scholarly journals Camera, Canvas, and Qibla: Late Ottoman Mobilities and the Fatih Mosque Painting

2021 ◽  
Vol 38 (1) ◽  
pp. 253-290
Author(s):  
Sabi̇ha Göloğlu

Abstract This article discusses the multiple mobilities of images, photographs, photographers, viewers, and places by focusing on Miʿmarzade Muhammed ʿAli’s (d. 1938) oil-on-canvas painting, now located in the Fatih Mosque in Istanbul. It explores the limits, lives, possibilities, and uses of photographic views and the exchanges between photography, painting, and print media by investigating the geopolitics and geopiety of the Hamidian era (i.e., Sultan ʿAbdülhamid II, r. 1876–1909), the production and circulation of early photographs of Mecca and Medina, and the spatial tradition of qibla decorum. It examines the photographic oeuvres of Christiaan Snouck Hurgronje (d. 1936), al-Sayyid ʿAbd al-Ghaffar, and the committee of the Erkān-ı Ḥarbiyye (General Military Staff), including Muhammad Sadiq Bey (d. 1902), as well as the reproductions and changing contexts of these photographs. Furthermore, this article highlights the role of print media in the dissemination and mobilization of the photographic image and the malleable politics of representation, especially as it pertains to the two sacred cities of Mecca and Medina.

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.


2021 ◽  
pp. 007327532199926
Author(s):  
Camille Lyans Cole

Between 1893 and 1908, at least six private consortia and the municipality of Baghdad were denied permission to operate steamships on the Tigris and Euphrates on the grounds that a navigation concession had already been granted to the Privy Purse ( hazine-i hassa). The Privy Purse justified its insistence on monopoly with reference to the emerging ideology of development ( nafia), though its ideas about the role of steam technology in nafia stood in contrast to those of private investors and other Ottoman bureaucrats. Working from the hazine-i hassa’s planning memos and contracts, I show that the private treasury envisioned a primarily agrarian future for Iraq, with steamships serving agricultural aims. As such, it focused on envisioning future steamships rather than managing its existing fleet, while still acquiring dominance over land and transport in the region. However, private companies and officials contested this vision, emphasizing the materiality of existing steamships, their roles in trade, and the potential for commercial competition as a means of resisting British imperial encroachment. After the Committee of Union and Progress came to power in 1908, the Privy Purse was disestablished and its properties reverted to the Finance Ministry, opening a brief window during which steamship companies were encouraged to proliferate. Quickly, however, new comprehensive schemes were proposed, though with railways replacing steamships as the corollary to Iraq’s imagined riches. Engaging questions about the futurity of both infrastructure and capital, as well as those posed by the technology-in-use paradigm, this article suggests that the hazine-i hassa is a rich starting point for analysis because the scalar and ontological tensions it embodied highlight how different kinds of futures interact in development planning to affect the present.


2018 ◽  
Vol 15 (2) ◽  
pp. 187-202
Author(s):  
Mohan Rao ◽  
Shobna Sonpar ◽  
Amit Sen ◽  
Shekhar P. Seshadri ◽  
Harsh Agarwal ◽  
...  

Ragging has claimed hundreds of innocent lives and has ruined the careers of thousands of students. A total of 717 cases of ragging were reported in the English print media alone across the country from January 2007 to September 2013. However, the media reports tend to focus on extreme cases and do not reveal the true extent of ragging. Moreover, in the absence of empirical data, it is difficult to understand the processes involved in, and the ramifications of, ragging. This study examines the prevalence and types of ragging practices in educational institutions. The study covered 10,632 students from 37 educational institutions spread across 12 states in India. Findings show that almost 40 per cent students admitted to having experienced some kind of ragging. College-wise analysis of the results showed marked variations in the prevalence of ragging among colleges, thus pointing to the role of institutional factors in the occurrence of ragging. Variations in responses are also seen based on the kind of course pursued, gender, and place of residence of student, thus indicating that these are critical factors in influencing the prevalence, severity and kinds of ragging practices.


2017 ◽  
Vol 9 ◽  
pp. 01-10
Author(s):  
Armendra Amar

The 1984 Bhopal Gas Leak tragedy has been classified as one of the World’s major Industrial accidents of the 20th century, recorded post 1919, by a United Nations Report. This tragedy killed thousands of people and maimed thousands. Union Carbide subsidiary pesticide plant released approximately 40 tonnes of Methyl Isocyanate (MIC) gas which went on to touch the lives of more than 500,000 people of the city. In a way, even after it immediately killed and maimed in thousands, it is still a continued disaster as the generations exposed to the toxic gases have been consistently showing up signs of physical and mental deformity. This gruesome event’s impacts on society are beyond time and space. The crucial question that renders is that how media dealt with the situation and to what extent it affects the everyday life of masses. This study came into initiation when the researcher visited the Methyl Ico-Cynate gas-affected area of Bhopal. During the pilot study, the researcher saw that people of the affected place were living in inadequate conditions. Thus, a concern piqued the interest of the researcher, and evoked an indispensible question: Is media fulfilling its responsibility as the fourth pillar of society in times of chaos and devastation, towards the public? For examining his queries researcher has taken renowned print media outlet’s articles of Bhopal gas tragedy as the content of the analysis. Hence on the basis of Hindi print media content of Bhopal gas disaster the researcher has taken the initiative to search appropriate answers to questions which examine the role of media after the tragic occurrence has taken place in society.


Author(s):  
Lyudmila Anatolievna Truzhenikova ◽  
Patimat Uduratovna Mukhueva

The paper analyzes an extensive tour activity of the state academic dance ensemble of Dagestan «Lezghinka» across Eastern countries in the context of cultural relations development. Based on archivial sources and materials of the periodical press, the authors emphasize that in the 1960s the ensemble became a tru representative of people’s diplomacy, carrier and popularizer of multinational culture of the country. The role of «Lezghinka» in the promo-tion of the folk choreographic art, general humani-tarian values during each tour is noted. The usage of fundamental multi-factor approach has allowed us to draw the conclusion that the ensemble having become a representative not only of Dagestan but also of the whole country plays an important role in smoothing military and ethnic conflicts, clearly indi-cating its position, carrying the banner of peace, friendship and solidarity between people.


Refuge ◽  
2016 ◽  
Vol 32 (1) ◽  
pp. 60-71 ◽  
Author(s):  
Marie Godin ◽  
Giorgia Doná

This article examines the role of new social media in the articulation and representation of the refugee and diasporic “voice.” The article problematizes the individualist, de-politicized, de-contextualized, and aestheticized representation of refugee/diasporic voices. It argues that new social media enable refugees and diaspora members to exercise agency in managing the creation, production, and dissemination of their voices and to engage in hybrid (on- and offline) activism. These new territories for self-representation challenge our conventional understanding of refugee/diaspora voices. The article is based on research with young Congolese living in the diaspora, and it describes the Geno-cost project created by the Congolese Action Youth Platform (CAYP) and JJ Bola’s spoken-word piece, “Refuge.” The first shows agency in the creation of analytical and activist voices that promote counter-hegemonic narratives of violence in the eastern Democratic Republic of Congo, while the second is an example of aesthetic expressions performed online and offline that reveal agency through authorship and ownership of one’s voice. The examples highlight the role that new social media play in challenging mainstream politics of representation of refugee/diaspora voices.


Author(s):  
L. Byhovskaya ◽  
I. Lyulevich ◽  
D. Dzigua ◽  
E. Yudina ◽  
A. Borodkin

The article is devoted to the development of such direction of modern communication science as the analysis of both intra-sports interactions and "near-sports" space of communication, i.e. communication channels between sports and adjacent social segments. A special place belongs to the media, which not only reflect a sports life, but also shape its public perception, interests, and assessment. It is reflected the stages and models of interaction between sports and the media, starting with pre-revolutionary print media and ending with Internet communications, the role of media in the sport’s images formation, its position in the sociocultural space. The process of sports mediatization, accompanied by the complication of its interaction with other communicative discourses, is considered.


2009 ◽  
pp. 619-637
Author(s):  
Damla Ergun ◽  
Grace Deason ◽  
Eugene Borgida ◽  
Guy-Uriel Charles
Keyword(s):  

2020 ◽  
Author(s):  
Anastasia Stouraiti

Abstract This article uses the strange and marvellous as a heuristic device to study the relationship between emotions, media and politics in early modern Venice. In particular, it examines how printed news about the marvels of the Levant mediated Venice’s encounters with its colonial subjects and imperial rivals, and analyses the role of wonder and imagination in the creation of an imperial community of feelings. The article argues that a focus on the affective politics of the marvellous can shed new light on the emotional dimensions of the early modern Venetian public sphere and its links with war and empire-building.


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