YUGONOSTALGIA: RESTORATIVE AND REFLECTIVE NOSTALGIA IN FORMER YUGOSLAVIA

2005 ◽  
Vol 32 (1-2) ◽  
pp. 227-237 ◽  
Author(s):  
Nicole Lindstrom

Drawing on Svetlana Boym's distinction between "restorative" and "reflective" nostalgia, the essay maps two broad, and often overlapping, ideal types of Yugonostalgia expressed in and through contemporary former Yugoslav film, popular music, and multi-media. The first expresses reeonstructive longing for an essential Yugoslav past; the second offers self-consciously ambivalent and critical frames in indulging fantasies of this past. What different forms of Yugonostalgia share in common is challenging symbolic geographies of disunity that have dominated political discourse in former Yugoslavia for the last two decades. The two types can be differenciated by their stance toward the presentpast and the future: while both of them are based on fantasies of the past, thc "restorative" Yugonostalgic looks backward towards a seemingly fixed time and space while "reflective" nostalgic restlessly grapples with the dislocation so palpable in the former Yugoslavia to imagine alternative futures.

2005 ◽  
Vol 32 (1) ◽  
pp. 227-237 ◽  
Author(s):  
NICOLE LINDSTROM

Abstract: Drawing on Svetlana Boym's distinction between "restorative" and "reflective" nostalgia, the essay maps two broad, and often overlapping, ideal types of Yugonostalgia expressed in and through contemporary former Yugoslav film, popular music, and multi-media. The first expresses reconstructive longing for an essential Yugoslav past; the second offers self-consciously ambivalent and critical frames in indulging fantasies of this past. What different forms of Yugonostalgia share in common is challenging symbolic geographies of disunity that have dominated political discourse in former Yugoslavia for the last two decades. The two types can be differentiated by their stance toward the presentpast and the future: while both of them are based on fantasies of the past, the "restorative" Yugonostalgic looks backward towards a seemingly fixed time and space while "reflective" nostalgic restlessly grapples with the dislocation so palpable in the former Yugoslavia to imagine alternative futures.


2020 ◽  
Vol 60 (11) ◽  
pp. 143-146
Author(s):  
Parvana Ismayil Pashayeva ◽  

The article deals with the problems of introducing of time, time changes and the time-place relations as well. Artistic time is distinguished by belonging of an artistic time to the past in the artistic text, and in epos texts as well. In such kinds of texts one can meet with the changing of situations and various forms of substitutions of grammatical time. Speech moment can be used in defining of criteria for the present, past and the future times in epos texts. And speech moment is being connected with the physical time. Grammatical time comes into effect as a result of time pass components of physical time changings of course. Key words: time, place, epos, artistic time, grammatical time


Author(s):  
Geoff Mulgan

This chapter studies the radical alternatives that can be found in the traditions of utopian thinking that have offered fully formed alternatives to a flawed present, from Thomas More to Ursula LeGuin, and from William Morris to Ivan Efremov. Utopias are one of the ways societies imagine alternative futures, and many utopians put their ideas into practice too, creating islands of the future. Then as now they were healthy antidotes to the lazy pessimism which claims that all attempts at progress are futile. If utopias are worlds where predators have been eliminated, dystopias are ones where they rule. But utopias both promise too much and deliver too little, their greatest weakness now as in the past being that they lack an account of how change will happen.


1992 ◽  
Vol 42 ◽  
pp. 1-4 ◽  
Author(s):  
Louise Tilly ◽  
Noëlle Gérôme

Tradition is understood as a subset of a central historical concern: social and cultural discontinuities in time and space. The historical study of social tradition is an important contribution to knowledge; it seeks to understand the ways in which groups (states, classes, communities, families) formalize, symbolize, and interpret the past—and how such visions shape the ways in which people interpret, accept, or resist present conditions and influence behavior in the future.


2020 ◽  
Vol 30 (2) ◽  
pp. 327-342
Author(s):  
Andrew Gardner ◽  
Lacey Wallace

In this paper, we seek to explore the ways in which landscapes become venues not only for manipulations of the past in a present, but also for shaping possible futures. Considerations of temporality and being in the landscape have been more strongly focused on the past and social memory than the future, anticipation and projectivity, but these are vital considerations if we are to preserve the possibility that past people imagined alternative futures. A fruitful archaeological context for an exploration of past futures can be found in the choices people made during the late Iron Age and Roman period in Britain, which has an increasingly rich and high-resolution material record for complex changes and continuities during a period of cultural interactions and imperial power dynamics. More specifically, recent research into the architectural and material practices evident on rural settlement sites and across landscapes forces us to challenge preconceptions about the reactive/reactionary culture of rural societies. Case-studies from Kent and the West Country will be deployed to develop the argument that in the materializing of time, the future has a very significant part to play.


Temida ◽  
2004 ◽  
Vol 7 (4) ◽  
pp. 73-76
Author(s):  
Marian Liebmann

This is an account of the workshop run at the conference Truth and reconciliation in the former Yugoslavia: Where are we now and where to go? Even in such a short workshop, it seemed that it was possible to share difficult areas of the past, and move on to looking at hopes for the future. The use of art materials seemed to facilitate the expression of aspects difficult to put into words. There seems to be potential for extending this method. Yet it is not without its dangers, if used with a vulnerable group of people, or in an insecure situation, or in an insensitive way. It could open doors which are difficult to shut again. The ability of art to bring up memories and emotions is both its strength and its risk.


2021 ◽  
Author(s):  
patrick john burnett

To date, there has been much emphasis on, and critical inquiry into, the variety of ways sociological theories examine social life, social organization, and human conduct within and between the past and present time horizons. Under the auspice that no authentic anticipation of what we may 'have to be' (future) is possible without borrowing from the resources of what we already 'have been' (past) and 'currently are' (present), sociological inquiry has been primarily focused on the relationship of an experiencing person (or persons) within the complexities of past events and present circumstances as a means to reveal insights toward the future of social organization. The reasons for this focus on investigations into past and present time horizons are because they are facilitated by the presence of an observable and material reality consisting of identifiable documents and tangible objects that can be identified, observed, interpreted and measured. Whereas, investigations into the future are working within a different reality status all together, one that does not contain identifiable material and empirically accessible facts, thus making it much more difficult to study in that it is focused on a reality that does not yet exist. Given that only materialized processes of the past and present have the status of factual reality (what is real is observable), conclusions and predictions about future events, which are essentially beyond the realm of the material and observable, remain at the level of the senses, as an aspect of the mind, and are seen as belonging to the realm of the 'ideal' and the 'not the real'. This paper walks through these considerations in detail and examines how a focus on time and space can help us better understand the ways in which social beings act.


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