in Islam developed during the sixth/twelfth century in the eastern Islamic lands, in Iraq, Iran, and what is today Central Asia. Tracing the conditions and circumstances of its development requires an understanding of the political context, the patterns of patronage, and institutions of higher education and of research during this era. This chapter offers an introduction to the political history of the sixth/twelfth century with a focus on the courts that offered patronage to philosophers, and it analyzes the proliferation of madrasas during this era and their role for higher education and research.


Author(s):  
Dmitry Nurumov ◽  
Vasil Vashchanka

This chapter tracks the history of changes to presidential terms and term limits of President Nazarbayev, the first and only president of post-Soviet Kazakhstan. We show that the length of presidential terms was changed by Nazarbayev to ensure his longevity in an evolving political situation. He successfully avoided elections when opposition was more consolidated while maintaining plausible periodicity of contests. The two-term limit was manipulated by various means, including a referendum, new constitution, and ultimately exemption from term limits for the First President. These manipulations were enabled by gradual consolidation of Nazarbayev’s regime, which is now marked by nearly total control over the political space. Elections serve as a decorum deployed tactically to ensure symbolic democratic continuity and offer no realistic prospect of unseating the incumbent president.


2017 ◽  
Vol 12 (6) ◽  
pp. 617-629
Author(s):  
Elizabeth Crooke

When private grief is brought into the memorial museum, this transfer is a deliberate act that is seeking public acknowledgement and action. By considering the life history of a collection of objects now in the Museum of Free Derry (Northern Ireland), the use of objects in private mourning and as agents in the collective processes of public remembering is demonstrated. The story is one of loss and mourning that is intensified by the political context of the deaths. As cherished possessions, these objects are active in the private processes of grieving and recovery. In the memorial museum, they are agents in an evolving justice campaign, embedded in the political negotiations of the region.


2020 ◽  
Vol 2020 (138) ◽  
pp. 108-130
Author(s):  
Benjamin Bland

Abstract In the early 1980s, British fascism was reeling from the failure of the National Front (NF) to build on the brief swells of support it attracted in the 1970s through its crude ethnic populism. Enter a group of young radicals who, via a series of splits, gained control of the party and pushed it in a startlingly new direction. As the decade wore on these radicals embraced ideas that would have confused or even horrified their (essentially neo-Nazi) predecessors, promoting a global “Third Way” vision that borrowed heavily first from esoteric continental influences and then, increasingly, from radical Islamic ideologues like Louis Farrakhan and Muammar Qathafi. This article explains how this unusual variant of neofascism emerged in the political context of the 1980s and interrogates its transnational credentials in order to understand the extent and sincerity of this reinvention, so as to find the Third Way NF an appropriate place in the history of contemporary fascism(s).


2021 ◽  
Vol 9 (4) ◽  
pp. 91-109
Author(s):  
Snehal P. Sanathanan ◽  
Vinod Balakrishnan

Political cartooning was one among the many cultural products that colonial rule introduced in India. This British legacy has been used to produce narratives about the nature and history of Indian cartooning. However, these narratives have, invariably, overlooked the distinctly Indian cultural ethos as well as the Indian satirical tradition. The paper proposes an alternative model by positing that in the Indian satirical tradition, the Vidusaka – the comic figure in Sanskrit drama - has been an antecedent to the political cartoonist in terms of the social and political role as well as the nature and purpose of the humour.      The paper also locates the principles of caricaturing in precolonial Indian visual arts, and presents the early vernacular cartoons as the point of convergence between the local satirical tradition and the western format of the political cartoon which laid the foundation for a modern yet specifically Indian sensibility


1962 ◽  
Vol 11 ◽  
pp. 161-168 ◽  
Author(s):  
J. Guillermaz

August 1, 1927, is one of the big days in the history of the Chinese Communist Party (CCP). It marked the opening of a military phase which was to last more than twenty years and was to leave a deep mark on the Party and the present régime both in their outlook and their structure. Symbolically, it is the birthday of the People's Liberation Army (PLA), the Chinese Red Army, and it is as such that it is celebrated every year. It would perhaps be worthwhile after thirty-five years to make an accurate assessment of this event and first to place it in the political context of the time.


Author(s):  
Joseph Mai

This chapter examines Guédiguian’s youth in l’Estaque, a “communist” neighbourhood of Marseille, his political activism, his transition away from the Communist party, and finally a turn toward friendship as a figure for human interaction. The chapter examines the history of l’Estaque. It tells of Guédiguian’s friendship with Gérard Meylan, his meeting Ariane Ascaride, and then his disillusion with the Communist party, corresponding with his entry into filmmaking, but filmmaking that is not so much an industry or an art form as a way of “remaining with friends” through shared activity and cooperation. The chapter turns to the philosophy of friendship since Aristotle to ground this move in what Aristotle calls “eudaimonia” or the flourishing life. From there it discusses the political implications of a human relationship built on philia in a cultural period, our own, in which different figures of human interaction, the figures of the consumer and the entrepreneur are dominant. It concludes with a discussion of how Guédiguian’s cinema offers a way forward to those who have felt politically alienated during a period of economic “neoliberalism.”


2020 ◽  
pp. 31-55
Author(s):  
Jack Parkin

Chapter 2 provides a theoretical discussion of money, code, and space to foreground the emergence of Bitcoin as a radical response to existing economic structures. Using the history of central banking and software production, Bitcoin is compared to traditional modes of centralised governance to outline some of the political context of algorithmic decentralisation. In doing so, the binary of centralised and decentralised is rendered reductive and thus impotent for describing digital networks because of the inescapable complexity inherent within them. Instead, the concept of obligatory passage points is adapted into a framework for understanding (de)centralisation in algorithmic networks. This provides an understanding of money/code/space that encapsulates the cultural and economic messiness of cryptocurrencies and blockchain technology that can be used for bringing places of power to the forefront of related academic scholarship.


2011 ◽  
Vol 19 (1) ◽  
pp. 271-287
Author(s):  
Lucas Poy ◽  
Daniel Gaido

AbstractArgentine historiography in general, and the history of the Argentine Left in particular, does not receive the attention it deserves in the Anglo-Saxon academic world, due to linguistic and cultural barriers. In this article, we attempt to review for the English-reading public three recent contributions to the history of Marxism in Argentina (Horacio Tarcus’s Marx en la Argentina: Sus primeros lectores obreros, intelectuales y científicos, Hernán Camarero’s A la conquista de la clase obrera: Los comunistas y el mundo del trabajo en la Argentina, 1920-1935 and Osvaldo Coggiola’s Historia del trotskismo en Argentina y América Latina) covering the entire historical spectrum from the early history of Argentine socialism to the history of the PCA and, finally, to the history of local Trotskyism. We attempt to place these works in the context of Argentine historiography and of the political context in which those books were written.


Sign in / Sign up

Export Citation Format

Share Document