Idrah'ū l-hudūd bi-l-shubuhāt: When Lawful Violence Meets Doubt

Hawwa ◽  
2007 ◽  
Vol 5 (2-3) ◽  
pp. 208-238 ◽  
Author(s):  
Maribel Fierro
Keyword(s):  
The Other ◽  
Islamic Period ◽  
Other Hand ◽  
The Rich ◽  
The One ◽  
Early Islamic Period ◽  
Early Islamic ◽  
And Diffusion ◽  
Ibn Hazm

AbstractThis article explores the origin and diffusion of the legal saying, which stated that God's sanctions were not to be applied in cases where there was room for doubt (idra'ū l-hudūd bi-l-shubuhāt), and how it was transformed into a Prophetic saying that was employed mainly by Hanafis and Mālikīs, and rejected by the Hanbalīs and the Zāhirī Ibn Hazm. Behind these developments there is the tension between two equally compelling needs in the early Islamic period: on the one hand, the desire to avoid as much as possible imposition of the severe hadd penalties; on the other hand, the fact that such avoidance usually played in favour of the rich and the powerful.

USE OF THE GALAXY AS A TOOL FOR SPATIAL AND TEMPORAL ORIENTATION DURING THE EARLY ISLAMIC PERIOD AND UP TO THE 15TH CENTURY

2021 ◽  
Vol 31 (1) ◽  
pp. 1-44
Author(s):  
Andreas Eckart
Keyword(s):  
Milky Way ◽  
The Other ◽  
Temporal Orientation ◽  
Islamic Period ◽  
Space And Time ◽  
15Th Century ◽  
Other Hand ◽  
The Galaxy ◽  
Early Islamic Period ◽  
Early Islamic

AbstractWe study to what extent the Milky Way was used as an orientation tool at the beginning of the Islamic period covering the 8th to the 15th century, with a focus on the first half of that era. We compare the texts of three authors from three different periods and give detailed comments on their astronomical and traditional content. The text of al-Marzūqī summarises the information on the Milky Way put forward by the astronomer and geographer ʾAbū Ḥanīfa al-Dīnawarī. The text makes it clear that in some areas the Milky Way could be used as a geographical guide to determine the approximate direction toward a region on Earth or the direction of prayer. In the 15th century, the famous navigator Aḥmad b. Māǧid describes the Milky Way in his nautical instructions. He frequently demonstrates that the Milky Way serves as a guidance aid to find constellations and stars that are useful for precise navigation on land and at sea. On the other hand, Ibn Qutayba quotes in his description of the Milky Way a saying from the famous Bedouin poet Ḏū al-Rumma, which is also mentioned by al-Marzūqī. In this saying the Milky Way is used to indicate the hot summer times in which travelling the desert was particularly difficult. Hence, the Milky Way was useful for orientation in space and time and was used for agricultural and navigational purposes.

scholarly journals “Mother of the Faithful” and “Lion of Allah” in the Prophetic Tradition and Early History of the Caliphate or Why the Islamic Jama at Disintegrated?

2020 ◽  
Vol 16 (2) ◽  
pp. 47-56
Author(s):  
F. A. Asadullin
Keyword(s):  
Point Of View ◽  
Islamic Period ◽  
Islamic Schools ◽  
Regional Conflicts ◽  
Long Time ◽  
History Of ◽  
The Russian Federation ◽  
The One ◽  
Early Islamic Period ◽  
Early Islamic

The problem of disintegration of the Islamic Ummah a long time ago became the one of the most important for the Islamic world and worldview. The wave of violence in the Near and Middle East sharpened some regional conflicts, which have already taken place before. The paper deals with the roots of this conflict atmosphere in the Early Islamic period. As the tradition affirms, the Prophet Muhammad predicted the Ummah to split in 73 sects. Today there exist in any case not less than 73 different Islamic schools, movements and organizations, which mutually and constantly contest their doctrinal authenticity. Moreover, the activity of quasi- Islamic extremist organisations like the ISIS, which is forbidden inside as well as outside the Russian Federation, is quite remarkable. All these factors demonstrate, that from the academic point of view it is actual to critically research the nature of fragmentation and disintegration of Islamic communities through the prism of prophetic legends. This paper is to consider as an attempt to resolve this multidimensional problem.

Mathematics and Time

KronoScope ◽  
2003 ◽  
Vol 3 (2) ◽  
pp. 153-167 ◽  
Author(s):  
Keyword(s):  
Broad Context ◽  
The Other ◽  
Evolutionary Development ◽  
Structure And Properties ◽  
Other Hand ◽  
Systematic Uncertainties ◽  
Human Capacity ◽  
The Rich ◽  
The One ◽  
Axiomatic Systems

AbstractThe structure of mathematics, as revealed by the exploration of axiomatic systems, bears striking similarities to the structure of nature, as revealed by the hierarchical theory of time. It is assumed that this isomorphism is not accidental but reflects the evolutionary development of the human capacity of handling numbers. This assumption permits a conjecture. Namely, if mathematics is found to possess certain systematic uncertainties, than nature must also possess corresponding qualities which may be identified. The paper proposes that the theme of the conference, "time and uncertainty," be understood in this broad context. I would like to demonstrate the existence of certain striking similarities between the structure and properties of mathematics on the one hand and, on the other hand, the structures and processes of nature at large, as revealed by the hierarchical theory of time. Then, using these correspondences, I propose a framework that promises to provide a unified perspective for the rich program we have ahead.

Frederick II of Hohenstaufen and Arabic Science

2001 ◽  
Vol 14 (1-2) ◽  
pp. 289-312 ◽  
Author(s):  
Matthias Schramm
Keyword(s):  
Biological Sciences ◽  
Scientific Knowledge ◽  
The Other ◽  
Political Practice ◽  
Unique Role ◽  
Other Hand ◽  
Court Life ◽  
The One ◽  
And Diffusion ◽  
Contemporary Approach

The article argues that Frederick II of Hohenstaufen and his court played a unique role in the transfer and diffusion of Arabic science (with its Greek, Hebrew and Christian elements). Scientists at the court translated and elaborated upon it. Moreover, there existed a two-way traffic of scientific knowledge between Frederick and his court scholars, on the one hand, and several oriental courts and their scientists on the other hand. Thus the reader gains a view of Frederick's scientific activities from the Arab perspective, too.Frederick's contribution to the existing biological sciences of his time was his “Book of Falconry”, which was exceptional in the then contemporary approach and methods employed in those fields. Even in this treatise on falconry, Frederick drew upon the fund of knowledge of Arab practitioners. This chain of arguments concerning Arabic science is situated within the setup of Frederick's oriental political practice and sumptuous court life.

scholarly journals Hidden Ekphrasis in the Works of Miroslav Krleža

2017 ◽  
Vol 11 (1) ◽  
pp. 118-133
Author(s):  
Nataša Lah
Keyword(s):  
Social Context ◽  
Art History ◽  
The Other ◽  
Literary Texts ◽  
Other Hand ◽  
Mise En Scene ◽  
The Matrix ◽  
Miroslav Krleza ◽  
The Rich ◽  
The One

Throughout the entire literary oeuvre of Miroslav Krleža we are faced with a great number of credible descriptions, describing real historic events, or real artists and artworks belonging to the rich resources of European art history. By applying a cryptographic method of incorporating descriptions into his texts, Krleža on the one hand hid his sources, while on the other also revealed them. He hid them in the tissue of fictional texts, and unmasked them using a key work only those familiar with the source could identify. We term this method the use of “belletristic cryptograms”, and can further categorise it into thematic subgroups of concealed artwork descriptions, naming this whole method the use of hidden ekphrasis. The choice of artworks Krleža describes in his work is comprehensive, diverse and each described differently. Since we are dealing with literary texts, descriptions are often used in the function of a wide array of interpretative strategies of depiction; in some aspects, they are used as a mere glimpse into a piece of art with the goal of visually associating, evoking or minutely symbolizing the incorporeal frame of an artist’s mind or of the wider social context. In other aspects, the artworks are richly and meticulously presented with regard to their importance and credibility as they, according to Krleža, possess an “ethical intelligence” and “ethical conscience”. Only Krleža’s prose is researched here, and this is done on two levels. We take a look at examples where real art is incorporated into fictional texts in order to determine the significance and meaning of a certain dialogue, mise-en-scène or situation. This is most commonly found in the author’s plays, novels and novellas. On the other hand, we can trace a completely opposite method by which artworks enter these texts, where, due to their historic determination and already established worth/status, they thus re-enter reality, as seen from the perspective of Krleža’s life and work, so as to yet again test art history’s credibility through the matrix of contemporaneity. This approach is most often found in Krleža’s essays, critiques and diary entries.

Adam Smith on What Is Wrong with Economic Inequality

2016 ◽  
Vol 110 (2) ◽  
pp. 342-352 ◽  
Author(s):  
DENNIS C. RASMUSSEN
Keyword(s):  
Adam Smith ◽  
Economic Inequality ◽  
Political Stability ◽  
The Other ◽  
Commercial Society ◽  
The Poor ◽  
Other Hand ◽  
The Rich ◽  
The One ◽  
High Degree

This article explores Adam Smith's attitude toward economic inequality, as distinct from the problem of poverty, and argues that he regarded it as a double-edged sword. On the one hand, as has often been recognized, Smith saw a high degree of economic inequality as an inevitable result of a flourishing commercial society, and he considered a certain amount of such inequality to be positively useful as a means of encouraging productivity and bolstering political stability. On the other hand, it has seldom been noticed that Smith also expressed deep worries about some of the other effects of extreme economic inequality—worries that are, moreover, interestingly different from those that dominate contemporary discourse. In Smith's view, extreme economic inequality leads people to sympathize more fully and readily with the rich than the poor, and this distortion in our sympathies in turn undermines both morality and happiness.

Locative Complements of Verbs of Movement in Czech

2004 ◽  
Vol 18 ◽  
pp. 87-113
Author(s):  
Marta Ungermanová
Keyword(s):  
The Other ◽  
Clear Cut ◽  
Other Hand ◽  
The Rich ◽  
The One ◽  
Syntactic Properties ◽  
Made In

This paper describes the syntactic properties of three types of locative complements in Czech that are compatible with verbs of movement. The distinction between these complements (each with its own interpretation) is made in the first place on the basis of several formal criteria (in particular, involving the rich Czech morphology), and, in addition, on semantic criteria. It is examined whether there exists sufficient correspondence between these criteria, and in particular, to what extent they can satisfactorily classify locative complements into essential and circumstantial ones. It is shown that there is no clear-cut distinction between these two categories of locative complements with Czech movement verbs. Furthermore, the syntactic role of the locative complements is shown to depend mainly on the verb, but also on other elements of the sentence. Finally, on the basis of several examples, it is argued that, on the one hand, the form of the complement does not predict its syntactic role and interpretation and, on the other hand, that two different forms can share the same syntactic role and interpretation.

scholarly journals Hidden Ekphrasis in the Works of Miroslav Krleža

2017 ◽  
Vol 11 (1) ◽  
pp. 118-133
Author(s):  
Nataša Lah
Keyword(s):  
Social Context ◽  
Art History ◽  
The Other ◽  
Literary Texts ◽  
Other Hand ◽  
Mise En Scene ◽  
The Matrix ◽  
Miroslav Krleza ◽  
The Rich ◽  
The One

Throughout the entire literary oeuvre of Miroslav Krleža we are faced with a great number of credible descriptions, describing real historic events, or real artists and artworks belonging to the rich resources of European art history. By applying a cryptographic method of incorporating descriptions into his texts, Krleža on the one hand hid his sources, while on the other also revealed them. He hid them in the tissue of fictional texts, and unmasked them using a key work only those familiar with the source could identify. We term this method the use of “belletristic cryptograms”, and can further categorise it into thematic subgroups of concealed artwork descriptions, naming this whole method the use of hidden ekphrasis. The choice of artworks Krleža describes in his work is comprehensive, diverse and each described differently. Since we are dealing with literary texts, descriptions are often used in the function of a wide array of interpretative strategies of depiction; in some aspects, they are used as a mere glimpse into a piece of art with the goal of visually associating, evoking or minutely symbolizing the incorporeal frame of an artist’s mind or of the wider social context. In other aspects, the artworks are richly and meticulously presented with regard to their importance and credibility as they, according to Krleža, possess an “ethical intelligence” and “ethical conscience”. Only Krleža’s prose is researched here, and this is done on two levels. We take a look at examples where real art is incorporated into fictional texts in order to determine the significance and meaning of a certain dialogue, mise-en-scène or situation. This is most commonly found in the author’s plays, novels and novellas. On the other hand, we can trace a completely opposite method by which artworks enter these texts, where, due to their historic determination and already established worth/status, they thus re-enter reality, as seen from the perspective of Krleža’s life and work, so as to yet again test art history’s credibility through the matrix of contemporaneity. This approach is most often found in Krleža’s essays, critiques and diary entries.

scholarly journals IBN HAZM DAN MADZHAB AZH-ZHAHIRI

ALQALAM ◽  
2010 ◽  
Vol 27 (3) ◽  
pp. 464
Author(s):  
Jaenal Aripin
Keyword(s):  
Islamic Law ◽  
The Other ◽  
Unique Position ◽  
Other Hand ◽  
Important Position ◽  
The One ◽  
Ibn Hazm

Ibn Hazm (Abenhazam de Cordoba)'s thought has an important position in the study of Islamic law philosophy, especially dealing with his three main thoughts: differentiation between God and His creature dimensions, thoroughfulness of syari'a so that it is uncorrect to argue in the name of religion by using premises out of the texts, and the importance of language as a tool to understand the God's massages. Based on his thoughts, Ibn Hazm plays a unique position in the discourse of Islamic thoughts. On the one hand, his thoughts are philosophical, on the other hand, he is a textualistic and normative Zhahirianist. Hene, he is frequently called a philosopher who remains thinking normatively. Keywords: Literalisme, Mazhab, Ibnu Hazm, Azh-Zhahiri.

A Tale of Two Legacies: Byzantine and Egyptian Influences in the Manufacture and Supply of Glass Tesserae under the Umayyad Caliphate (661–750 AD)

Heritage ◽  
2021 ◽  
Vol 4 (4) ◽  
pp. 2810-2834
Author(s):  
Sara Fiorentino
Keyword(s):  
Analytical Approach ◽  
The Other ◽  
Late Antique ◽  
Religious Buildings ◽  
Other Hand ◽  
Dome Of The Rock ◽  
The One ◽  
Umayyad Caliphate ◽  
Early Islamic

The connection between Umayyad and Byzantine mosaic manufacture is a debated issue: on the one hand, Arab sources report that Umayyad caliphs received craftspeople and materials to adorn religious buildings from the Byzantine emperor; on the other hand, the reliability of these texts has long been disputed among scholars, and other possible influences have been hypothesised. Was early Islamic mosaic manufacture related to Byzantine tradition and to what extent? Were materials and artisans gathered from Byzantium and/or territories under the Byzantine control? Based on a multi-analytical approach, glass tesserae from Khirbat al-Mafjar, the Great Mosque of Damascus, and the Dome of the Rock have been analysed. Results speak of a tale of two legacies, demonstrating that, parallel to a continuity with the manufacture of glass tesserae in the late antique Levant—pointing, more specifically, to a re-use of materials from abandoned buildings—legacies other than Byzantine occurred. It emerged that Egypt definitively played a role in mosaic making during the Umayyad caliphate, acting as a supplier of skilled artisans and materials.

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