scholarly journals Variation versus Change

2016 ◽  
Vol 4 (1) ◽  
pp. 53-97 ◽  
Author(s):  
David M. Goldstein

Enclitic distribution in Greek (and archaic Indo-European generally) is governed by a set of generalizations known as Wackernagel’s Law, according to which enclitics occur in “second position.” As has long been known, surface exceptions to Wackernagel’s Law in Homer are uncommon, but in Herodotus are far more frequent. Wackernagel himself attributed this difference to syntactic change: in Homer a single mechanism is responsible for second-position clitic distribution, while in Herodotus the old second-position rule competes with new placement rules. Although the nature of these innovative mechanisms has never been explicated, philologists have adopted this view with apparent unanimity. The central claim of this paper is that the alleged syntactic change is an illusion. What Wackernagel and others have observed in Homer and Herodotus is a difference in usage, not grammar. Specifically, Herodotus uses constructions that yield non-canonical surface patterns (i.e., the clitic is not “second” in its clause) more often than Homer. As the same generalizations capture the distribution of clitics in both Homer and Herodotus, there is no validity to the claim that Wackernagel’s Law is weaker in the classical period than in the archaic, or that there are new distributional rules at work.

2001 ◽  
Vol 281 (1) ◽  
pp. H253-H265 ◽  
Author(s):  
Moon-Hyoung Lee ◽  
Zhilin Qu ◽  
Gregory A. Fishbein ◽  
Scott T. Lamp ◽  
Eugene H. Chang ◽  
...  

Several different patterns of wave break have been described by mapping of the tissue surface during fibrillation. However, it is not clear whether these surface patterns are caused by multiple distinct mechanisms or by a single mechanism. To determine the mechanism by which wave breaks are generated during ventricular fibrillation, we conducted optical mapping studies and single cell transmembrane potential recording in six isolated swine right ventricles (RV). Among 763 episodes of wave break (0.75 times · s−1· cm−2), optical maps showed three patterns: 80% due to a wave front encountering the refractory wave back of another wave, 11.5% due to wave fronts passing perpendicular to each other, and 8.5% due to a new (target) wave arising just beyond the refractory tail of a previous wave. Computer simulations of scroll waves in three-dimensional tissue showed that these surface patterns could be attributed to two fundamental mechanisms: head-tail interactions and filament break. We conclude that during sustained ventricular fibrillation in swine RV, surface patterns of wave break are produced by two fundamental mechanisms: head-tail interaction between waves and filament break.


Author(s):  
Maryvonne Hervieu

Four years after the discovery of superconductivity at high temperature in the Ba-La-Cu-O system, more than thirty new compounds have been synthesized, which can be classified in six series of copper oxides: La2CuO4 - type oxides, bismuth cuprates, YBa2Cu3O7 family, thallium cuprates, lead cuprates and Nd2CuO4 - type oxides. Despite their quite different specific natures, close relationships allow their structures to be simply described through a single mechanism. The fifth first families can indeed be described as intergrowths of multiple oxygen deficient perovskite slabs with multiple rock salt-type slabs, according to the representation [ACuO3-x]m [AO]n.The n and m values are integer in the parent structures, n varying from 0 to 3 and m from 1 to 4; every member of this large family can thus be symbolized by [m,n]. The oxygen deficient character of the perovskite slabs involves the existence or the co-existence of several types of copper environment: octahedral, pyramidal and square planar.Both mechanisms, oxygen deficiency and intergrowth, are well known to give rise easily to nonstoichiometry phenomena. Numerous and various phenomena have actually been characterized in these cuprates, strongly depending on the thermal history of the samples.


2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.


2020 ◽  
Vol 2 (4) ◽  
pp. 55-60
Author(s):  
Barbara E. Mundy

This collection of essays reconsiders a seminal 1961 article by George Kubler, the most important art historian of Latin America of the English-speaking world at the time of its writing. Often greeted with indifference or hostility, Kubler’s central claim of extinction is still a highly contested one. The essays in this section deal with Kubler’s reception in Mexico, the political stakes of his claim in relation to indigeneity, as well as the utility of Kubler’s categories and objects of “extinction” beyond their original framing paradigm.


2020 ◽  
Author(s):  
◽  
Alius Jaskelevičius

Construction of Panhellenic Identity in the Greek Historical Discourse of the Classical Period


2020 ◽  
Vol 59 (1-4) ◽  
pp. 267-279
Author(s):  
Gaëtan Schaller

Abstract:This paper intends to investigate the development of the periphrastic form for the dative and genitive in the Merovingian charters. The periphrastic forms are reserved in Classical Latin to some special uses: the indirect object after a verb that has the prefix ad- and the partitive function of the genitive they replace. These forms extend to new uses in the Late Latin and are the new majoritarian form for the indirect object, but remain a minoritarian variant for the functions of the classical genitive. The genitival functions adapt to new forms of expression: the periphrastic form and a fixed position in the sentence immediately after the noun, its complete. This paper tries to show and to corroborate by means of statistics and chosen examples of the 7th and 8th centuries the development of these forms, which were still rare in the classical period.


2018 ◽  
Vol 2018 (2) ◽  
pp. 99-116 ◽  
Author(s):  
Diego D'Angelo

This paper develops the concept of ‘creative attention’. Against classical theories that understand attention as a spotlight that brings objects into focus, I will argue that attention is a complex phenomenon structured in different layers. The most basic layer is perceptual, passive and pre-predicative: at this level, attention is creative – and this is the central claim of this paper – because it institutes meanings and rules for our behaviour


2018 ◽  
Vol 2018 (1) ◽  
pp. 129-150
Author(s):  
Henning Nörnberg

This paper contributes to the current discussion on collective affective intentionality. Very often, affective sharing is regarded as a special feature ofamore general form of we-intentionality being already in place. In contrast to this view, the paper attempts to explicate a more elementary form of affective sharing that does not simply presuppose other forms of we-intentionality, but amounts to a primitive form of we-intentionality of its own. The account presented here draws on two conceptual tools from the broader phenomenological tradition: prereflective we-intentionality on the one hand and atmospheric perception on the other. The central claim is that some instances of affective we-consciousness mainly emerge on the level of unthematic, pre-reflective orientation within one’s environment. The first part of the paper gives an account of this claim, while second part places the account in the broader discussion on collective affective intentionality.


2019 ◽  
Vol 5 (3) ◽  
Author(s):  
Joshua Banks Mailman

Babbitt’s relatively early composition Semi-Simple Variations (1956) presents intriguing surface patterns that are not determined by its pre-compositional plan, but rather result from subsequent “improvised” decisions that are strategic. This video (the third of a three-part video essay) considers Babbitt’s own conversational pronouncements (in radio interviews) together with some particulars of his life-long musical activities, that together suggest uncanny affiliations to jazz improvisation. As a result of Babbitt’s creative reconceptualizing of planning and spontaneity in music, his pre-compositional structures (partial orderings) fit in an unexpected way into (or reformulate) the ecosystem relating music composition to the physical means of its performance.


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