Getting a Handle on 1QIsaiahb

2021 ◽  
pp. 1-26
Author(s):  
Michael B. Johnson
Keyword(s):  
Critical Material ◽  
Material Evidence

Abstract This article examines Hartmut Stegemann’s preliminary proposal that the remains of the beginning handle sheet of 1QHa have survived and provide useful data for reconstructing the scroll. According to Stegemann, this handle sheet supplies critical material evidence that three columns existed before 1QHa 4, the first substantially extant column in the manuscript. The handle sheet was recovered from one of three scrolls, 1QM, 1QIsab, and 1QHa. Each of these possibilities is considered, and a new proposal that the handle sheet belongs to the end of 1QIsab is advanced. The article offers a tentative reconstruction of the handle sheet as part of 1QIsab to demonstrate its material continuity with col. 28 of 1QIsab.

A glimpse from the ancient world: What a gold necklace from Tillya-tepe reveals about opium in Afghanistan

Afghanistan ◽  
2020 ◽  
Vol 3 (2) ◽  
pp. 135-173
Author(s):  
Sara Peterson
Keyword(s):  
Opium Poppy ◽  
Ancient World ◽  
Cultural Importance ◽  
Large Seed ◽  
Potent Drug ◽  
Material Evidence ◽  
Societal Role

Among the six excavated burials at Tillya-tepe, in northern Afghanistan, was one occupied by an elite woman wearing a substantial necklace consisting of large gold beads shaped as seed-heads. The scale and fine workmanship of this necklace suggest that it was one of her most important possessions. It can be demonstrated that these large seed-heads are representations of poppy capsules, whose significance lies in the fact that they are the source of the potent drug opium. This necklace is the most outstanding object within a group of items decorated with poppy imagery, all of which were discovered in female burials. The opium poppy has long been a culturally important plant, and the implication of this identification is investigated in several contexts. Firstly, the proliferation of poppy imagery in the female burials at Tillya-tepe is examined, and then there is a discussion of material evidence for opium among relevant peoples along the Eurasian steppes. The particular cultural importance of opium is reviewed, leading finally to a proposal for the societal role of these women.

Costumes and Choreography from Bodenwieser's Trunk: The Coat as Affective Memory

2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham
Keyword(s):  
Modern Dance ◽  
Human Condition ◽  
Personal Life ◽  
Creative Thought ◽  
Cain And Abel ◽  
Embodied Research ◽  
The Many ◽  
The One ◽  
Material Evidence ◽  
Selection Of

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.

Quality by Design: Concept to Applications

2019 ◽  
Vol 16 (3) ◽  
pp. 240-250 ◽  
Author(s):  
Suryakanta Swain ◽  
Rabinarayan Parhi ◽  
Bikash Ranjan Jena ◽  
Sitty Manohar Babu
Keyword(s):  
Quality By Design ◽  
Pharmaceutical Products ◽  
Assessment Tools ◽  
Basic Knowledge ◽  
Target Product ◽  
Target Product Profile ◽  
Critical Material ◽  
Novel Approach ◽  
Product Profile ◽  
Performance Report

Background: Quality by Design (QbD) is associated with a modern, systematic, scientific and novel approach which is concerned with pre-distinct objectives that not only focus on product, process understanding but also lead to process control. It predominantly signifies the design and product improvement and the manufacturing process in order to fulfill the predefined manufactured goods or final products quality characteristics. It is quite essential to identify the desired and required product performance report, such as Target Product Profile, typical Quality Target Product Profile (QTPP) and Critical Quality Attributes (CQA). Methods: This review highlighted the concepts of QbD design space, for critical material attributes (CMAs) as well as the critical process parameters that can totally affect the CQAs within which the process shall be unaffected thus, consistently manufacturing the required product. Risk assessment tools and design of experiments are its prime components. Results: This paper outlines the basic knowledge of QbD, the key elements; steps as well as various tools for QbD implementation in pharmaceutics field are presented briefly. In addition to this, quite a lot of applications of QbD in numerous pharmaceutical related unit operations are discussed and summarized. Conclusion: This article provides a complete data as well as the roadmap for universal implementation and application of QbD for pharmaceutical products.

Reign of Arrows

2020 ◽  
Author(s):  
Nikolaus Leo Overtoom
Keyword(s):  
Middle East ◽  
International Relations ◽  
Ancient World ◽  
World State ◽  
State Security ◽  
Central Asian ◽  
International Environment ◽  
Hellenistic World ◽  
Material Evidence ◽  
Comprehensive Study

From minor nomadic tribe to major world empire, the story of the Parthians’ success in the ancient world is nothing short of remarkable. In their early history, the Parthians benefited from strong leadership, a flexible and accommodating cultural identity, and innovative military characteristics that allowed them to compete against and indeed eventually overcome Greek, Persian, Central Asian, and eventually Roman rivals who were often more powerful. Reign of Arrows provides the first comprehensive study dedicated entirely to early Parthian history within the Hellenistic world prior to contact with Rome and the first comprehensive effort since 1938 to evaluate early Parthian political history. It is a major effort to synthesize a wide array of especially recent scholarship across numerous fields of study in order to present the reader with the most cogent, well-rounded, and up-to-date account of the intersections of Hellenistic and Parthian history possible. It draws on a wide variety of sources to explain the political and military encounters that shaped the international environment of the Hellenistic Middle East from the middle third to the early first centuries BCE. This study treats broader issues of international relations in the ancient world, state decision-making, royal identity and ideology, evolving spatial perspectives and power relations, and state security concerns. It combines traditional historical approaches, such as source criticism and the integration of material evidence, with the incorporation of modern international relations theory to better examine the rise of the Parthians to dominance over the ancient Middle East.

‘Higher then to her no bookes doe reach’

2018 ◽  
Author(s):  
Martha Vandrei
Keyword(s):  
Early Stage ◽  
Deep Understanding ◽  
Contemporary Philosophy ◽  
James I ◽  
Historical Method ◽  
The Past ◽  
Classical World ◽  
Material Evidence ◽  
Do So

This chapter and the following both draw the reader into seventeenth-century understandings of the past, and of Boudica in particular, and makes clear that in a time before disciplines, writers of ‘history’ were erudite commentators, immersed in political thought, the classical world, and contemporary ideas, as well as in drama, poetry, and the law. Chapter 1 shows the subtleties of Boudica’s place in history at this early stage by giving sustained attention to the work of Edmund Bolton (1574/5–c.1634), the first person to analyse the written and material evidence for Boudica’s deeds, and the last to do so in depth before the later nineteenth century. Bolton’s distaste for contemporary philosophy and his loyalty to James I were highly influential in determining the way the antiquary approached Boudica and her rebellion; but equally important was Bolton’s deep understanding of historical method and the strictures this placed on his interpretive latitude.

scholarly journals X.—On the White Conduit, Chapel Street, Bloomsbury, and its connexion with the Grey Friars' water system

Archaeologia ◽  
1909 ◽  
Vol 61 (2) ◽  
pp. 347-357
Author(s):  
Philip Norman ◽  
Ernest A. Mann
Keyword(s):  
Water Supply ◽  
Water System ◽  
History Of ◽  
Below Ground ◽  
Franciscan Order ◽  
Material Evidence

The history of the old systems of water supply in London is of considerable interest, and much of it remains untold, the material evidence being largely hidden below ground, but from time to time some important fact comes to light. This was the case ten years ago, when in a paper read before the Society and printed in Archaeologia, Mr. Norman succeeded in proving that the water supply for the convent of the Grey Friars, or Friars Minors of the Franciscan Order, in London was largely drawn from a conduit-head which still contains water and is to be seen in the garden of a house numbered 20, Queen Square, Bloomsbury.

The Earliest Christian Communities in Southeast and Northeast Asia: An Outline of the Evidence Available in Seven Countries before A.D. 1500

1991 ◽  
Vol 19 (2) ◽  
pp. 203-215 ◽  
Author(s):  
John C. England
Keyword(s):  
East Asia ◽  
Northeast Asia ◽  
Christian Communities ◽  
Christian Churches ◽  
Eastern Christianity ◽  
History Of ◽  
Material Evidence ◽  
Central South

The history of Eastern Christianity in central, south, and east Asia prior to A.D. 1500 is rich and extensive, yet has been largely ignored. Material evidence now available from southeast and northeast Asia shows that Christian communities were present in seven countries for different periods between the sixth and fifteenth centuries. Often termed “Nestorian,” or “Jacobite,” these communities have left a diversity of remains—epigraphical, architectural, sculptural, documentary—which testify to their presence, as far northeast as Japan and southeast as far as Indonesia. The glimpses of Christian churches in medieval Asia afforded by the evidence from these and other regions of Asia offer alternatives to Westernized patterns of mission, and question many assumptions concerning the history and character of Christian presence in the region.

Neupräsentationen und Umdeutungen des Heiligen Kreuzes von Polling vom 13. bis zum 18. Jahrhundert

2017 ◽  
Vol 80 (2) ◽  
pp. 292-309
Author(s):  
Stefanie Seeberg
Keyword(s):  
Art Object ◽  
The Cross ◽  
Material Evidence ◽  
Ground Coat

Abstract The center of the baroque altarpiece of the Augustinian Monastery of Polling in South Germany forms the so-called Holy Cross. Its current presentation, dated from 1763, is the last of a sequence of four well-documented presentations of a Romanesque wooden cross since 1230. This cross is an excellent example for analyzing and comparing several methods of re-presenting a historic art object as well as for understanding the motivation for such re-presentations, which are grounded on changes of the spiritual function of the object. In its first reframing, the cross received a covering of gilded parchment and a painting of the crucifix on this ground coat. In a fundamental publication from 1994, this covering was compared with a reliquary holding the old venerated wooden cross. However, looking at the context of medieval instructions for painters and the material evidence of extant contemporary paintings, this interpretation becomes questionable: the covering with parchment was a common and technically motivated procedure rather than a spiritually motivated one.

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