50 Years of Modelling Second Temple Judaism: Whence and Wither?

2019 ◽  
Vol 50 (4-5) ◽  
pp. 604-629
Author(s):  
Anders Klostergaard Petersen

AbstractThe first section describes the major progress in the study of Second Temple Judaism during the past fifty years, since A.S. van der Woude founded the Journal for the Study of Judaism. This part—the whence—comprises the main bulk of the argument. It also paves the way for the conclusion—the wither. There, I present some ideas potentially leading to new advances in the field. I call for an engagement with the social and natural sciences based on a gene-culture coevolutionary paradigm. In particular, adopting a biocultural evolutionary perspective makes it possible to situate the field and its empirical focus in a much larger context. Thereby, we shall be able to tackle some of the pivotal questions with which our scholarly predecessors wrestled. Finally, I discuss emotional studies that may help us to get a better grasp on a traditionally moot question in the texts we study.

Futures ◽  
2021 ◽  
pp. 118-134
Author(s):  
Barbara Adam

This chapter comprises an interview between Barbara Adam and the editors, and is followed by Adam’s ‘Honing Futures’, which is presented in four short verses of distilled theory. In the interview Adam reflects on thirty-five years of futures-thinking rooted in her deeply original work on time and temporality, and her innovative response to qualitative and linear definitions of time within the social sciences. The interview continues with a discussion of the way Adam’s thinking on futures intersects in her work with ideas of ethics and collective responsibility politics and concludes with a brief rationale for writing theory in verse form. In ‘Honing Futures’, a piece of futures theory verse form, Adam charts the movements and moments in considerations of the Not Yet and futurity’s active creation: from pluralized imaginings of the future, to an increasingly tangible and narrower anticipated future, to future-making as designing and reality-creating performance. Collectively, the verses identify the varied complex interdependencies of time, space, and matter with the past and future in all iterations of honing and making futures.


Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Marlies Taljard

This article aims to illustrate how Hans du Plessis, in his novel Die pad na Skuilhoek [The path to Skuilhoek] (a place of shelter), subverts the way in which history had been presented in historical novels in the past by addressing social issues that contemporary readers find relevant. The first part of the article deals with the social codes that shape the identities of the main characters and how these identities are relevant in terms of the social framework within which the novel is received. In the second place the focus will shift towards Du Plessis’s representation of cultural and national identities. The question: ‘Who were the Afrikaners at the time of the Great Trek?’ will be answered with reference to these identities. In conclusion it will be pointed out how Du Plessis avoids dated practices of historical interpretation by choosing ecocrticism as the ideological framework for his novel and is, in this way, constructing a new social myth about the Great Trek.


2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.


2021 ◽  
Vol 19 (1) ◽  
pp. 99-133
Author(s):  
Joel Marcus

Abstract The critics of JBHT in this issue have questioned three main aspects of the book: its assertion that early Christians competed with people who believed that John the Baptist was the principal figure in the history of salvation, its assertion that early in his career the Baptist was a member of the Qumran community, and the way in which the book situates the Baptist in relation to Second Temple Judaism in general. The article addresses these concerns, rebutting certain objections but acknowledging areas in which the book could have been more nuanced or further developed.


2013 ◽  
Vol 34 (1) ◽  
Author(s):  
Daniel J. Dreyer

An evolutionary perspective on the Confessio Belgica: A systematical-theological exploration. The aim of this study is to point out that the Confessio Belgica creates the opportunity to listen to both the voices of the natural sciences (especially in regard to the process of evolution) and the findings of the historical sciences. The important point of this discussion is that the human being is an evolutionary part of the process of creation. Man can no longer be seen as the ruler of creation in a personal and static sense. In the light of this we have to truly listen again to the witness of the Bible and the way in which it is formulated in the confessions of the church. The views of Wentzel van Huyssteen, Rob Bell and N.T. Wright are examples of how to respond, against the background of the science-theology debate, to the questions: �Who was Jesus?� and �What did He do?� Their insights might help us to proclaim the cosmic meaning of the message of the Gospel with integrity in a modern and postmodern world.


2020 ◽  
Vol 18 (2) ◽  
pp. 101-123
Author(s):  
Sarah E. Rollens

Richard A. Horsley’s work on Second Temple Judaism and early Christianity has been widely influential. In particular, his theorizing of the social world in which early Jews and Christians were embedded has significantly advanced biblical studies. This article engages with several of the most prominent analytical categories in his work (peasant, retainer, resistance, and renewal) with a view toward investigating their conceptual origins and probing their analytical utility.


2021 ◽  
Author(s):  
Kevin Durrheim ◽  
Amy Jo Murray

Anti-racism has nurtured many visions of post-racism futures. All this talk and political action relies on and reproduces discourses of racism. While much of this discursive force lies in what is said, we argue that a haunting quality of racism may arise from what is unsaid. This includes the multifarious points of connection between the present and the past. We are all implicated, albeit unevenly. This article describes the phenomenon of spectral racism that arises from such implicature. We develop a discursive account of its constitution in acts of dialogical repression, and we consider some of the social psychological and political ramifications of haunting racism. We illustrate our arguments by an analysis of the way the prohibition against the use of the k-word echoes the toxic past and zombifies racism via psychological enticement.


Author(s):  
Eric Hobsbawm

This chapter discusses Marxist historiography in the present times. In the interpretation of the world nowadays, there has been a rise in the so-called anti-Rankean reaction in history, of which Marxism is an important but not always fully acknowledged element. This movement challenged the positivist belief that the objective structure of reality was self-explanatory, and that all that was needed was to apply the methodology of science to it and explain why things happened the way they did. This movement also brought together history with the social sciences, therefore turning it into part of a generalizing discipline capable of explaining transformations of human society in the course of its past. This new perspective on the past is a return to ‘total history’, in which the focus is not merely on the ‘history of everything’ but history as an indivisible web wherein all human activities are interconnected.


Millennium ◽  
2018 ◽  
Vol 15 (1) ◽  
pp. 1-18
Author(s):  
Helmut Krasser

AbstractAt the end of the first century CE, we see a broad reception of Catullus, both members of the nobility and professional writers such as Pliny the Younger, Martial and Statius. Three significant aspects are to be considered: By reading and adapting Catullus, they can establish a connection with the great writers of the past. Given the rise of Latin literary canons in the first century, Catullus is a particularly suitable model to be imitated, and maybe even to surpass. The most important aspect, for amateurs and professionals alike, is the social representation inherent in the act of reception. The Catullan oeuvre mainly appeals to writers because parts of its poetic programme can also be found in the set of rules the nobility abides by and in their sociable institutions. The way Catullus celebrates amicitia in his poems becomes a model of self-representation for an elite which seeks to impress with cultural savoir-faire; likewise, it serves to create consensus and self-assurance. Finally professional writers read and appropriate Catullus in like manner, with regard to social aspects. Catullan poetry serves as a way of displaying friendship, especially when looking at the interchange between poeta and patronus; this is quite similar to amateur poetry in the style of Pliny. It is a means of establishing proximity, familiarity and community between socially unequal parties.


2011 ◽  
Vol 55 (4) ◽  
pp. 149-170
Author(s):  
Zuzanna Bogumił

The Author examines the presentation of the German occupation at the Warsaw Rising Museum and in Oskar Schindler’s Enamel Factory in Krakow. Initially, she studies the space of these exhibitions and demonstrates that the Warsaw Rising Museum has some characteristics of reflective space, while the exhibition at the Schindler’s Factory is primarily a projective one. Then, she points out that both museums treat artefacts as illustrations of their stories, as a consequence of which they are simulations of the past rather than material testimonies of what had happened. Finally, the Author argues that the Warsaw Rising Museum primarily tells the story of glory of the Polish nation, while the Schindler Factory focuses on the social history. In conclusion the Author points out that none of the exhibitions breaks the existing taboos or offers a new approach to the past. Both museum stories perfectly reflect the shape of the Polish social memory of World War II. Differences in the way they present the past are a result of rooting each of the stories in different public debates that were conducted in Poland after 1989.


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