What the Bible and Old Movies Have in Common

1998 ◽  
Vol 6 (3-4) ◽  
pp. 266-291
Author(s):  
Joel Rosenberg

AbstractThis essay explores some shared philosophical territory between the Hebrew Bible and great American film of the classical era (1930s and 1940s). It raises the question not of shared literary techniques, nor of cinematic allusions to the Bible or cinematic treatment of biblical tales, but rather of the position of a traditionist/ storyteller vis-à-vis the crisis points in his or her country's history. Focusing on two films of Frank Capra, on the Book of Job, and on Genesis 47 (Jacob's meeting with Pharaoh, and its aftermath), the essay examines the way themes of crucial cultural importance register in the perceptions of a story's reader or spectator, and the way that both biblical and cinematic story grapple simultaneously with the loss of personal and national innocence. These processes are then situated in the context of twentieth-century world history, where certain connections between Bible, cinema, and the destruction of European Jewry are drawn.

2001 ◽  
Vol 9 (3) ◽  
pp. 305-317 ◽  
Author(s):  
FREDDIE ROKEM

The Israeli theatre has frequently employed the Hebrew Bible as a source for theatrical performances. Analysing three such performances, this article shows that the Bible, with its charged ideological implications for the establishment of the state of Israel, has perhaps somewhat unexpectedly inspired avant-garde productions that have frequently criticized the accepted ideological and aesthetic norms. The first of the three performances analysed is Hanoch Levin's play based on the book of Job called ‘The Torments of Job’ (Yisorei Iov), which Levin directed at the Cameri theatre in 1981. The second is the play ‘Jehu’ by Gilead Evron, directed by Hanan Snir at the Habima National Theatre in 1992, and the third is the ‘Bible Project’ directed by Rina Yerushalmi, which consists of two independent, but interrelated productions: ‘And He Said And He Was Walking’ (Va Yomer Va Yelech), which premiered in 1996, and ‘And They Bowed. And He Feared’ (Va Yishtachu. Va Yerra) which premiered in 1998.


Author(s):  
James A. Diamond

Questions posed by God and biblical characters in the Hebrew Bible are often philosophically empowering moments. They transpire from the very inception of human history, according to the Bible’s own reconstructed version of it. Rather than divinely imposed law, biblical questioning is a vital tool initiating the decisive biblical way toward truth through independent investigation. Questions then recur throughout various biblical narratives, revealing the Bible’s philosophical dimension. As such, they may indicate the Bible’s conception of the essential expression of humanity, or where the Bible locates the beginning of serious thought, and how it suggests proceeding in the search for truth and the highest good. This chapter explores specific episodes where questions are posed, beginning with the Garden of Eden and ending with the book of Job.


Author(s):  
Alejandro Nava

This chapter begins with a consideration of the terminology of nephesh in the Hebrew Bible, and also explores the meaning of this concept from a more elevated, bird's-eye perspective—one that surveys the dense, tangled forest of the soul from a literary and narrative perspective. Because the concept of the soul is the product of a story—a “living book” as Teresa of Ávila said—this chapter attempts to unspool the narrative threads of this story, with a specific focus on the way the Bible commingles tragedy and comedy and hence weaves together its drama with high and low strands of thought. The result is a pattern that features, in bold color, the sensibilities of the outcast, the outsider, and the downtrodden, so that if one can speak of the heart and soul of the Bible, it will be found in the Bible's predilection for these themes.


Author(s):  
Clinton Bailey

The Bedouin oral literary product—proverbs, genealogies, tribal stories, and poetry—shares many likenesses with these genres as they appear in the Hebrew Bible. This commonality pertains, even though some Bedouin oral traditions survived until the late twentieth century CE, when they were still heard recited, while the biblical traditions existed orally only until their ancient transcription in the Bible. This chapter brings examples from the various genres of oral tradition in both societies, comparing them in form, content, background, and initiative, and offering insights into their use in the biblical texts. Bedouin poetry also sheds light on the Bible’s oldest poems, “The Song of the Sea” and “The Song of Deborah.”


2020 ◽  
Vol 29 (1) ◽  
pp. 1-15
Author(s):  
Marius Nel

Classical Pentecostalism is traditionally regarded as a restorationist movement that justified its origins and explained its new practices as a continuation of the early church, as a work of the Spirit. For that reason, the gifts of the Spirit (charismata) were purportedly restored to the twentieth-century Pentecostal movement. Early Pentecostalism also claimed that they followed the early church in its hermeneutical prerogatives of reading the Bible through the lens of their charismatic practices. The article poses the question whether Pentecostalism in its restorationist urge should not reconsider its canon, since it differs from the Greek translation of the Hebrew Bible used by the early church, to include the books found in the Septuagint, the translation used by early non-Jewish Christians. It suggests that Pentecostals reconsider their biblical canon in the light of their restorationist urge rather than groundlessly following the Protestant canon as their predecessors did by using the Apocrypha as deuterocanonical, implying that it is accepted for personal and ecclesial edification but not for judging the genuineness of gifts that come from the Spirit and those that do not (1 Cor. 12.10) and establishing the authority of ecclesiastical doctrines.


Literator ◽  
1990 ◽  
Vol 11 (2) ◽  
pp. 83-94
Author(s):  
E. Snyman

This article aims at making an intertextual analysis of Albert Camus’ second-last work of prose. La Chute, with the question of how meaning is structured by the act of reading as its point of departure. Based on the theories of Julia Kristeva and Jonathan Culler on intertextuality, the article tries to point out to what extent a knowledge of other texts influences the way in which the reader receives La Chute. Attention is given to the different ways in which other texts, first-person narratives, the Bible, Dante’s Inferno, Camus’ L ’Homme Révolté and the social-cultural context of the twentieth century, are integrated in La Chute. The degree to which a knowledge of these other texts and contexts is necessary for reading La Chute is also touched upon.


2018 ◽  
Vol 3 (1) ◽  
pp. 1-81
Author(s):  
Harvey E. Goldberg

AbstractInteraction between anthropology and biblical scholarship began because of perceived similarities between “simpler” societies and the practices and ideas seen in the Bible. After some disengagement in the first half of the twentieth century, new cross-disciplinary possibilities were envisioned as the structuralist approach emerged in anthropology. Ritual and mythology were major topics that received attention and structuralist methods were partially adopted by some biblical scholars. Anthropological research itself extended to complex societies and also affected historical studies, yielding models of inquiry that engaged a range of disciplines. Among the issues explored in this essay are ritual and notions of purity in the Bible, and the place of literacy in Israelite society and culture. These discussions are followed by three examples of structuralist-inspired analysis that partially take into account historical and literacy-based facets of the Bible.


2016 ◽  
Vol 22 (1-3) ◽  
pp. 193-212
Author(s):  
Ram Ben-Shalom

Hazut Qashah (Grievous Vision) is one of a number of studies on the Hebrew Bible by the fifteenth-century Jewish intellectual Isaac Nathan of Arles. This peculiar Hebrew text is composed of a list of thirteen questions about the book of Job without answers. An analysis of this work on the backdrop of Christian and Jewish scholasticism along with possible Eastern precedents such as Masaʾail, demonstrates its literary innovation, which is derived not from the questions it poses, but rather, from the author’s willingness to acknowledge that the Bible had failed to provide adequate answers to them. Some of the questions were liable to provoke skepticism and raise doubts, but in contrast to the corpus of critical and heretical Jewish literature, Nathan had no interest in destroying the foundations of Judaism by attacking the biblical infrastructure. The significance and power of Hazut Qashah does not issue from any theological insights, but from its novel format. There is no similar medieval text, be it Jewish or Christian, which presents a set of theological problems without offering any corresponding explanations. As such, living with an open question—the existential solution presented in Hazut Qashah—becomes just one more facet of Nathan’s own rich intellectual project.


2015 ◽  
Vol 14 (2) ◽  
pp. 258
Author(s):  
George Kirchberger

The author starts from the fact that often enough those who test positive for HIV, or who are suffering from AIDS, feel cursed by God, and question why God has punished them. They experience discrimination and are stigmatized by family and neighbours as sinners and punished by God. The author notes a similar way of thinking in the Bible. He then points to a corrective to this attitude and way of thinking as given in the Book of Job. He then takes up the thinking and actions of Jesus who approached people who were suffering discrimination and opposed the way of thinking that attributed suffering to a divine curse. Drawing from this biblicval corrective, the author outlines a number of conclusions for pastoral work in the Church at this time. Kata-kata kunci: HIV, AIDS, penyakit, kutuk, Ayub, Yesus, orang, sakit, pastoral, Gereja.


2016 ◽  
Vol 9 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Jesse Tumblin

This article examines the way a group of colonies on the far reaches of British power – Australia, New Zealand, Canada, and India, dealt with the imperatives of their own security in the early twentieth century. Each of these evolved into Dominion status and then to sovereign statehood (India lastly and most thoroughly) over the first half of the twentieth century, and their sovereignties evolved amidst a number of related and often countervailing problems of self-defence and cooperative security strategy within the British Empire. The article examines how security – the abstracted political goods of military force – worked alongside race in the greater Pacific to build colonial sovereignties before the First World War. Its first section examines the internal-domestic dimension of sovereignty and its need to secure territory through the issue of imperial naval subsidies. A number of colonies paid subsidies to Britain to support the Royal Navy and thus to contribute in financial terms to their strategic defense. These subsidies provoked increasing opposition after the turn of the twentieth century, and the article exlpores why colonial actors of various types thought financial subsidies threatened their sovereignties in important ways. The second section of the article examines the external-diplomatic dimension of sovereignty by looking at the way colonial actors responded to the Anglo-Japanese Alliance. I argue that colonial actors deployed security as a logic that allowed them to pursue their own bids for sovereignty and autonomy, leverage racial discourses that shaped state-building projects, and ultimately to attempt to nudge the focus of the British Empire's grand strategy away from Europe and into Asia.


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