Transnational Culture in East Asia and the Logic of Assemblage

2014 ◽  
Vol 41 (5) ◽  
pp. 453-470 ◽  
Author(s):  
Chris Berry

AbstractThis essay examines the growth of transnational culture in East Asia, drawing heavily on the example of Chinese cinema. It notes the growth of a variety of transborder-based Chinese cinema cultures, ranging from blockbuster productions to independent documentary culture, and argues that similar phenomena can be found in other parts of East Asia and with other arts and media. Until now, the tendency has been to tag such phenomena as “transnational” without further elaboration. This essay argues that the time has come for a more rigorous interrogation of the transnational. It argues that the transnational order should be distinguished from both the earlier international order of nation-states and from the ideology of globalisation. Further, it argues that the cultural formations that grow under the logic of transnational and flexible production operate not as part of a stable national system but according to the contingent and fluid logic of assemblage.

Author(s):  
Sanjay Pulipaka ◽  
Libni Garg

The international order today is characterised by power shift and increasing multipolarity. Countries such as India and Vietnam are working to consolidate the evolving multipolarity in the Indo-Pacific. The article maps the convergences in the Indian and Vietnamese foreign policy strategies and in their approaches to the Indo-Pacific. Both countries confront similar security challenges, such as creeping territorial aggression. Further, India and Vietnam are collaborating with the United States and Japan to maintain a favourable balance of power in the Indo-Pacific. While Delhi and Hanoi agree on the need to reform the United Nations, there is still some distance to travel to find a common position on regional economic architectures. The India–Vietnam partnership demonstrates that nation-states will seek to define the structure of the international order and in this instance by increasing the intensity of multipolarity.


2021 ◽  
Vol 1 (1) ◽  
pp. 115-133
Author(s):  
Markus Nornes

Abstract This essay examines a regional, not global, dimension of Chinese cinema: the Chinese character in its brushed form. Calligraphy and cinema have an intimate relationship in East Asia. Indeed, the ubiquity of the brushed word in cinema is one element that actually ties works in Korean, Japanese and Sinophone Asia together as a regional cinema. At the same time, I will explore the very specific difference of Chinese filmmakers’ use of written language. On first glance, cinema and calligraphy would appear as radically different art forms. On second glance, they present themselves as sister arts. Both are art forms built from records of the human body moving in (an absent) time and space. The essay ends with a consideration of subtitling, upon which Chinese cinema’s global dimension is predicated. How does investigating this very problem lead us to rethinking the nature of the cinematic subtitle, which is very much alive―a truly movable type?


2019 ◽  
Vol 43 (4) ◽  
pp. 7-50 ◽  
Author(s):  
John J. Mearsheimer

The liberal international order, erected after the Cold War, was crumbling by 2019. It was flawed from the start and thus destined to fail. The spread of liberal democracy around the globe—essential for building that order—faced strong resistance because of nationalism, which emphasizes self-determination. Some targeted states also resisted U.S. efforts to promote liberal democracy for security-related reasons. Additionally, problems arose because a liberal order calls for states to delegate substantial decisionmaking authority to international institutions and to allow refugees and immigrants to move easily across borders. Modern nation-states privilege sovereignty and national identity, however, which guarantees trouble when institutions become powerful and borders porous. Furthermore, the hyperglobalization that is integral to the liberal order creates economic problems among the lower and middle classes within the liberal democracies, fueling a backlash against that order. Finally, the liberal order accelerated China's rise, which helped transform the system from unipolar to multipolar. A liberal international order is possible only in unipolarity. The new multipolar world will feature three realist orders: a thin international order that facilitates cooperation, and two bounded orders—one dominated by China, the other by the United States—poised for waging security competition between them.


2000 ◽  
Vol 15 (1/2) ◽  
pp. 621
Author(s):  
Farish A. Noor ◽  
Robert W. Hefner ◽  
Patricia Horvatich

2017 ◽  
Vol 61 (3) ◽  
pp. 380-400
Author(s):  
Monica Saavedra

This paper analyses how the 1950–61 conflict between Portugal and India over the territories that constituted Portuguese India (Goa, Daman and Diu) informed Portugal’s relations with the World Health Organization’s Regional Office for South East Asia (SEARO). The ‘Goa question’ determined the way international health policies were actually put into place locally and the meaning with which they were invested. This case study thus reveals the political production of SEARO as a dynamic space for disputes and negotiations between nation-states in decolonising Asia. In this context, health often came second in the face of contrasting nationalistic projects, both colonial and post-colonial.


1960 ◽  
Vol 3 (1) ◽  
pp. 49-68 ◽  
Author(s):  
E. R. Leach

The thesis underlying this essay may be summarized as follows: The modern European concepts frontier, state and nation are interdependent but they are not necessarily applicable to all state-like political organisations everywhere. In default of adequate documentary materials most historians of South-East Asia have tended to assume that the states with which they have to deal were Nation-States occupied by named “Peoples” and separated from each other by precise political frontiers. The inferences that have been made on the basis of these initial assumptions sometimes conflict with sociological common sense. It is not the anthropologist's task to write history, but if history is to be elaborated with the aid of inspired guesses then the special knowledge of the anthropologist becomes relevant so as to point up the probabilities.


2018 ◽  
pp. 95-101
Author(s):  
Kashyap Kotecha ◽  
Mukesh Khatik

Foreign policies of the Nation-States being corrected continuously, especially after the Post - Cold war multipolar scenario. India’s partnership with SouthEast Asian Nation-States is a Post – Cold war story. The era of globalisation impels India as well as ASEAN countries to explore opportunities for mutual economic and strategic benefits, as a result of that India adopted the Look East Policy during 1990. Look East Policy being implemented successfully by successive governments. Meanwhile, China is being emerged as a global economic superpower in the last two decades. Due to the rise of Chinese hegemony in the South-East Indian and Indo-Pacific region compel India and other stack holder countries to reshape their foreign policies according to time, to serve their national interests. Consequently, the last Indian Government redefined and renamed the Look East policy to Act East Policy. One could say it as an updated version of Look East policy. In earlier episode policy was limited to South East Asia while in next episode focus of the policy is on whole East Asia. Also, the scope of Look East policy was idealistic and economic-centred, while the scope of the Act East Policy is realistic and vast. The newly emerged Act East Policy has an extra strategic edge over previous Look East Policy, the newer version is multidimensional, and it inculcates the strategic vision like the balance of power in East Asia, national interest and security-related issues in addition to the economic vision. Indeed, the nature of foreign policy always should be dynamic rather than static; hence, the Indian foreign policy is being transformed continuously as per the requirement of the time.


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