Becoming the Past: Time and Memory in Stanley Fung’s Biblical Icons

2020 ◽  
Vol 28 (1) ◽  
pp. 84-99
Author(s):  
Su-Chi Lin
Keyword(s):  
Biblical Interpretation ◽  
Historical Consciousness ◽  
Local Culture ◽  
Sacred Text ◽  
Past Time ◽  
The Past ◽  
Christian Anthropology ◽  
Sense Of Time ◽  
Visual Exegesis

Abstract This paper analyzes a contemporary Taiwanese artist Stanley Fung’s portrait photography and his contextual biblical interpretation of time and memory: the experience of the coming of the kingdom can be lingered on in an artist’s imagination. As a biblical interpreter, Fung’s visual exegesis asks the viewer to reconsider how the historical consciousness of self and community together impact one’s sense of time. Fung uses clothing and plants to invoke the viewer’s longing for a new, local culture where the gospel can be dressed, and a new soil where it can be planted. Photography as a legitimate extension of the sacred text engages the viewer’s biblical imagination and demands a response. Eternal beings and Christian anthropology, as manifested in Fung’s work serve to remind us of the distinction between memory and the sacred, life and destruction, creation and redemption.

Calvin, the Bible, and History

2020 ◽  
Author(s):  
Barbara Pitkin
Keyword(s):  
Early Modern ◽  
Old Testament ◽  
Biblical Interpretation ◽  
Historical Consciousness ◽  
Biblical Exegesis ◽  
Apostle Paul ◽  
The Past ◽  
The Bible ◽  
Introductory Overview ◽  
Historical Developments

Calvin, the Bible, and History investigates John Calvin’s distinctive historicizing approach to scripture. The book explores how historical consciousness manifests itself in Calvin’s engagement with the Bible, sometimes leading him to unusual, unprecedented, and occasionally deeply controversial exegetical conclusions. It reshapes the image of Calvin as a biblical interpreter by situating his approach within the context of premodern Christian biblical interpretation, recent Protestant hermeneutical trends, and early modern views of history. In an introductory overview of Calvin’s method and seven chapters focusing on his interpretation of different biblical books or authors, Barbara Pitkin analyzes his engagement with scripture from the Pentateuch to his reception of the apostle Paul. Each chapter examines intellectual or cultural contexts, situating Calvin’s readings within traditional and contemporary exegesis, broader cultural trends, or historical developments, and explores the theme of historical consciousness from a different angle, focusing, for example, on Calvin’s historicizing treatment of Old Testament prophecy, or his reflection of contemporary historiographical trends, or his efforts to relate the biblical past to present historical conditions. An epilogue explores the significance of these findings for understanding Calvin’s concept of history. Collectively these linked case studies illustrate the multifaceted character and expansive impact of his sense of history on his reading of the Bible. They demonstrate that Calvin’s biblical exegesis must be seen in the context of the rising enthusiasm for defining adequate and more formalized approaches to the past that is evident in the writings of Renaissance humanists, early modern historical theorists, and religious reformers across the confessional spectrum.

scholarly journals Why history matters: The place of historical consciousness in a multidimensional approach towards biblical interpretation

2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Louise C. Jonker
Keyword(s):  
Reader Response ◽  
Biblical Interpretation ◽  
Historical Consciousness ◽  
Multidimensional Approach ◽  
New Criticism ◽  
New Developments ◽  
Linguistic Turn ◽  
The Past ◽  
Interpretation Process ◽  
Biblical Texts

Since the linguistic turn of New Criticism and the advent of reader-response approaches in the previous century, the category of history has come under pressure in biblical interpretation. New developments in general historiography have also emphasised that the past is forever past, and that only constructions of the past remain. These developments bring many to the conclusion that the past offers no assistance in the interpretation process. In my paper I would like to re-emphasise that �historical consciousness� does not mean an anachronistic clinging to something which no longer exists, but rather refers to the ability to sense the multidimensionality of interpretation, particularly in the case of ancient biblical texts.

A Deep Pocket for the Truth of the Times

2017 ◽  
Author(s):  
Michael Germana
Keyword(s):  
Music Criticism ◽  
Invisible Man ◽  
The Past ◽  
Historical View ◽  
Sense Of Time ◽  
Cultural Forms ◽  
The Times ◽  
Musical Forms

Chapter 5 treats Ellison’s music criticism as an expression of his commitment to durational time and a critique of cultural forms like bebop that, in Ellison’s estimation, lend form to a discontinuous present. Rather than suggest, as many critics have, that Ellison was simply nostalgic for danceable swing music or hostile toward emerging musical forms, this chapter shows that Ellison’s primary criticism of bebop is that it formalizes a discontinuous sense of time and thereby affirms an historical view of the past structured by an analogous, sequentially static sense of time. Ellison’s problem with bebop, in other words, is neither musicological nor sociological, but temporal. Folk jazz and the blues, by contrast, affirm a durational view of time in the form of a “pocket” or groove entirely unlike the spatialized groove of history described in Invisible Man. In short, Ellison finds in musical grooves antidotes to the groove of history.

scholarly journals Illuminating Vestige: Amateur Archaeology and the Emergence of Historical Consciousness in Rural France

2013 ◽  
Vol 55 (2) ◽  
pp. 474-504 ◽  
Author(s):  
Matt Hodges
Keyword(s):  
Lived Experience ◽  
Western Europe ◽  
Cultural Practices ◽  
Economic Restructuring ◽  
Historical Consciousness ◽  
Cultural Transformation ◽  
Historical Ethnography ◽  
The Past ◽  
Time Space ◽  
Rural France

AbstractThis article provides a historical ethnography of an abrupt and transient awakening of interest in Roman vestige during the 1970s in rural France, and explores its implications for comparative understanding of historical consciousness in Western Europe. Drawing on ethnographic fieldwork in Languedoc, and particularly the commune of Monadières, it details a vogue for collecting pottery shards scattered in a nearby lagoon that developed among local inhabitants. The article frames this as a ritualized “expressive historicity” emergent from political economic restructuring, cultural transformation, and time-space compression. It analyses the catalyzing role of a historian who introduced discursive forms into the commune for symbolizing the shards, drawn from regionalist and socialist historiography, which local people adapted to rearticulate the historicity of lived experience as a novel, hybrid genre of “historical consciousness.” These activities are conceptualized as a “reverse historiography.” Elements of historiographical and archaeological discourses—for example, chronological depth, collation and evaluation of material relics—are reinvented to alternate ends, partly as a subversive “response” to contact with such discourses. The practice emerges as a mediation of distinct ways of apprehending the world at a significant historical juncture. Analysis explores the utility of new anthropological theories of “historicity”—an alternative to the established “historical idiom” for analyzing our relations with the past—which place historiography within the analytical frame, and enable consideration of the temporality of historical experience. Findings suggest that the alterity of popular Western cultural practices for invoking the past would reward further study.

scholarly journals Contemporary understanding of the spiritual message of the Kosovo myth

2019 ◽  
pp. 313-325
Author(s):  
Borislav Grozdic ◽  
Valerija Dabetic
Keyword(s):  
Collective Identity ◽  
Historical Consciousness ◽  
Value System ◽  
National Integration ◽  
Common Value ◽  
The Core ◽  
The Past ◽  
Spiritual Community ◽  
The World ◽  
Definition Of

In the aggressive dominance of critical rational thinking over the mythical worldview, myth as a historical and effective force does not lose its actuality and importance, because myths often hide deeper messages than what history can offer. In such a social context, the significance of the spiritual message of the Kosovo myth - the commitment to the Heavenly Kingdom, as a lasting common value of the Serbian people, returns as a theme. In spite of its omnipresence, the opinion prevails that the myth belongs to the past, and if it is not yet obsolete, it certainly should be. The authors advocate the idea that myth, as a comprehensive experience of the world, and therefore the Kosovo myth as well, is a factor of national integration, a part of collective identity, and a common value system. Analysing the secular and spiritual understanding of the Kosovo myth, the authors point out the importance of the vivid memory of the prince Lazar?s commitment to the Heavenly Kingdom. For Christians, this represents the value and goal above all others and it forms the core of the Serbian historical consciousness and spiritual community. The paper shows that the spiritual message of the Kosovo myth is not understood or it is misunderstood nowadays, since the commitment to Kosovo is perceived as a call and an obligation to die for it. The authors conclude that the Kosovo myth is not a call to die in the war, on the contrary, it is a struggle for external and internal freedom, as well as for the highest values that are implied by the definition of the Heavenly Kingdom ? peace, love, honour, justice, dignity, and others.

scholarly journals How to make sense of the past – salient issues of Metahistory

2007 ◽  
Vol 3 (1) ◽  
Author(s):  
Jorn Rusen
Keyword(s):  
Intercultural Communication ◽  
20Th Century ◽  
Historical Thinking ◽  
Historical Consciousness ◽  
The Past ◽  
New Approaches ◽  
Historical Culture ◽  
Leading Question

This aerticle provides an overview of current issues in metahistoty. Basic categories of historical thinking, such as memory and historical culture, or historical consciousness, are outlined and contextualised in the field of historical studies. The leading question adresses the process of historical sense generation and its fundamental principles and criteria. In respnse to the traumatic historical experiences of crimes against humanitiy in the 20th century two culturally established procedures of sense generation are applied to historical thinking: mourning and forgiving. The author tries to widen the horizon of historical thinking into the dimension of intercultural communication. In the process he responds to the challenge of globilization. There is an accent on the need to pursue new approaches in history.

scholarly journals A place for the Bodhisatta: The local and the universal in jātaka stories

2007 ◽  
Vol 8 (1) ◽  
pp. 109-122 ◽  
Author(s):  
Naomi Appleton
Keyword(s):  
19Th Century ◽  
North India ◽  
Local Culture ◽  
Teaching Career ◽  
The Past ◽  
Multiple Audiences ◽  
The Individual

Oxford UniversityJātakas—stories about the past lives of the ‘historical’ Buddha—are often associated with specific locations, both within the land of Buddhism’s birth, and in other parts of Asia. There are records suggesting that such locations became early pilgrimage sites; contemporary sources also make reference to ‘local’ jātakas, which in many cases help to assimilate Buddhism into the local culture through its geography. In this article I will argue that it is the structure of jātaka stories that allows this localisation to take place all over Asia. I contend that since the jātakas themselves are lacking in specific external referents they can easily be given a location, whilst their framing in the ‘present’ time of the Buddha’s teaching career grounds the stories in both time and place, without infringing on the flexibility of the individual stories. This ability to provide centrally legitimated relevance for each and all contributes greatly to the popularity and endurance of the jātaka genre. The layering of meanings must remain if the stories are to accomplish this: if the stories become formally localised, for example by 19th century scholars who celebrate the jātakas’ worth as records of life in early India, the power of the stories to transcend boundaries of time and place for their multiple audiences is lost. Yet if the jātakas were not anchored in the Buddha’s teaching career in the 5th century BCE North India, their significance for Buddhists would in any case be negligible.

scholarly journals Retro quality and historical consciousness in contemporary European television

2017 ◽  
pp. 78-96
Author(s):  
Louis Bayman
Keyword(s):  
Social History ◽  
Historical Consciousness ◽  
National History ◽  
The Past ◽  
Superior Knowledge ◽  
The Individual ◽  
Individual Self

This article investigates the trend represented by the recent TV series This Is England 86 (2010), Deutschland 83 (2015) and 1992 (2015). It analyses retro in the series as enabling an exhilarating experience of the music, fashions and lifestyles of the past while claiming to offer a serious social history. The article thus takes issue with theories of retro that view it as ahistorical (for example Guffey), to demonstrate how retro in these series enables a particular dramatic conception of the dynamics of national history, whether in post-imperial decline (This Is England), a westalgie for the grip of geopolitical conflict (Deutschland 83) or the cyclical progression of trasformismo (1992). The article discusses the series’ common visions of the past as characterised by a pleasing youthful naivety, opposed to an implied present of cynical superior knowledge. I argue that these series embody retro’s distinct ability to combine irony and fetishism in its recreation of the past, as befits an age in which historical consciousness is increasingly referred to the intimate sphere of the individual self and its uncertain relation to posterity.

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